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View Rights PortalThe American Diabetes Association is the world’s largest publisher of titles on diabetes care and treatment, setting the standards of patient care based on the latest research.
View Rights PortalDiametric Verlag is an independent publisher founded by Jutta A. Wilke providing high-quality specialized literature focused on women's issues like Women's Health, Gender Medicine and Feminism. All titles are published in German and available in print and digital editions.
View Rights PortalNew D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain's major modernist writers. The collection features new work by the present generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; Hugh Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in 'The Ladybird'; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures. ;
Optimismus, der dem Pessimismus Schopenhauers radikal entgegengesetzt ist, der Wille zum Leben, der sich im Geschlecht ausdrückt, ist Freude, und in ihm müssen Denken und Handeln ihren Ausgangspunkt haben, wenn sie nicht leerer Begriff, unfruchtbarer Mechanismus bleiben sollen . . .« Mit diesem, wie Simone de Beauvoir sagt, »Willen zum Leben« hat D. H. Lawrence auch jene Liebeserzählungen geschrieben, die den Romanen, seinem Hauptwerk, vorangegangen sind.
Dreißig Jahre lebte Lawrence Durrell in der Provence, und die Provence ist auch das Thema seines letzten, kurz vor seinem Tod 1990 erschienenen Buches. Es ist eine Liebeserklärung an seine Wahlheimat, ein sehr persönliches, ungewöhnliches Buch, eine Mischung aus Reiseimpressionen, autobiographischen Texten und Geschichten. Plaudernd schreibt Durrell über die Geschichte und die Entwicklung der Provence, erläutert den kulturhistorischen Zusammenhalt zwischen Römern und Franzosen, erzählt vom Mythos, den dieser Landstrich für den Rest des Landes darstellt, beschreibt die Architektur des Südens, aber auch die Lebenslust, das Lebensgefühl der Provenzalen weiß er unvergleichlich zu schildern.
This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
'A rule of mine is this', said William Goldman in 1983, 'there are always three hot directors and one of them is always David Lean.' One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean's career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker. ;