Éditions David
Livres Canada Books
View Rights PortalDavid and Charles is an independent publisher of non-fiction books, predominantly in art, craft and creative categories. Our titles feature industry-leading authors and award-winning editorial and design, commissioned for commercial success in all markets. Category focus on practical how-to books in art, crochet, knitting, general crafts, patchwork & quilting, sewing and wellbeing. Cornerstone titles which are highly illustrated, project, technique and trend orientated.
View Rights PortalForker's critical edition fills the need for a fully annotated, historically contextualised and modernised text of the most important Elizabethan chronicle play apart from Shakespeare and Marlowe's Edward II. Now attributed definitely to George Peele, this drama helped to establish a major theatrical genre, raising contemporary political and religious issues through the dramatisation of medieval history in a compelling and popular fashion. A major source for Shakespeare, it throws new light on the bard's adaptation of earlier drama and helps to illustrate his working methods. With the full introduction and generous notes this Revels Plays edition will be the first port of call for students and enthusiasts of Elizabethan and early modern drama. ;
George Chapman is known today as a translator of Homer and as the author of dark tragedies such as Bussy D'Ambois. An Humorous Day's Mirth, written in 1597, was one of the most popular plays of the Elizabethan era. Not only was Chapman's play the Rose Theatre's greatest box-office success of that year, but it also presented an entirely new type of comedy, one that has profoundly influenced comic writing up to the present day. This play is the English theatre's first 'comedy of humours', in which the attitudes, behaviour, and social pretensions of contemporary men and women are satirised. Charles Edelman's is the first fully annotated, modern spelling edition of this long-neglected play. In his extensive introduction and commentary, Edelman discusses the intellectual, philosophical and theatrical background to Chapman's comedy, and shows that An Humorous Day's Mirth would delight the readers and audiences of today as much as it did those in 1597. ;
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.
Available in paperback for the first time, this work of original scholarship is the first to trace in full detail how the UK's system for defining parliamentary constituencies has evolved since the Great Reform Act of 1832 and how the eight redistrictings since then were undertaken. Particular attention is paid to the five redistrictings that have been undertaken by the independent Boundary Commissions established in 1944, with a detailed study of all aspects of their work on the most recent review of all constituencies. The book is both a standard reference work on redistribution in the UK and provides the only detailed insight into how that task is currently undertaken, based on a study of the relevant documents and interviews with over a hundred of those most closely involved. The book will be essential for all those interested in the British constitution, and administrators concerned with making the constitution successful, as well as politicians.
In 2007 Labour lost an election in Scotland for the first time in half a century and the SNP went on to form the Scottish Government. This book explains why. Based on a unique three-wave survey of the Scottish electorate, it can truly be described as the first full-scale Scottish national election study. As such, it is notable not only for its innovative methodology but also because theories and concepts are taken from the recent electoral studies literature and applied to Scotland. Other questions investigated include the impact of campaigning and of the party leaders (at both Scottish and British level) on the election outcome. In addition, for the first time in the UK context, a special study is made of the causes and consequences of rejected ballots - the large number of which at this election caused a media outcry. This book will be required reading for anyone interested in, involved in, teaching or studying Scottish politics. It will also be an important text for those concerned with UK politics in general and attract particular interest among students of elections, both in the UK and internationally. ;
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Das vorliegende Werk eines wachen und empfindsamen jungen Mädchens könnte es abgeben. Unnachahmlich scheint die Mischung von kindlicher Erzählfreude, altkluger Wahrnehmung und nachdenklichem Sentiment. Unnachahmlich erscheint aber auch der posthume innige Dialog zwischen Vater und Tochter – dies ist das Werk des Herausgebers, Charles Neider, der als einer der besten amerikanischen Kenner des Werkes von Mark Twain gelten kann und die vorliegende erste vollständige Ausgabe des biographischen Tagebuches der Susy Clemens mit vielen Kommentaren von Mark Twain liebevoll ausgestattet hat.
A shocking glimpse into the mind of a medieval witch hunter. In 1487, the zealous Dominican inquisitor Heinrich Kramer wrote a treatise that would have a remarkable influence on European history. Blaming women for his own lust, and frustrated by official complacency before what he saw as a monstrous spiritual menace, Kramer penned a practical guide to aid law officers in the identification and prosecution of witches. Fusing theology, lurid anecdotes and advice for those engaged in combating sorcery, The Malleus Maleficarum transports the reader into the dark heart of medieval belief - where fear of the supernatural provokes a gripping struggle for understanding and control. Kramer's book led to the burning of numerous innocents and had a lasting impact on the popular image of witchcraft. It remains a sinister symbol of fanaticism and cruelty to this day.
This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation. ;
This volume marks a new approach to a seminal work of the modern scientific imagination: Charles Darwin's The Origin of Species (1859). Darwin's central theory of natural selection neither originated nor could be contained, with the parameters of the natural sciences, but continues to shape and challenge our most basic assumptions about human social and political life. Several new readings, crossing the fields of history, literature, sociology, anthropology and history of science, demonstrate the complex position of the text within cultural debates past and present. Contributors examine the reception and rhetoric of the Origin and its influence on systems of classification, the nineteenth-century women's movement, literary culture (criticism and practice) and Hinduism in India. At the same time, a re-reading of Darwin and Malthus offers a constructive critique of our attempts to map the hybrid origins and influences of the text. This volume will be the ideal companion to Darwin's work for all students of literature, social and cultural history and history of science. ;
»Erst wenn schließlich auch die Werbeblöcke gestrichen werden,« so eine zuverlässige Faustregel, »ist die Sache wirklich ernst.« Eine weltmachterschütternde Kamikaze-Aktion oder wenigstens ein rekordverdächtiger Amoklauf vor der eigenen Haustür – es muß knüppeldick kommen, um die tägliche Infotainment-Maschinerie aus dem Takt zu bringen. »Das System, in dem wir leben«, ist auf den ersten Blick mehr ein mediales als ein politisch-ökonomisches. Auf den zweiten Blick ist beides identisch. In »Angela Davis löscht ihre Website« verbinden sich politisches Denken und Pop, der forcierte Blick auf die Gegenwarts-Oberfläche und dessen ständige Infragestellung vor dem Hintergrund der Historie auf. »Vortäuschung falscher Tatsachen«, so die Frage, »oder Vortäuschung richtiger Tatsachen?« Schwer zu durchschauen – gerade angesichts von Gewalt und kriegerischer Auseinandersetzung und ihren jeweiligen Rechtfertigungen –, was Realität ist, was Medienrealität, was auslösende Gewalt, was angeblich gerechte »Vergeltung der Vergeltung der Vergeltung«. »Gibt es die neue Weltordnung schon?« In »Angela Davis löscht ihre Website« geht es um nichts Geringeres als um »das Zeitalter, in dem wir leben/ die Epoche, in der wir leben«, in der Gegensätze und Haltungen mitunter ununterscheidbar geworden sind; Veronas Welt und Sofies Welt stehen ebenso selbstverständlich nebeneinander wie MTV und CNN. »Kriegsfilm?/ Antikriegsfilm?/ Kriegsberichterstattung?« heißt es wiederholt aus dem Off, denn es gilt die unmißverständliche Losung: »seit 5 Uhr 45 wird zurückgefragt.«