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Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
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October 2021Das Bücherschloss - Der verzauberte Schlüssel (Band 2)
by Barbara Rose
Enchanted Book Castle – The Enchanted Key (Vol. 2) Becky Librum moves to an old dilapidated castle with her father and her chipmunk Lotti. There she discovers a secret children's library with her new friend Hugo and his dog Watson. Becky is chosen alone to save the books before they turn to dust forever.What happens in Volume 2:Finally, Becky and Hugo found the book of books. This special edition can send them into the book world where Glimmeria and the Buxies are still waiting to be rescued. And it is becoming very urgent! But the queen has closed the gates to the magical world. Will Becky and Hugo be able to find the enchanted key in time?
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Literature & Literary StudiesSeptember 2025Love and anti-Judaism in medieval English romance
Typologies of violence and desire
by Hope Doherty-Harrison
Love and anti-Judaism is a new examination of medieval romance for the questions it poses of the most significant events in Christian history. Providing new readings of Sir Gawain and the Green Knight, Sir Orfeo, Sir Gowther and Sir Amadace, the book argues that romance explores depictions of love-and the sacrifices it may necessitate-in the Hebrew Bible, especially where they do not easily fit into interpretations asserting that this history must prefigure Christ and the crucifixion. An examination of anti-Judaism as a discourse of violence and desire that could be turned inwardly to expose the irresolution in Christianity, this book will provoke new investigations into the religious crises of medieval romance.
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