Éditions David
Livres Canada Books
View Rights PortalDavid and Charles is an independent publisher of non-fiction books, predominantly in art, craft and creative categories. Our titles feature industry-leading authors and award-winning editorial and design, commissioned for commercial success in all markets. Category focus on practical how-to books in art, crochet, knitting, general crafts, patchwork & quilting, sewing and wellbeing. Cornerstone titles which are highly illustrated, project, technique and trend orientated.
View Rights PortalDavid and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
For imperialists, the concept of guardian is specifically to the armed forces that kept watch on the frontiers and in the heartlands of imperial territories. Large parts of Asia and Africa, and the islands of the Pacific and the Caribbean were imperial possessions. This book discusses how military requirements and North Indian military culture, shaped the cantonments and considers the problems posed by venereal diseases and alcohol, and the sanitary strategies pursued to combat them. The trans-border Pathan tribes remained an insistent problem in Indian defence between 1849 and 1947. The book examines the process by which the Dutch elite recruited military allies, and the contribution of Indonesian soldiers to the actual fighting. The idea of naval guardianship as expressed in the campaign against the South Pacific labour trade is examined. The book reveals the extent of military influence of the Schutztruppen on the political developments in the German protectorates in German South-West Africa and German East Africa. The U.S. Army, charged with defending the Pacific possessions of the Philippines and Hawaii, encountered a predicament similar to that of the mythological Cerberus. The regimentation of military families linked access to women with reliable service, and enabled the King's African Rifles to inspire a high level of discipline in its African soldiers, askaris. The book explains the political and military pressures which drove successive French governments to widen the scope of French military operations in Algeria between 1954 and 1958. It also explores gender issues and African colonial armies.
starting point. David Herd sets out to provide readers with a new critical language through which they can appreciate the beauty and complexity of Ashbery's writing. Presenting the poet in all his forms -avant-garde, nostalgic, sublime and camp - the book argues that the perpetual inventiveness of Ashbery's work has always been underpinned by the poets desire to write the poem fit to cope with its occasion. Tracing Ashbery's development in the light of this idea, and from its origins in the dazzling artistic environment of 1950's New York, the book evaluates his poetry against the aesthetic, literary and historical backgrounds that have informed it. The story of a brilliant career, and a history of the period in which that career has taken shape, John Ashbery and American Poetry provides a compelling account of Ashbery's importance to Twentieth Century Literature. ;
This edition contains in distilled form the insight and learning found in the fuller Revels critical editions, but with less of the learning apparatus that is appropriate to a critical edition. Compact and up to date introduction and commentary. The price and format are designed to be competitive with any paperback teaching edition of this play. ;
Missionaries and their medicine is a lucid and enthralling study of the encounter between Christian missionaries and an Indian tribal community, the Bhils, in the period 1880 to 1964. The study is informed by a deep knowledge of the people amongst whom the missionaries worked, the author having lived for extensive periods in the tribal tracts of western India. He argues that the Bhils were never the passive objects of missionary attention and that they created for themselves their own form of 'Christian modernity.' The book provides a major intervention in the history of colonial medicine, as Hardiman argues that missionary medicine had a specific quality of its own - which he describes and analyses in detail - and that in most cases it was preferred to the medicine of colonial states. He also examines the period of transition to Indian independence, which was a highly fraught and uncertain process for the missionaries.
Simulating the marvellous presents important new research on Surrealism and the culture from which it arose. Offering fresh interpretations of Surrealist art and literature based around the theme of simulation, the book shows, in the late nineteenth and early twentieth centuries, that the notion of simulation arose in a number of discrete contexts, in relation to hysteria and war neuroses; more broadly it shadows the emergence of our concept of 'the unconscious'. Acknowledging simulation's relevance to Surrealism, this book argues, radically alters our understanding of the Surrealists' project and the terms in which one gauges its success or failure. It leads one to question the naïve assumption that automatic writing or drawing represent an authentic outpouring of the unconscious and gives renewed significance to a figure such as Salvador Dalí who embraced simulation and made it the basis of his art and aesthetic. Resonances are also explored with postmodern theory and art practice, around the themes of simulation and the simulacrum.It also points to one of the ways in which Surrealism chimes with a core preoccupation of contemporary art and theory. Written accessibly, and ranging across many of the core ideas of Surrealism, David Lomas balances coverage of both Surrealist art and literature, looking at such figures as Dalì, Eluard, Masson, Desnos, Brouillet, Picasso, Tanning and Janet, as well as Glenn Brown, Douglas Gordon and Sarah Lucas. The book will interest not only art historians and theorists, but also students and those with a general interest in Surrealism. ;