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      • FILI – Finnish Literature Exchange

        FILI, founded in 1977, is a centre for the export of literature. FILI promotes the export of literature from Finland by facilitating professional contacts and serving as a “home base” for translators of Finnish literature. We deal with fiction, children’s and young adult books, non-fiction, poetry, comics and graphic novels written in Finnish, Finland-Swedish and Sámi. FILI serves as a support organisation for the export of literature, while publishers and literary agencies handle the sale of translation rights. FILI is a department of the Finnish Literature Society, and around 80% of our funding comes from public sources.   FILI distributes approx. €700,000 in translation grants, travel grants and promotional grants for over 400 different projects annually organises Editors’ Week events for publishers to visit Finland from abroad participates in publishing trade fairs abroad acts as a focal point for translators of Finnish literature maintains a database of translations of Finnish literature published in other languages and collects data on translation rights sold abroad. You are welcome to contact us: if you want more information about our grants programmes (Grants Wizard) to let us know about a publisher abroad that’s interested in Finnish literature if you are a translator from Finnish/Finland-Swedish/Sámi and you’re not in our records yet to tell us about a new translation of a Finnish book that’s not in our database if you have questions about literary exports.   Networks FILI constitutes part of the NordLit network, along with similar organisations from the other Nordic countries. We hold regular meetings together where we plan our future operations and joint projects. We have a shared Nordic presence at some publishing trade events, such as the London Book Fair. In 2015 NordLit had a joint Nordic stand at the Beijing International Book Fair and the Shanghai International Children’s Book Fair. In Finland, FILI is a member of the TAIVE network of arts information centres. Unlike Finnish information centres for many other artistic genres, FILI does not have a mandate or specific duties to perform here in Finland; instead, our focus is on activities outside Finland. Thus we refer to ourselves in Finnish as a literary export organisation.

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      • Editora FiloCzar

        "Editora FiloCzar aims to promote intellectual and artistic production, making it accessible to the most diverse audiences. Its purpose is to provide access to culture, to that end, it publishes books on peripheral literature, poetry, philosophy, psychology, psychodrama, education, veganism, technology, among others, establishing bridges between academic production and peripheral languages. "Goals * Favor the perception of possible worlds to anyone; * Enable situations that provide a taste for self-care and the other; * Implement actions that allow the construction in the collective of a new form of conviviality that makes the pleasure of the meeting common; * Cultivate a taste for knowledge. To meet these objectives, Editora FiloCzar is composed of: For a Publisher: It aims to promote intellectual and artistic production, making it accessible to the most diverse audiences, with the purpose of providing access to culture. Address: Rua Durval Guerra de Azevedo, 511 - Parque Santo Antônio - São Paulo-SP. For a Bookstore - which aims to sell the most diverse titles, in all areas, containing in its catalog, in addition to our authors, independent authors and books produced by other publishers. Currently we have the virtual bookstore and the street store, which is located at Rua Durval Guerra de Azevedo, 511 - Parque Santo Antônio - São Paulo-SP. For a School - Free School of Philosophy, Science and Art - For this we have space for courses, events and for art in general. As a fixed activity, we have some ongoing courses, painting exhibitions, the Cineclube Navegantes and Cinefilosofia. Address: Rua Durval Guerra de Azevedo, 511 - Parque Santo Antônio - São Paulo-SP. For a Library open to the community - Otaviano Mendes Library - For this purpose we have physical space for the collection currently available for local consultation. Address: Rua Durval Guerra de Azevedo, 511 - Parque Santo Antônio - São Paulo-SP Contacts editor's email: cesar@editorafiloczar.com.br Phone: 11 5512-1110

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        Literature & Literary Studies
        April 2017

        Re-visioning myth

        by Frances Babbage

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        Humanities & Social Sciences
        March 2017

        The language of empire

        Myths and metaphors of popular imperialism, 1880-1918

        by Robert Macdonald

        The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.

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        Business, Economics & Law
        March 2023

        Imperialism and the development myth

        by Sam King

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        Literature & Literary Studies
        April 2024

        Myth and (mis)information

        Constructing the medical professions in eighteenth- and nineteenth-century English literature and culture

        by Allan Ingram, Helen Williams, Clark Lawlor

        This collection draws together original scholarship from international contributors on a range of aspects of professional and semi-professional medical work and its relations to British culture. It combines a diverse spectrum of scholarly approaches, from medical history to book history, exploring literary and scientific texts, such as satiric poetry, essays, anatomies, advertisements, and the novel, to shed light on the mythologisation and transmission of medical (mis)information through literature and popular culture. It analyses the persuasive and sometimes deceptive means by which myths, as well as information and beliefs, about medicine and the medical professions proliferated in English literary culture of this period, from early eighteenth-century household remedies to the late nineteenth-century concerns with vaccination that are still relevant today.

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        October 2020

        Turning Men into Pigs and Staying Safe from Such Trickery

        A Scientific Foray into the World of Ancient Greek Legends

        by Monika Niehaus, Michael Wink

        The adventures of Odysseus are not just a classic literary epic but also shine a light on intriguing questions for geography, archaeology and biology. Phenomena like the Cyclops and magic potions were only understood in recent decades thanks to phytochemical and pharmacological research that enabled new insights into the effect of plant substances on the mind and body. Monika Niehaus and Michael Wink embark on an enjoyable excursion in their book on a scientific foray for knowledge – from ancient myths to medieval drug excesses and the world of comics.

