Hannele & Associates is a French publisher’s agency specialized in children’s books and coffee-table books. We represent French independent and creative companies, offering a wide range of titles from novelty books to picture books, non-fiction, fiction, etc. With such a variety of quality books, our bet is that everyone can find the right addition to their list!
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*Children's titles listed on the Frankfurt Rights portal. For other categories, please check our uploaded catalog. Or see all on --> https://hankentokyo.com/ DNP started business as a printing company more than 140 years ago, and since then we have been helping Japanese publishers print and distribute their books all over Japan. Now it's time to introduce Japanese books to the wider world through our foreign rights service hanken tokyo. Where does the name "hanken tokyo" come from? Hanken means publishing rights in Japanese. We hope that our service and website make it easier for foreign publishers to connect to great content all year round and that Japanese hanken will spread around the globe from Tokyo. https://hankentokyo.com/
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This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
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This volume foregrounds racial difference as a key to an alternative history of the Central and Eastern European region, which revolves around the role of whiteness as the unacknowledged foundation of semi-peripheral nation-states and national identities, and of the region's current status as a global stronghold of unapologetic white, Christian nationalisms. Contributions address the pivotal role of whiteness in international diplomacy, geographical exploration, media cultures, music, intellectual discourses, academic theories, everyday language and banal nationalism's many avenues of expressions. The book offers new paradigms for understanding the relationships among racial capitalism, populism, economic peripherality and race.
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Marguerite Duras wurde am 4. April 1914 in der ehemaligen französischen Kolonie Gia Dinh, dem heutigen Vietnam als Marguerite Donnadieu geboren und starb am 3. März 1996 in Paris. Sie besuchte das Lycée Français in Saigon und machte 1931 Abitur. Ein Jahr später siedelte die Familie nach Paris um, wo sie an der Rechtswissenschaftlichen Fakultät der Universität Paris und an der École des Sciences Politiques studierte. Von 1935 bis 1941 arbeitete sie als Sekretärin im Ministère des Colonies. 1939 heiratete sie Robert Antelme. Beide waren ab 1940 in der Résistance aktiv. Antelme wurde später ins Konzentrationslager Dachau deportiert. 1943 erschien ihr Debütroman Les Impudents (Die Schamlosen) unter dem Pseudonym Marguerite Duras, welchem keine besondere Aufmerksamkeit in der Öffentlichkeit zuteil kam. Mit Un Barrage contre le Pacifique (Heiße Küste), das 1950 erschien, hatte Duras größeren Erfolg. Sie schrieb nicht nur Romane, sondern verfasste auch Theaterstücke und trat als Filmregisseurin in Erscheinung.
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Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
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*** Eure schöne neue Welt ist tödlich! *** Mit einem Schlag endet Vivians sorgenfreies Leben: Ihre Mutter Sofia wurde ermordet! Die erfolgreiche Game-Entwicklerin stand kurz vor dem Release eines bahnbrechenden Computerspiels. „White Maze“ wird mit neuartigen Lucent-Kontaktlinsen gespielt - dank ihnen erleben die Spieler virtuelle Game-Welten mit allen Sinnen. Aber warum zerstörte Vivians Mutter kurz vor ihrem Tod die Prototypen der Linsen? Zusammen mit dem schulbekannten Hacker Tom will Viv den Mord an Sofia aufklären. Dazu muss Viv selbst Lucent-Linsen einsetzen und tief in die virtuelle Welt eintauchen. Doch dort ist es für den Mörder ein Leichtes, die falsche Realität nach seinen Spielregeln zu manipulieren. Kann Vivian ihren eigenen Gefühlen vertrauen, wenn alles, was sie sieht, hört, riecht und schmeckt, bloße Lüge ist?
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Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.
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A moving exploration of the life and work of the celebrated American writer, blending biography and memoir with literary criticism. Since James Baldwin's death in 1987, his writing - including The Fire Next Time, one of the manifestoes of the Civil Rights Movement, and Giovanni's Room, a pioneering work of gay fiction - has only grown in relevance. Douglas Field was introduced to Baldwin's essays and novels by his father, who witnessed the writer's debate with William F. Buckley at Cambridge University in 1965. In Walking in the dark, he embarks on a journey to unravel his life-long fascination and to understand why Baldwin continues to enthral us decades after his death. Tracing Baldwin's footsteps in France, the US and Switzerland, and digging into archives, Field paints an intimate portrait of the writer's life and influence. At the same time, he offers a poignant account of coming to terms with his father's Alzheimer's disease. Interweaving Baldwin's writings on family, illness, memory and place, Walking in the dark is an eloquent testament to the enduring power of great literature to illuminate our paths.
