Cohete Cómics
Cohete Cómics' catalog gathers transgressive works of sequential art in lines such as documentary comics, autobiography and fiction.
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Cataplum Libros
Good books are like meek animals that stretch when we caress their backs, and that show us their bellies so we go and play with them; but they also do not hesitate to give us a good bite to free us from the claws of routine. To create these noble creatures, in Cataplum we dig like moles through the collective memory and explore the roots that connect us as Latin-Americans; thus, we recover our oral tradition, our playful language and its diverse and endless possibilities. As truffle-seeking pigs, we have developed an acute nose to find texts of authors from past and actual times. As rabbits we jump here and there tracking down illustrators with new proposals. And as eagles we strive to see, from a distance, how image and texts can coexist in harmony. In sum, our catalogue has been conceived as a living creature; one that begun as something very little, like bear cubs, but capable of becoming a fabulous living being; one that combines the best qualities of noble animals and have the power to captivate us.
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The ArtsJune 2021The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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Trusted Partner
The ArtsJanuary 2019The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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Literature & Literary StudiesApril 2023Charles Dickens and Georgina Hogarth
A curious and enduring relationship
by Christine Skelton
Charles Dickens called his sister-in-law Georgina Hogarth his 'best and truest friend'. Georgina saw Dickens as much more than a friend. They lived together for twenty-eight years, during which time their relationship constantly changed. The sister of his wife Catherine, the sharp and witty Georgina moved into the Dickens home aged fifteen. What began as a father-daughter relationship blossomed into a genuine rapport, but their easy relations were fractured when Dickens had a mid-life crisis and determined to rid himself of Catherine. Georgina's refusal to leave Dickens and his desire for her to remain in his household led to rumours of an affair and even illegitimate children. He left her the equivalent of almost £1 million and all his personal papers in his will. Georgina's commitment to Dickens was unwavering but it is far from clear what he did to deserve such loyalty. There were several occasions when he misused her in order to protect his public reputation. Why did Georgina betray her once much-loved sister? Why did she fall out with her family and risk her reputation in order to stay with Dickens? And why did the Dickenses' daughter Katey say it was 'the greatest mistake ever' to invite a sister-in-law to live with a family?
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The ArtsJanuary 2019From Perversion to Purity
The stardom of Catherine Deneuve
by Lisa Downing, Sue Harris
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
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Humanities & Social SciencesJuly 2000Cultures of Empire
A reader
by Catherine Hall, Meg Davies
Collects together the best articles by key historians, literary critics, and anthropologists on the cultures of colonialism in the British Empire in the nineteenth and twentieth centuries.. A substantial introduction by the distinguished historian, Professor Catherine Hall, discusses new approaches to the history of empire and establishes a narrative frame through which to read the essays which follow.. The volume is clearly divided into three sections: theoretical, emphasising concepts and approaches; the colonisers 'at home', focusing on how empire was lived in Britain; and 'away' - the attempt to construct new cultures through which the colonisers defined themselves and others in varied colonial sites. A useful guide to recent scholarship on the culture of imperialism. ;
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January 1998»Paul Valéry – Glück, Dämon, Verrückter«
Tagebuch 1920–1928
by Catherine Pozzi, Max Looser, Max Looser
"Im Juni 1920 lernt Catherine Pozzi Paul Valéry kennen. Er ist seit zwanzig Jahren verheiratet und hat drei Kinder. Es beginnen acht Jahre einer notgedrungen heimlichen, aber jeden Tag erneuerten und wieder in Frage gestellten Beziehung; acht Jahre der abgenötigten und unhaltbaren Versprechen; Pozzi und Valéry erleiden »den Tod und die Leidenschaft« ihrer Liebe; aber auch acht Jahre der gemeinsamen Arbeit, Lektüre und Forschung; acht Jahre eines intellektuellen und philosophischen Zwiegesprächs unter Gleichen."
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October 2005Wo Engel zögern
Unterwegs zu einer Epistemologie des Heiligen
by Gregory Bateson, Mary Catherine Bateson, Hans-Ulrich Möhring
Nach Geist und Natur. Eine notwendige Einheit hat Gregory Bateson an dem vorliegenden Buch gearbeitet, das er zu Lebzeiten aber nicht mehr zum Abschluß bringen konnte und das von seiner Tochter Mary Catherine fertiggestellt wurde.Ausgehend von dem, was wir über die biologische Welt wissen, sowie davon, was wir über das »Erkennen« zu begreifen vermögen, möchte Bateson erklären, was unter »dem Heiligen« zu verstehen sein könnte. Neben dem »Heiligen« spielen zwei weitere »integrative Erfahrungsdimensionen« eine wichtige Rolle: die des »ästhetischen« und die des »Bewußtseins«. Es ist diese Konstellation von Problemen, der man sich, so Bateson, widmen muß, wenn man zu einer Theorie des Handelns in der lebendigen Welt gelangen will – zu einer kybernetischen Ethik.
