Editions Gibraltar
Editions Gibraltar is an independent publisher firmly committed to supporting writers whose lives and ideas have the power to improve the world.
View Rights PortalEditions Gibraltar is an independent publisher firmly committed to supporting writers whose lives and ideas have the power to improve the world.
View Rights PortalFounded in 1943, Editora do Brasil has a wonderful history of commitment to culture and education. As a solid and experienced publisher, we are increasingly connected to the new times. One of the largest Brazilian companies in the segment, we believe in strengthening education and culture nationally and abroad. With a diverse and award-winning catalog, Editora do Brasil is always seeking to stay current and offer the best material. Our books feature a variety of themes by some of the best authors and designers, some of whom are internationally renowned.
View Rights PortalGlücklich und entspannt in der Natur Ein Aufenthalt im Grünen und an der frischen Luft steigert das Wohlbefinden und hilft Groß und Klein dabei, Stress abzubauen. Dieses Naturbuch nimmt Familien mit Kindern ab 5 Jahren mit auf eine Reise durch die Natur. Es gibt viel zu entdecken: Von Mustern in Wurzeln und Blättern über besondere Naturgeräusche bis hin zur Kraft von Sonne und Regen. Das Buch enthält 25 Ideen für Aktivitäten in der Natur, die glücklich machen. Mit seinen altersgerechten Texten von der Psychologin Dr. Alison Greenwood und wunderschönen Illustrationen von Anneli Bray ist es ein inspirierender und achtsamer Begleiter durch die Natur. Nichts wie los: Raus ins Grüne und die Natur mit allen Sinnen erleben! Raus ins Glück - rein in die Natur! Stressabbau in der Natur: Ein Buch voller Inspirationen zum achtsamen Draußensein für Familien mit Kindern ab 5 Jahren Wichtiges Thema im hektischen Alltag: 25 Aktivitäten in der Natur, die Kinder spielerisch zur Ruhe bringen. Die fünf Glückszutaten der Natur für Kinder: Verästelungen von Wurzeln und Blättern beobachten, Naturgeräusche mit allen Sinnen wahrnehmen, die Kraft von Sonne und Regen spüren. Einfühlsam: Mit kindgerechten Texten von der Psychologin Dr. Alison Greenwood und inspirierenden Illustrationen von Anneli Bray. Achtsamkeit verschenken: Ein wunderbares Geschenk für Kinder ab 5 Jahren, das zeigt, dass die Natur ein wunderbarer Ort ist, um Frieden und Harmonie zu finden. Die Wunder der Natur entdecken! Dieses inspirierendes Buch für Familien mit Kindern ab 5 Jahren enthält 25 Ideen für achtsame Aktivitäten in der Natur. Ein achtsamer Begleiter für glückliche Momente im Grünen. Empfohlen von der Stiftung Lesen.
Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship? Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination. With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times. ;
— "A precise, analytical insight into the phenomenon Trump." (Anton Pelinka, Central European University Budapest) — "An introduction to the contemporary US." (Heinrich Neisser, Jean Monnet Chair of European Integration, University of Innsbruck) — "Refreshingly different." (Herbert Dorfmann, Member of the European Parliament) Joe Biden's America is deeply divided. Donald Trump's term in office made many problems of modern US society visible, which Biden now has to solve. What do American politics look like under Joe Biden? What legacy did Donald Trump leave behind, and what kind of impact does it have? How can the deeper causes, factors and drivers of current US developments be put in a historical context? Roland Benedikter provides a thorough insight into a complex country. In a compact and comprehensible way, he explains the background, challenges and perspectives of the Biden era, while also providing an overview of the current state of US society and culture in general. His analysis is suitable for teaching, decision-makers and civil society as an introduction to today's USA.
Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.
Over the last twenty years there have been flurries of interest in the artist's model, and recent exhibitions have stimulated new activity in this area. Model and Supermodel extends the discussion about the social and cultural significance of the model in British art and culture. A fascinating collection of essays and interviews, it examines the persistent mythology of the artist's model and some of the ambiguities involved in depicting the body. The volume begins with Martin Postle's survey of the profession of the model during the period c.1840-1940. Elizabeth Prettejohn considers the Pre-Raphaelite model and Alison Smith examines the lives of some nineteenth-century models who achieved fame and notoriety in their own right. Jane Desmarais looks at the model from a literary perspective and Reena Suleman presents the work of Edward Linley Sambourne. Michael Hatt's essay examines the aesthetic and ethical aspects of Tuke's use of boy models for his paintings of nude bathers, and William Vaughan reflects on the British figurative tradition from Sickert to Freud. Catherine Wood brings the volume up to date with her essay on the found model in contemporary art, and the volume concludes with two interviews with the artist, Peter Blake, and a life model, Susannah Gregory. The book offers a series of lively takes on the phenomenon of the artist's model. It will make fascinating reading for those interested in modern art and the wider aspects of British culture and society.