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Engendering whiteness represents a comparative analysis of the complex interweaving of race, gender, social class and sexuality in defining the contours of white women's lives in Barbados and North Carolina during the era of slavery. Despite their gendered subordination, their social location within the dominant white group afforded all white women a range of privileges. Hence, their whiteness, as much as their gender, shaped these women's social identities and material realities. Engendering whiteness draws on a wide variety of sources including property deeds, wills and court transcripts, and interrogates the ways in which white women could be simultaneously socially positioned within plantation societies as both agents and as victims. It also reveals the strategies deployed by elite and poor white women in these societies to resist their gendered subordination, to challenge the ideological and social constraints that sought to restrict their lives to the private domestic sphere, to protect the limited rights afforded to them, to secure independent livelihoods and to create meaningful existences. ;
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The first book in English to deal exclusively with Duras' cinema, including such films as India Song, Le Camion, and Nathalie Granger. Provides a lucid and stimulating introduction to her films, which is accessible to a wide readerhip, both specialist and non-specialist.. Locates the films in their autobiographical as well as social and historical context, making the book broadly interesting to students and teachers in all areas of French Studies.. The book's empahasis on gender issues widens it's appeal to include those working in Women's Studies, Gender Studies and Gay and Lesbian Studies.
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»Juden sterben in Europa und man verscharrt sie wie Hunde.« So schließt der Brief, in dem Hannah Arendt im Oktober 1940 Gershom Scholem mitteilt, daß sich Walter Benjamin auf der Flucht vor den Nazis das Leben genommen hat. In Zeiten größter Bedrohung beginnt eine Korrespondenz, die getragen ist vom Engagement für das Werk des gemeinsamen Freundes und in der von New York und Jerusalem aus immer die Welt des europäischen Judentums im Blick bleiben wird. Im Auftrag der Jewish Cultural Reconstruction, deren Ziel die Rettung der von den Nazis geraubten jüdischen Kulturgüter ist, reisen Hannah Arendt wie auch Gershom Scholem in den frühen Nachkriegsjahren erstmals wieder nach Deutschland. Dieses weitgehend unbekannte Kapitel in beider Geschichte wird über die Briefe hinaus durch bislang unveröffentlichte Berichte Hannah Arendts von ihrer Deutschlandreise 1949/50 dokumentiert. 1963 erscheint Hannah Arendts Buch Eichmann in Jerusalem. Ihre darin geäußerte Kritik an jüdischen Repräsentanten während der Zeit der Shoah wird von Gershom Scholem in einer auch öffentlich ausgetragenen Kontroverse radikal verworfen: Der über mehr als zwei Jahrzehnte aufrechterhaltene Dialog in Briefen endet im Schweigen. Der erstmals publizierte Briefwechsel von Hannah Arendt und Gershom Scholem ist ein einzigartiges zeithistorisches Dokument: eine Auseinandersetzung über entscheidende Fragen jüdischer Geschichte und jüdisches Selbstverständnis nach der Shoah, geführt von zwei der bedeutendsten Denker deutsch-jüdischer Herkunft im 20. Jahrhundert.
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Engendering whiteness represents a comparative analysis of the complex interweaving of race, gender, social class and sexuality in defining the contours of white women's lives in Barbados and North Carolina during the era of slavery. Despite their gendered subordination, their social location within the dominant white group afforded all white women a range of privileges. Hence, their whiteness, as much as their gender, shaped these women's social identities and material realities. Crucially, as the biological reproducers of whiteness, and hence the symbolic and literal embodiment and bearers of the state of freedom, they were critical to the maintenance and reproduction of the cultural boundaries of 'whiteness', and consequently the subjects of patriarchal measures to limit and control their social and sexual freedoms. Engendering whiteness draws on a wide variety of sources including property deeds, wills, court transcripts, and interrogates the ways in which white women could be simultaneously socially positioned within plantation societies as both agents and as victims. It also reveals the strategies deployed by elite and poor white women in these societies to resist their gendered subordination, to challenge the ideological and social constraints that sought to restrict their lives to the private domestic sphere, to protect the limited rights afforded to them, to secure independent livelihoods, and to create meaningful existences. A fascinating study that with be welcomed by historians of imperialism as well as scholars of gender history and women's studies.
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It’s just like a fairy tale. In the forest Flora stumbles on a little house with a garden that’s overgrown with roses. But the house is about to be sold. Not only that, but Flora learns from the owner’s daughter that a white horse has been living for a long time in the stable…but now he’s disappeared! Together with her magic owl Goldwing, Flora tries to find the terrified animal. Will the two of them manage to make their way through the jungle of roses and win the confidence of the white stallion?
