DIO AZ
DIO AZ is a leading independent Moroccan publisher focusing on children's literature. We create engaging, educational books that inspire and broaden horizons.
View Rights PortalDIO AZ is a leading independent Moroccan publisher focusing on children's literature. We create engaging, educational books that inspire and broaden horizons.
View Rights PortalDar Ihyaa El Ouloum Azzahera (DIO AZ) is an independent publishing house based in Casablanca, Morocco, established in 1975. They publish works in French, English, and Arabic, with a recent focus on expanding their children's book collection.
View Rights PortalInstead of modernity goes to the very heart of comparative cultural study: the question of what happens when intimate, dynamic connections are made over place and time, what it is to feel at home amid the lavish diversity of culture. This ambitious interdisciplinary book reconsiders foundational figures of the modern western canon, from Darwin to Cameron, Baudelaire to Whistler. It weaves together brain images from France, preserved insects from the Americas, glass in London, poetry from Argentina, paintings from Spain. Flaubert, Whitman, and Nietzsche find themselves with Hostos from Puerto Rico and Gorriti from Argentina. The book ranges over theoretical fields: trauma and sexuality studies, theories of visuality, the philosophy of sacrifice and intimacy, the thought of Wittgenstein. Instead of modernity is an adventure in the practice of comparative writing: resonances join suggestively over place and time, the textures of words, phrases and images combine to form moods.
Anthony Burgess and America is a biographical and critical analysis of Burgess's commentary on and relationship with the United States of America. Utilising Burgess's entire canon and newly discovered materials to assess Burgess's views on America, this book also evaluates the American inspirations in five Burgess novels. This essential addition to Burgess scholarship tells the story of a nearly unexplored area of Burgess's life. For the first time ever, Burgess's American experiences, work, and documented communication, lectures, interviews and public utterances are brought together to assess where these commentaries overlapped with his fiction. The result is a complex personal and public history about one of Britain's greatest twentieth century authors and their immersion into and interaction with American culture in the second half of the twentieth century.
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
The Villagers - Stranded on Monster Island (Vol.1) Loewe Wow! meets Minecraft In the village on the edge of the canyon, there is never a dull moment. Nightwalkers (zombies), bangers (creepers) and other dangers threaten the peace, but the villagers know how to defend themselves, however, they are not armed against the pranks of Nano, the son of the village protector Primo. Nano loves to play tricks on the villagers, which leads to many exciting adventures. But this time he takes it too far and causes chaos in the village: The snow golem he built devastates the entire village! To remain undiscovered and escape punishment, Nano and and his best friend Maffi hide in a boat that suddenly drifts out to sea without a rudder! The two are stranded on an island, which is not as deserted as it seems at first. Because when it gets dark, the familiar Minecraft monsters crawl out of the caves. Maffi and Nano must now find a way to escape the monsters and, of course, find their way back home. In the end, they succeed with the help of a stranger, but when they arrive in the village, no one believes what they have experienced. Everyone thinks the adventure they have had is just a fictional story. Exciting stories, independent from the Minecraft game: not only for fans! Illustrated in b/w with an eye-catching spot color, in the familiar Minecraft look Biannual publication of new adventures
This is the first edition for students and general readers of this pro-woman reply to Shakespeare's 'The Taming of the Shrew' by a playwright (John Fletcher) who was more admired than Shakespeare in the seventeenth century. Co-edited by a feminist critic and a distinguished textual scholar, this new textbook makes clear why "The Tamer Tamed" should be restored to the theatrical repertoire and the literary canon. It includes the fullest commentary ever provided for the play, explaining for modern students Fletcher's verbal exuberance and his uninhibited sexual language. The full critical introduction describes the play's Renaissance context, its historical and literary sources (including Aristophanes's "Lysistrata"), and its subversive relationship to Shakespeare's "Shrew" and Ben Jonson's "The Silent Woman". It also surveys the play's subsequent theatrical and critical history. A unique and essential companion to the numerous textbook editions of Shakespeare's play, "The Tamer Tamed" provides exciting new material for current debates about the history of gender, marriage, and drama. ;
With original case studies of a more than a dozen countries, Monarchies and decolonisation in Asia offers new perspectives on how both European monarchs who reigned over Asian colonies and Asian royal houses adapted to decolonisation. As colonies became independent states (and European countries, and other colonial powers, lost their overseas empires), monarchies faced the challenges of decolonisation, republicanism and radicalism. These studies place dynasties - both European and 'native' - at the centre of debate about decolonisation and the form of government of new states, from the sovereigns of Britain, the Netherlands and Japan to the maharajas of India, the sultans of the East Indies and the 'white rajahs' of Sarawak. It provides new understanding of the history of decolonisation and of the history of modern monarchy.