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      • Helen Edwards Rights Agency

        I launched my agency earlier this year on the back of over 25 years of experience selling international rights for Headline and Transworld Publishers (a division of Penguin Random House UK).  I am delighted to be representing the following agencies in North America: Kate Barker Literary Agency, Bell Lomax Moreton, D.H.H. Literary Agency, Kate Hordern Literary Agency (please refer to my website for available titles www.helenedwardsrights.co.uk) and in all languages throughout the world: A for Authors, Barbican Press, Keane Kataria, Peony Agency and Storyline Agency (titles available for translation are listed on this portal too).

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        1989

        Grammatik des Lächelns

        Japanische Innenansichten

        by Morley, John D

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        Literature & Literary Studies
        June 2001

        Hanif Kureishi

        by Bart Moore-Gilbert, John Thieme

        The first book-length study of one of Britain's most successful young writers. His work in a range of genres, from drama to film, fiction and short stories, has elicited widespread critical acclaim and - at times - provoked sharp condemnation. Provides a detailed account of his work to date, from Kureishi's early involvement in 'fringe' theatre (an area generally ignored hitherto), to the short story collections. Locates Kureishi's work securely in its historical, social, cultural and critical contexts, as well as providing detailed readings of all the major works. Kureishi is an important writer due to his intervention into such modish topics as British identity, questions of race, aspects of gender and choice of genre. ;

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        May 2017

        Der christliche Overbeck

        Franz Overbeck als Ironiker und Schellingianer

        by Wilson, John E.

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        The Arts
        December 2012

        Laughing matters

        Understanding film, television and radio comedy

        by Glyn White, John Mundy

        Laughing Matters takes an analytic approach to film, television and radio comedy and provides an accessible overview of its forms and contexts. The introduction explains the value of studying comedy, concisely outlines the approach taken and summarises the relevant theories. The subsequent chapters are divided into two parts. The first part examines the specific forms comedy has taken as a constant and key element in film and broadcast comedy from their origins to the present. The second part shows how the genre gravitates towards contentious issues in British and American culture as it finds humour in the boundaries of class, gender, sexuality, race and logic. The authors cover silent cinema comedy including Chaplin, Lloyd and Keaton, sound film comedies including the Marx Brothers and Laurel and Hardy, Romantic film comedy, radio, television situation and sketch comedy, comedy and genre (including parody and spoof), animations from cartoons to CGI, issues of gender and sexuality from drag comedy to queer reading, issues of taste and humour from Carry On to contemporary 'gross-out' , and issues of race and ethnicity including a case study of African-American screen comedy. Numerous opportunities for following up are highlighted and advice on further reading, writing academically about comedy and an extensive bibliography add to the value of this textbook. ;

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        Literature & Literary Studies
        August 2009

        Michael Ondaatje

        by Lee Spinks, John Thieme

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        Literature & Literary Studies
        August 2009

        Michael Ondaatje

        by Lee Spinks, John Thieme, Rebecca Mortimer

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        Humanities & Social Sciences
        September 2019

        The greening of golf

        by Brad Millington, Brian Wilson, John Horne

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        November 1983

        Weihnachtserzählungen

        Mit Illustrationen von Leech, Stanfiels, Stone u.a

        by Charles Dickens, Marcus Stone, John Leech, Stanfield Clarkson

        Charles Dickens wurde am 7. Februar 1812 in Landport, England als zweites von acht Kindern geboren. Er wuchs in ärmlichen Familienverhältnissen auf und lernte schon früh die Erfahrung von Hunger und Not kennen, als der Vater in Schuldhaft kam. Charles mußte für die Versorgung der Familie aufkommen und arbeitete, wie zahlreiche andere Kinder auch, in einer Lagerhalle und als Hilfsarbeiter in einer Fabrik. Nachdem die widrigsten Zeiten überstanden waren, setzte er mit vierzehn Jahren seinen Schulbesuch fort und arbeitete später als Schreiber bei einem Rechtsanwalt und als Zeitungsjournalist. Mit seiner Skizzensammlung Sketches by Boz (1836) und The Pickwick Papers (1837) hatte Dickens überraschend Erfolg und wurde schnell zu einem der bekanntesten Autoren Englands. Später erlangte er auch große Bekanntheit in den USA. Dickens erste Romane erschienen alle als Fortsetzungsgeschichten in Zeitungen, so auch eines seiner bekanntesten Werke, Oliver Twist (1837). Dickens war Herausgeber der Tageszeitung Daily News und der Zeitschrift Household Words. Neben der Schriftstellerei verdiente er sich sein Geld mit Lese- und Vortragsreisen in England und den USA. A Christmas Carol (1843), gehörte dabei zu seinem festen Leseprogramm. Charles Dickens starb am 9. Juni 1870 in Kent.

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        Psychology

        The ABCs of CBASP

        A Guide to the Cognitive Behavioral Analysis System of Psychotherapy for Therapists and Supervisors

        by Mark Berthold-Losleben, Marianne Liebing-Wilson, John S. Swan

        Acquire in-depth insight into using CBASP with a client with chronic depression Follows a client, his therapist, and the supervisor through a course of CBASP Uses first person perspectives and dialog with theoretical sections Provides prompts and structure for sessions Lists exercises to check understanding Includes printable tools for clinical use Help people with chronic depression using this creative dialog-based guide Cognitive behavioral analysis system of psychotherapy (CBASP) is designed to help patients with chronic depression improve the negative social and personal impacts of this disorder. This volume, written by experienced practitioners of CBASP, creatively explores the principles and practice of CBASP in a new, unusual, and engaging fashion. Interspersed between theoretical chapters, you will find yourself in the therapy room with Maggie (the therapist) and Chris (the patient). Using authentic dialog, you will experience how the different stages of therapy unfold: How, from their first-person perspectives, Christopher and Maggie experience the application of the CBASP model, and how Helen (the supervisor) helps Maggie to understand difficult encounters in therapy. This book helps you prepare for your CBASP sessions by providing essential information and prompts in a clearly arranged manner, as well as exercises to verify your progress and learning goals. This creative and descriptive approach to understanding the hopes, fears, and concerns of patients and therapists engaged in a course of CBASP psychotherapy is essential reading for clinical psychologists, psychiatrists, other mental health professionals, as well as students wanting to know how to successfully apply CBASP.

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