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November 2000Was ist Literaturgeschichte?
by Stephen Greenblatt, Barbara Naumann, Reinhard Kaiser, Catherine Belsey
Im England der frühen Neuzeit konnte die schlichte Fähigkeit zu buchstabieren lebensrettend sein: Daran entschied sich nämlich, ob man der weltlichen Gerichtsbarkeit überantwortet wurde oder der geistlichen, die die Todesstrafe nicht kannte. Greenblatt beschreibt, wie sich von dieser existentiellen Bedeutung aus der Literaturbegriff immer weiter verzweigte und wie aus einer »Buchstabenwissenschaft« Literaturwissenschaft im modernen Sinn wurde. Ergänzt wird der Band durch einen Kommentar der britischen Literaturwissenschaftlerin Catherine Belsey und eine Betrachtung zu einem der großartigsten Werke der Literaturwissenschaft, zu Erich Auerbachs Mimesis-Buch.
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September 2017Freiheit
Zeitgenössische Texte zu einer philosophischen Kontroverse
by Philipp Schink
Wie sieht ein überzeugendes Verständnis der Freiheit von Individuen in Gesellschaft und Politik aus? Welche philosophischen Traditionen helfen bei der Beantwortung dieser Frage? Welcher analytische Zugang ist geboten? Das in den 1990er Jahren wiedererwachte Interesse an einer theoretischen Reflexion der Freiheit hat seither zu einer Reihe von bahnbrechenden Studien geführt, die an einflussreiche Beiträge aus der zweiten Hälfte des 20. Jahrhunderts anschließen, wie sie etwa Isaiah Berlin, Hannah Arendt oder Friedrich August von Hayek geliefert haben. Der Band versammelt sowohl diese Klassiker als auch diejenigen Texte, die im Zentrum der aktuellen Debatte stehen: von Charles Taylor, Philip Pettit, Quentin Skinner, Rainer Forst, Gerald Cohen, Nancy Hirschmann u. a. Er bietet so eine umfassende Einführung in eine der lebhaftesten und wichtigsten philosophischen Kontroversen der Gegenwart.
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October 1994Revolutionen in der Naturwissenschaft
by I. Bernard Cohen, Werner Kutschmann
Wie konnte sich der Ausdruck ›Revolution‹, der ursprünglich immerhin ein Terminus für astronomische Vorgänge, Umläufe oder Umdrehungen von Himmelskörpern, gewesen war, in einen Begriff der politischen Macht- und Herrschaftsgeschichte verwandeln? Und wie kam es dazu, dass dieser gesellschaftspolitische Revolutionsbegriff wiederum auf die Naturwissenschaften und deren Erkenntnisgeschichte angewandt wurde? Ist es überhaupt legitim, den Begriff der politischen Revolution einschließlich all seiner machttheoretischen Konnotationen auf den Siegeszug einer naturwissenschaftlichen Idee, eines erkenntnisleitenden Paradigmas, zu übertragen, wie es uns die theoretische Wissenschaftsgeschichtsschreibung seit Th. S. Kuhn lehrt? Die sind die Fragen, mit denen Cohens Untersuchung über Revolutionen in der Naturwissenschaft anhebt. Cohen verfolgt einen Zeitraum von mehr als vier Jahrhunderten umspannt und nahezu alle wichtigen Bereiche der Naturwissenschaften erfasst – von der Astronomie bis zur Evolutionstheorie, von den Geowissenschaften bis zur Freudschen Psychoanalyse, von der Galileischen Kinematik bis zur Einsteinschen Relativitätstheorie und Atomphysik -, die historische Kariere eines Begriffs, der sich in mehreren Wandlungen und Metamorphosen durch die Naturwissenschafts- und Sozialgeschichte hindurchzieht, um letztlich als der entscheidende Begriff des mit Kuhn vollzogenen sociological turn in der Wissenschaftsgeschichtsschreibung eine neue Auferstehung zu erleben.
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Literary studies: fiction, novelists & prose writersMay 2001Sab
By Gertrudis Gomez de Avellaneda
by Catherine Davies
This tale of a slave's unrequited love for the woman who owns him is set in nineteenth-century colonial Cuba and was the only feminist-abolitionist novel published during the century in Spain or its colonies. This unique text raises important issues concerning power, race, gender and class in colonial societies, colonial and post-colonial subjectivity and identities, feminist appropriations of the abolitionist agenda, human rights discourse, and literary and philosophical issues associated with enlightenment thought. This new annotated critical edition is the first to provide the original Spanish text along with a substantial and authoritative introduction in English, as well as maps and tables relating to nineteenth-century Cuba, a vocabulary list, and suggestions for further reading.
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The ArtsDecember 2024Beyond the Happening
Performance art and the politics of communication
by Catherine Spencer
Beyond the Happening uncovers the heterogeneous, uniquely interdisciplinary performance-based works that emerged in the aftermath of the early Happenings. By the mid-1960s Happenings were widely declared outmoded or even 'dead', but this book reveals how many practitioners continued to work with the form during the late 1960s and 1970s, developing it into a vehicle for studying interpersonal communication that simultaneously deployed and questioned contemporary sociology and psychology. Focussing on the artists Allan Kaprow, Marta Minujín, Carolee Schneemann and Lea Lublin, it charts how they revised and retooled the premises of the Happening within a wider network of dynamic international activity. The resulting performances directly intervened in the wider discourse of communication studies, as it manifested in the politics of countercultural dropout, soft power and cultural diplomacy, alternative pedagogies, sociological art and feminist consciousness-raising.
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Literature & Literary StudiesMarch 2013Female performance practice on the fin-de-siècle popular stages of London and Paris
by Catherine Hindson
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Humanities & Social SciencesAugust 2019Negotiating insanity in the southeast of Ireland, 1820–1900
by Catherine Cox
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