Guilford Publications, Inc.
Founded in 1973, Guilford has built an international reputation as a publisher of books in mental health; psychology, psychiatry, mindfulness, CBT, DBT, and more.
View Rights PortalFounded in 1973, Guilford has built an international reputation as a publisher of books in mental health; psychology, psychiatry, mindfulness, CBT, DBT, and more.
View Rights PortalWe present to you a rhino that actually once circled the earth in the spaceship, an artist cat from Paris known by everyone, the adventures, and wanderlust of a tiny house, and love stories kissed by the sun... Curious? If you are looking for children's books with a universal message of hope and connectedness, we'd love the opportunity to meet with you. Inner Flower Child Books is a children's book publisher founded in California in 2012 by the creative team of author Susan Schaefer Bernardo (M.A. English Languages and Literature, Yale University) and illustrator Courtenay Fletcher (BFA Advertising/Graphic Design, Art Center College of Design). These artists and their team produce profound, touching, and humorously inspiring books that have become very successful in the US. With wittiness, humor, and intelligence — with rhymes at times — they create stories that promote children's language and social capabilities development. Partly because of that, Susan’s and Courtenay's picture books are used nationwide by schools, children's charities, therapists, and families across the United States to help children and youth heal from problems, large and small. At a time when the whole world is being hit by the trauma of a pandemic, books such as “Sun Kisses and Moon Hugs” bring children and young people a comforting message of love and connection. The colorfully illustrated and inspiring picture books contain generally assignable topics such as healing trauma, bringing people closer to living a sustainable life, and the power of creative expression — predestined to be successful worldwide. (Speaking of worldwide distribution: one of Susan’s and Courtenay's books, “The Rhino Who Swallowed The Storm” was sent to the International Space Station to orbit the planet — and was read aloud by astronaut Kate Rubins as part of the innovative “Story Time From Space” program and broadcasted! Apart from that, “The Rhino” was also promoted by former, then-incumbent First Lady Michelle Obama and present presidential candidate Joe Biden. For more information, please visit our website!). All Inner Flower Child Books titles are currently only published in the United States. Susan and Courtenay are therefore pleased to be able to offer publication and subsidiary rights on all other world markets for the first time. On our book fair landing page, you can find book trailers and details about our work: http://www.innerflowerchildbooks.com/buchmesse2020.html. We, the European representatives Anette and Leonie Waldeck, are happy to present the works of Inner Flower Child Books to you in the context of the Frankfurt book fair. Here we would like to meet in person or jump on an online video call to speak about publishing and foreign sub-rights options. Please contact us at +49 179 10 93 276 or via email buchmesse2020@innerflowerchild.com to ask questions or to make an appointment. Thank you for your time. Anette and Leonie Waldeck with international greetings from the US from Susan Bernardo and Courtenay Fletcher
View Rights PortalDirector, actress, scriptwriter and producer, Iciar Bollaín is one of the liveliest of contemporary young Spanish filmmakers and the first female director to have had a film (También la lluvia, 2010) shortlisted by the American Film Academy. Through detailed analysis of film form, socio-cultural contexts and conditions of production and consumption, the book opens up key issues on gender, production, film authorship, the mediation of socio-historical realities and the whole question of 'women's cinema'. Covering all aspects of her career, this book begins by taking in her work in front of the camera, beginning with her emergence as a teenage star in Victor Erice's El Sur (1983), and following on with discussions of her mature roles, such as Un paraguas para tres and Leo . Discussion of her work as a producer and director focus on production and form, as well as on the socio-historical contexts to which they belong. Film scholars and students interested in the increasingly prominent place of modern Spanish cinema will find this highly readable book an indispensable guide to an outstanding film-maker who in her directed films addresses some of the more vibrant of contemporary themes: female friendship in Hola, ¿estás sola?, immigration in Flores de otro mundo, domestic violence in Te doy mis ojos, tensions between public and private commitments in Mataharis, and socio-economic exploitation in También la lluvia. ;
Director, actress, scriptwriter and producer, Iciar Bollaín is one of the liveliest of contemporary young Spanish filmmakers and the first female director to have had a film (También la lluvia, 2010) shortlisted by the American Film Academy. Through detailed analysis of film form, socio-cultural contexts and conditions of production and consumption, the book opens up key issues on gender, production, film authorship, the mediation of socio-historical realities and the whole question of 'women's cinema'. Covering all aspects of her career, this book begins by taking in her work in front of the camera, beginning with her emergence as a teenage star in Victor Erice's El Sur (1983), and following on with discussions of her mature roles, such as Un paraguas para tres and Leo . Discussion of her work as a producer and director focus on production and form, as well as on the socio-historical contexts to which they belong. Film scholars and students interested in the increasingly prominent place of modern Spanish cinema will find this highly readable book an indispensable guide to an outstanding film-maker who in her directed films addresses some of the more vibrant of contemporary themes: female friendship in Hola, ¿estás sola?, immigration in Flores de otro mundo, domestic violence in Te doy mis ojos, tensions between public and private commitments in Mataharis, and socio-economic exploitation in También la lluvia.
Paris und seine Cafés – die Pariserin Murielle Rousseau nimmt Sie mit in ihre Lieblingscafés der Stadt. Vom Café de Flore über das Café Marly im Louvre, dem Deux Moulins im Montmartre bis zur Brasserie Lipp: Sowohl die kleinen, mit einfachen Holztischen ausgestatteten Bistrots um die Ecke als auch die traditionellen und interessanten Cafés, in denen sich seit je Kultur und Alltag begegnen, sind untrennbar mit dem Leben und dem Flair der Stadt verbunden. Murielle Rousseau entführt die Leserinnen und Leser in die schönsten und einzigartigsten Cafés ihrer Heimatstadt und erzählt auf besondere, charmante und sehr französische Art zahlreiche Café-Geschichten der Vergangenheit und Gegenwart. Ein lebendiges Porträt der traditionellen und modernen Pariser Caféhaus-Tradition.
Paris und seine Cafés – die Pariserin Murielle Rousseau nimmt Sie mit in ihre Lieblingscafés der Stadt. Vom Café de Flore über das Café Marly im Louvre, dem Deux Moulins im Montmartre bis zur Brasserie Lipp: Sowohl die kleinen, mit einfachen Holztischen ausgestatteten Bistrots um die Ecke als auch die traditionellen und interessanten Cafés, in denen sich seit je Kultur und Alltag begegnen, sind untrennbar mit dem Leben und dem Flair der Stadt verbunden. Murielle Rousseau entführt die Leserinnen und Leser in die schönsten und einzigartigsten Cafés ihrer Heimatstadt und erzählt auf besondere, charmante und sehr französische Art zahlreiche Café-Geschichten der Vergangenheit und Gegenwart. Ein lebendiges Porträt der traditionellen und modernen Pariser Caféhaus-Tradition.