In Renaissance Drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide rage of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crises in early modern England, reading them in relation to witch craft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstanding heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. ;
In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. ;
National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions. Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union. This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.
This book explores how fishers make the sea productive through their labour, using technologies ranging from wooden boats to digital GPS plotters to create familiar places in a seemingly hostile environment. It shows how their lives are affected by capitalist forces in the markets they sell to, forces that shape even the relations between fishers on the same boat. Fishers frequently have to make impossible choices between safe seamanship and staying afloat economically, and the book describes the human impact of the high rate of deaths in the fishing industry. The book makes a unique contribution to understanding human-environment relations, examining the places fishers create and name at sea, as well as technologies and navigation practices. It combines phenomenology and political economy to offer new approaches for analyses of human-environment relations and technologies. It contributes to the social studies of fisheries through an analysis of how deeply fishing practices and social relations are shaped by political economy. It will be read in universities by social scientists and anthropologists and also by those with an interest in maritime Scotland.
With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.
Mit acht Jahren begann Maya aus den USA, umweltfreundliche Mode zu machen. Im Alter von vierzehn Jahren erfand Reyhan aus Aserbaidschan einen cleveren Apparat, der aus Regentropfen grüne Energie gewinnt. Die Niederländerin Fabïenne kämpft gegen die Abholzung von Wäldern und für die Vermeidung von Papiermüll. Jefferson aus Kenia baut nachhaltig Obst und Gemüse an. Mit zwölf Jahren lernte Archie aus Australien, wie wichtig saubere Ozeane sind, und hilft nun, sie zu schützen. Welche Idee hast du für eine bessere Welt? Die Zukunft beginnt mit dir! Unsere Umwelt braucht dich: Schütze Wälder, Ozeane, Menschen mit deinen Ideen. Unternimm gleich heute etwas für morgen, denn du kannst den Unterschied machen. In diesem Buch erzählen dir zwölf Aktivist*innen, wie sie unsere Welt retten.
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
Political marketing has become a global phenomenon as parties try to copy the market-oriented approach employed by Tony Blair to win power for New Labour in 1997. Increasingly voters choose parties like consumers choose products, and this study looks at how some political parties, such as Sinn Fein, have been able to capitalise on this to gain support. It raises fresh perspectives on the more established political marketing practices in the UK and US, such as how to incorporate political leadership within the market-oriented framework and the democratic implications when faced with the actually business of governing. This book also highlights how the market-oriented party approach has spread around the world, including Europe and the new democracies of Brazil and Peru. The chapters, in demonstrating this convergence in practices, also question whether this strategy is appropriate for political systems based on proportional representation and coalition governments such as those in Austria, Germany, New Zealand, Canada, and devolved systems in Northern Ireland and Scotland. The collection also introduces the debate on whether such practices enhance or undermine democracy, raising important questions on the future of political marketing. This book should become an established essential text for students and academics of political science and marketing.
Available for the first time in paperback, this book explores the role of trade unions as products of, and agents for, democracy. The crisis facing established democratic institutions in the advanced societies has been widely noted. In response, there has been increasing interest in the role of civil society actors, ranging from established socio-political collectives to new grassroots organisations. On the one hand, conventional wisdom holds that organised labour in the advanced societies has remained locked in a cycle of political marginalisation and decline. On the other hand, unions continue to represent a significant component of society within most industrialised countries. Indeed, in many cases, they have demonstrated a capacity for effective renewal and for co-ordinating their efforts with other civil society actors as part and parcel of the current groudswell of public opinion against the neo-liberal orthodoxy. The book brings together a distinguished panel of leading and emerging scholars in the field, and provides a critical assessment of the current role of unions in society, their capacity to impact on state policies in such a manner as to ensure greater accountability and fairness, and the nature and extent of internal representative democracy within the labour movement. This volume will be of interest to students and academics in the fields of industrial relations, critical management studies, political studies and sociology, as well as trade union and community activists.
This edited book, written by a collection of scholars with an interest in Northern Ireland, tracks its uneasy experience with devolution following the optimistic political period associated with the 1998 Belfast (Good Friday) Agreement. The volume brings together researchers from the Economic and Social Research Council's (ESRC) 'Devolution and Constitutional Change' Programme and other experts to record four key perspectives on Northern Ireland. First, it considers the inextricable link between devolution and constitutional developments. Second, it examines how the main political parties responded to devolution and the major challenges faced by society in moving beyond conflict (such as political symbolism, the role of women, equality and human rights issues). Third, it attempts to assess some of the workings of devolved government in its short-lived form or those seeded in devolution and carried on by direct rule ministers. Finally, Northern Irelands devolved government and associated institutions are located within the wider relationships with Westminster, the Republic of Ireland and Europe. This edited volume will be of interest to students of Irish politics and public policy, but more generally, from a comparative perspective, those with an interest in devolution and constitutional change. It may even assist politicians in Northern Ireland to reflect on the real potential to restore its devolved institutions and draw back from the brink of permanently copper-fastening 'direct rule' from Westminster.