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        Literature & Literary Studies
        April 2018

        Water and fire

        The myth of the flood in Anglo-Saxon England

        by Anke Bernau, Daniel Anlezark

        Noah's Flood is one of the Bible's most popular stories, and flood myths survive in many cultures today. This book presents the first comprehensive examination of the incorporation of the Flood myth into the Anglo-Saxon imagination. Focusing on literary representations, it contributes to our understanding of how Christian Anglo-Saxons perceived their place in the cosmos. For them, history unfolded between the primeval Deluge and a future - perhaps imminent - flood of fire, which would destroy the world. This study reveals both an imaginative diversity and shared interpretations of the Flood myth. Anglo-Saxons saw the Flood as a climactic event in God's ongoing war with his more rebellious creatures, but they also perceived the mystery of redemption through baptism. Anlezark studies a range of texts against their historical background, and discusses shifting emphases in the way the Flood was interpreted for diverse audiences. The book concludes with a discussion of Beowulf, relating the epic poem's presentation of the Flood myth to that of other Anglo-Saxon texts.

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        Literature & Literary Studies
        September 2022

        William Blake's Gothic imagination

        by Chris Bundock, Elizabeth Effinger

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        Humanities & Social Sciences
        March 2017

        Popular imperialism and the military, 1850-1950

        by John M. MacKenzie

        Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.

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        Business, Economics & Law
        March 2017

        Law in popular belief

        Myth and reality

        by Edited by Anthony Amatrudo, Regina Rauxloh

        In recent years there has been a significant growth in interest of the so-called "law in context" extending legal studies beyond black letter law. This book looks at the relationship between statute law and legal practice. It examines how law is applied in reality and more precisely how law is perceived by the general public in contrast to the legal profession. The authors look at a number of themes that are central to examining ways in which myths about law are formed, and how there is inevitably a constitutive power aspect to this myth making. At the same time they explore to what extent law itself creates and sustains myths. The book will be of general interest to a number of different disciplines such as legal theory, general law, criminology and sociology.

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        Literature & Literary Studies
        April 2008

        El laberinto de la soledad by Octavio Paz

        by Catherine Davies, Anthony Stanton

        If one had to identify one central, defining text from modern Mexican culture, it would be Octavio Paz´s famous essay, El laberinto de la soledad. This fully annotated edition includes the complete text in Spanish (with the author's final revisions), and notes and additional material in English. The editor's introduction contextualizes the essay and discusses central features: autobiographical and textual origins, intellectual sources, reception and canonization, generic ambiguity, structure, and governing symbols. The intellectual sources identified range from Marx, Nietzsche and Freud to the more contemporary ones of the French College of Sociology (Caillois), the Surrealist movement, the ideas of D. H. Lawrence, previous essays from writers in Mexico (such as Samuel Ramos) and Latin America. Several lines of interpretation are examined to show how the work can be read as a psycho-historical essay, an autobiographical construct or a modern literary myth. Transdisciplinary by nature, this literary essay is both an imaginative construction of personal and national identity, and also a critical deconstruction of dominant stereotypes. It seeks to redefine the complex relationships that exist between psychology, myth, history and Mexican culture. This edition also includes excerpts of the author's opinions on his essay, a time-line of Mexican history, a selected vocabulary, and themes for discussion and debate. Paz's first full-length prose work remains his most well-known and widely read text, and this edition will appeal to sixth-form and university students, teachers, researchers and general readers with a knowledge of Spanish. ;

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        Humanities & Social Sciences
        October 2020

        Japan's new security partnerships

        by Wilhelm Vosse, Paul Midford

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        April 1998

        Tatort Manila

        Entführt, verkauft, missbraucht - Tourismus und Kinderprostitution

        by Herausgegeben von Block, Martin

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        Literature & Literary Studies
        January 2008

        Every man in his humour

        Ben Jonson

        by Robert Miola

        This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts. ;

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        October 2007

        Bob Dylan

        Ein Kongreß

        by Axel Honneth, Peter Kemper, Richard Klein

        +++ Literaturnobelpreis 2016 für Bob Dylan +++ Über den Sonderstatus des Songschreibers Bob Dylan besteht nicht nur unter Musikbegeisterten Einigkeit, seine Texte haben ihm sogar den Literaturnobelpreis 2016 eingebracht. Um so mehr fällt es auf, daß sich die Literatur- und Sozialwissenschaften bisher kaum für Dylan, seine Texte und seine sozialhistorische Rolle interessiert haben. Ein internationaler Kongreß, der 2006 in Frankfurt am Main stattfand, hat das geändert. Der Band dokumentiert die Vorträge von Michael Gray, Axel Honneth, Susan Neiman und Klaus Theweleit und anderen sowie die Abschlußdiskussion. Die Plattentips der versammelten »Dylanologen« ermöglichen auch Jüngeren einen Einstieg in Dylans Werk. »It’s not me. It’s the songs. I’m just the postman. I deliver the songs. That’s what all the legend, all the myth is about – my songs.« Bob Dylan

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        The Arts
        November 2009

        Portraiture and social identity in eighteenth-century Rome

        by Sabrina Eliasson

        Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves. Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use. ;

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