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View Rights PortalDavid and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
Die ganze Welt schaute zu, als die adlige Kindergärtnerin Diana Frances Spencer Englands Thronfolger Prinz Charles ihr Ja-Wort gab. Es war eine Hochzeit wie im Märchen. Aber Diana wollte kein Märchen leben. Sie ließ sich scheiden und nutzte ihre Berühmtheit, um auf die Missstände in der Welt aufmerksam zu machen. Sie setzte sich für Kinder ein, besuchte Aidskranke und lief über Minenfelder … Als sie nach einem Unfall starb, trauerte die ganze Welt um eine Frau, die den Mut gehabt hatte, aus dem goldenen Käfig auszubrechen. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
Jacques Rivette is perhaps the best-kept secret of French cinema. A founding figure in the New Wave, and at the centre of the Cahiers du cinéma team, he developed into one of the most unusual and adventurous French directors of the last sixty years, yet his work remains little-known in comparison with his contemporaries, and this study is the first in English to look at the full span of his career. Starting with his decisively influential film criticism of the 1950s, it moves from the New Wave through the complex, experimental films of the 1970s to the challenging, playful dramas which ensured his visibility during the following two decades, and ends in the present, including Rivette's most recent films, Histoire de Marie et Julien (2003) and Ne touchez pas la hache (2007). The book takes a thematic approach, offering detailed discussion of key elements of Rivette's film world, including games, conspiracy and jealousy, as well as a study of what Rivette's cinema adds to our understanding of key theoretical concepts in Film Studies such as narrative, space and adaptation. There are many close analyses of sequences from Rivette's films including Paris nous appartient (1961), Céline et Julie vont en bateau (1974) and La Belle Noiseuse (1991). ;
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Eine wimmelige Entdeckungsreise durch den Wald Im Buchenwald ist ganz schön was los! Wer krabbelt da unter der Erde? Was passiert hoch oben in den Bäumen? Wo versteckt sich das Eichhörnchen? In diesem kunterbunten Wimmelbuch für Kinder ab 2 Jahren gibt es jede Menge zu entdecken und zu erleben! Auf fünf detailreich illustrierten Doppelseiten nehmen Bestseller-Autor Peter Wohlleben und Fritzi Wildschwein die verschiedenen Aspekte des Walds unter die Lupe. Die wunderbare Kombination aus spannenden Sachinformationen und den wimmeligen Illustrationen von Diana Kohne macht dieses Pappbilderbuch zu einem vergnüglichen ersten Wald-Buch für Familien. Hier lernen die Kleinsten den Wald und seine Tiere spielerisch kennen! Das große Wald-Wimmelbuch – mit spannenden Sachinfos von Bestseller-Autor Peter Wohlleben Den Wald entdecken: Kunterbuntes Wimmelbuch über den Wald und seine Bewohner für Kinder ab 2 Jahren. Mit Fritzi Wildschwein durch den Wald: Spannende Einblicke und Fakten über den Wald und seine Tiere und Pflanzen von Bestsellerautor Peter Wohlleben. Wimmelspaß ohne Ende: Detailreiche Illustrationen von Diana Kohne laden zum Suchen und Staunen ein und vermitteln Kleinkindern die Liebe zur Natur und zum Lesen. Spielerisch lernen: Die Suche nach Tieren und Pflanzen in den wimmeligen Bildern schärft die Konzentration und erweitert den Wortschatz. Wimmelige Wissensvermittlung: In dem großen Pappbilderbuch lernen schon die Kleinsten den heimischen Wald mit all seinen Bewohnern spielerisch kennen. Eine unvergessliche Reise in die Natur und ein wunderbares Vorleseerlebnis für Familien!
What's going on in London? A mass breakout of prisoners, an attack on a hotel and a bank robbery - all that happens within a short while. Sherlock Holmes draws a rapid deduction: This cannot be an accident. He already has a theory what and most of all who is behind it. Remains to find out how his arch enemy managed to do that. But Sherlock is on his tracks because the thieves and their leader have left their fingerprints ...
Intervening at the crossroads of philosophy, politics, and cinema, this book argues that the career of Robert Guédiguian, director of Marius et Jeannette (1997) and other popular auteurist films, can be read as an original and coherent project: to make a committed, historically-conscious cinema with friends, in a local space, and over a long period of time. Illustrated with comprehensive readings of all of Guédiguian's films.
