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      • Elain Publishing House

        Dr. Fatima Al-Boudi in brief Nationality: Egyptian. - She holds a Bachelor of Science, Department of Biochemistry, Alexandria University, in 1977. - Master of Biochemistry, Ain Shams University, 1985. - PhD in Biochemistry, Ain Shams University, 1990. - Holder of a diploma in criticism and art appreciation from the Academy of Arts in Cairo 1996. - Consultant medical analysis at the Faculty of Medicine, Ain Shams University. - Owner and director of “Dar Al-Ain Publishing” since 2000, and she founded one of the bookshops of the house in 2011 in Alexandria. - Director of the "Al Ain Cultural" salon. - She holds the 65th position out of 200 influential businesswomen in the Arab world. Al Ain Publishing House participated in many international book fairs. Al Ain Publishing House won many awards, including the Sheikh Zayed Prize, and reached the short list for the Booker Prize five times. - Dr. Fatima Al-Boudi in many cultural seminars at Arab International Exhibitions. - Member of the Egyptian Publishers Union. - Member of the Arab Publishers Union.

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        The Arts
        June 2026

        Cases of citation

        On literature in art

        by Chloë Julius, Michael Green, Matthew Holman

        Cases of citation presents a history of artists who incorporated literary references into their work from the 1960s onwards. Through a series of object-focused chapters that each take up a singular 'case of citation', the collection considers how literary citation emerged as a viable and urgent strategy for artists during this period. It surveys nine artworks by a diverse group of artists - including David Wojnarowicz, Lis Rhodes, Romare Bearden and Silvia Kolbowski - whose citations draw on literary works with authors ranging from Gertrude Stein to Jean Genet. The book also features an interview with pioneering feminist artist Elaine Reichek that discusses her career-long commitment to working with text. Together, the artworks and cited texts are approached from various critical angles, with each author questioning and complicating the ways in which we can 'read' textual citations in art.

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        The Arts
        March 2026

        Acting and performance in Hitchcock

        by Adrian Garvey, Victoria Lowe

        Hitchcock's professed disdain for actors is belied by the extraordinary range and depth of performances featured in his films. It might even be argued that many stars gave their richest and most complex performances in his work. Hitchcock's films are also imbued with the theme of performance, as when his fugitive men and errant women assume fragile new identities and move between roles. Actors and other performers also often feature as characters. However, the exhaustive academic literature on Hitchcock has to date produced surprisingly little work about acting and performance in his films. The collection includes contributions from a range of leading scholars on Hitchcock, performance, stardom, and British Cinema, including Charles Barr, David Greven, Mark Glancy, Lucy Bolton, Lawrence Napper and Michael Williams, and an interview with leading composers/accompanists Neil Brand and Stephen Horne on scoring performance in Silent Hitchcock.

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        Political corruption
        January 2013

        Political corruption in Ireland 1922–2010

        by Elaine Byrne

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        January 1992

        Der Körper im Schmerz

        Die Chiffren der Verletzlichkeit und die Erfindung der Kultur

        by Scarry, Elaine

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        June 1997

        Girls

        Roman

        by Kagan, Elaine

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        February 1994

        Adam, Eva und die Schlange

        Die Geschichte der Sünde

        by Pagels, Elaine

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        Humanities & Social Sciences
        June 2026

        Celebrating the city

        Making festivals in early modern London and Paris

        by Elaine Tierney

        Celebrating the city goes behind the scenes of early modern celebrations. Moving from splendid coronations to courtyard bonfires, it offers the first comparative, interdisciplinary study of festivals in London and Paris. In a major departure from existing scholarship, it uses the widest range of textual, visual and material evidence to demonstrate the importance of designing, making and organising to how and why festivals were meaningful. Mining evidence of the active processes by which events were made, it argues that urban festival politics cannot be understood without incorporating its material world into our analysis. The book's unique methodology, combining the tools of design history and the concerns of political history, will shed new light on how political publics were formed in early modern European cities. In showing how cities made festivals - and festivals made cities - this wide-ranging study makes a significant contribution to histories of festivals, political culture and urban life.

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        Humanities & Social Sciences
        July 2016

        'A most diabolical deed'

        by Elaine Farrell

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        1991

        Der gestresste Darm

        Hilfe bei Verdauungsstörungen. (gesundes leben)

        by Fantle Shimberg, Elaine

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