Alle Tiere wachsen anders: So werden die Waldkinder groß! Bei einem Spaziergang durch den Wald fällt dem kleinen Wildschweinmädchen Fritzi etwas Spannendes auf: Fritzis Mama sieht ganz anders aus als sie selbst! Fritzi hat Streifen, ihre Mama nicht und Mamas Fell ist auch viel dunkler. Ob das bei anderen Tieren auch so ist? Verändern die sich auch, wenn sie groß werden? Das muss Fritzi herausfinden und tapst voller Neugier los. Auf ihrem Abenteuer bemerkt sie, dass es noch viele Tierkinder gibt, die ganz anders aussehen als ihr Eltern: Das Meisenbaby ist fast nackig, das Rehkitz hat Pünktchen und Schmetterlinge waren mal Raupen. Fritzi staunt: So viele Tierkinder, die sich verwandeln! Als das kleine Wildschweinmädchen zurück nach Hause kommt, hat es seiner Mama ganz schön viel zu erzählen. Wie werden kleine Tiere groß? – Komm mit Wildschwein Fritzi auf eine spannende Entdeckungsreise in die Welt der Tierkinder. Ein süß illustriertes Pappbilderbuch zum Entdecken und Staunen für die Kleinsten. Wissenschaftlich fundiert und wundervoll erzählt, mit vielen Details. Die niedlichen Tiergeschichten von dem Wildschwein Fritzi machen Lust auf einen Waldbesuch. "Wie kleine Tiere groß werden" ist das zweite Pappbilderbuch von Bestsellerautor Peter Wohlleben und Diana Kohne aus der liebenswerten und frechen Welt von Fritzi Wildschwein. Ein schönes Vorlesebuch für kleine Waldentdecker*innen, Naturfreunde und alle, die schon Fans von „Wie schläft der Wald?“ sind. Peter Wohlleben weiß, wovon er schreibt: Er selbst bewirtschaftet einen ökologisch orientierten Forstbetrieb in der Eifel und gibt sein Wissen nicht nur in Waldführungen weiter, sondern auch in liebevoll gestalteten und kindgerechten Bilderbüchern. Die Geschichte von Fritzi Wildschwein ist das perfekte Kinderbuch ab 2 Jahren und ein schöner Einstieg in die Welt des Waldes.
Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. From its beginnings more than a century ago, European cinema has dealt with the tension between these two functions in a variety of ways: at the extremes, dictatorial regimes have sweetened the pill of ideology with the sugar of entertainment. Meanwhile, spectators have persisted in seeking out, above all, the pleasure film can provide. Now available again in paperback, this book explores the complex relationship between entertainment, ideology and audiences in European film, through studies that range from the Stalinist musicals of the 1930s, to cinematic representations of masculinity under Franco, to recent French films and their Hollywood remakes. Diverse and entertaining, this study is addressed to students of film - especially French, German, Russian or Spanish - and to those readers and academics interested in both the history of cinema and in European culture.
Die Verfilmung der Abenteuer des Sherlock Holmes entwickelte sich 2009 zu einem sensationellen Kinoerfolg, der weltweit Millionen von Zuschauer in die Kinos lockte. 2012 kämpfen Sherlock Holmes und sein Freund Dr. Watson weiter gegen den skrupellosen Verbrecher Professor Moriarty. Unter der Regie von Guy Ritchie lassen sich Robert Downing Jr. und Jude Law als grandioses Ermittlergespann erneut auf halsbrecherische und gefährliche Abenteuer ein, um den Schuldigen zu finden …
Saccharine for some, poignant for others, Jacques Demy's 'enchanted' world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d'âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d'Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will. This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers. ;
Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues whilst still managing to attract and connect with a popular audience - and, above all, with a youth audience. He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor. His films - whether directed by or acted in, or both - show an astonishing variety, from his early Métisse (1993), his break-through, La Haine (1995) through to Jeunet's Le fabuleux destin d'Amélie Poulain (2000), Astérix et Obélix: Mission Cléopatre (2002) and Gothika (2003). Will Higbee's study is the first to explore of one of the most fascinating characters in French cinema. ;