Red Hen Press seeks to discover and publish works of literary excellence, support diversity in a creative industry, promote literacy in our local schools, and serve as a hub for literary events and enrichment. We are a community of readers and writers who are actively engaged in the essential human practice known as literature.
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E. A. Seemann Henschel, Leipzig The German publisher for the visual and performing arts – for readers of all ages Leipzig is the city of Johann Sebastian Bach, Felix Mendelssohn and the Schumanns. Here, in the 15th century, the German publishing production came into being, which in the following centuries produced publishers such as Brockhaus, Reclam and E. A. Seemann. Today, the city is a vibrant metropolis in the heart of Europe that attracts artists and creative people for both education and work. Here the publishing group E. A. Seemann Henschel publishes carefully edited and attractively designed books on the visual and performing arts. The Imprint E. A. Seemann publishes elaborately produced illustrated books about the Bauhaus, Classical Modern Art, and reference books for teaching artistic techniques. The Imprint Henschel stands for illustrated text books, biographies and educational guides on dance, drama, and music. In our children's art programme BILDERBANDE (freely translated: art gang), individually illustrated books are published which impart with inspiring energy and beautiful details the colorful world of the arts to children.
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Aus dem amerikanischen Englisch von Lina Robertz und Annika Klapper
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Teju Cole betrachtet Kunst, wie er die Welt betrachtet: mit dem Blick eines unsystematischen Historikers, der zunächst beobachtet, beschreibt, das Offensichtliche in den Blick nimmt, um zu dem weniger Sichtbaren vorzudringen, das darunterliegt. Seine Essays handeln von der Erfahrung des Unterwegsseins und von politischer Moral, von Rassismus und davon, warum auch ein Präsident, der die »richtigen« Bücher liest, in seinem Amt Menschen tötet. Und er schreibt über das, was ihn geistig nährt: über Baldwin, Sebald und Tranströmer; über Brasilien, Italien, Palästina; über die Ästhetik westafrikanischer Auftragsfotografie und über Instagram. In bereichernden, betörenden und originellen Essays offenbart Teju Cole den Reichtum seiner Interessen. Immer wieder zieht er erhellende Verbindungen, von der konkreten Gegenwart zur Dichtung, von der Geschichte zur Kunst. Vertraute Dinge, fremde Dinge wird zu einer Schule des Sehens.
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European Romanticism in the visual arts has always been defined by transnational transfer processes. It is surprising that international aspects of Romantic movements have been, in contrast to literary studies, a gap in art historical research. Picturing the Romantic addresses this issue and reveals new perspectives on European Romanticism(s) in the visual arts by reconsidering the phenomenon's traditional canon, geographical dimensions and terminology and analysing various examples of the complex and heterogeneous works of Romantic painting. In sixteen original essays, renowned and early career researchers examine the question of whether to speak of several independently considered Romanticisms or one European Romanticism. They adopt a transnational perspective on Romantic art in and beyond Europe, focusing on the interconnections between the countries.
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This study examines the profound changes that twentieth-century performance has wrought on Shakespeare's complex drama of war and politics. What was accepted at the turn of the century as a patriotic celebration of a national hero has emerged in the modern theatre as a dark and troubling analysis of the causes and costs of war. The book details the theatrical innovations and political insights that have turned one of Shakespeare's most traditional-bound plays into one of his most popular and provocative. Henry V gives details analyses of several important modern productions. Beginning with a consideration of the play's political significance in Elizabethan London, the book goes on the reveal its subsequent reinvention, both as patriotic pageant and anti-war manifesto. Individual chapters consider important productions by the Royal Shakespeare Company, and other British and North American companies, as well as the landmark film versions. A compelling account of the theatrical revolution that has transformed one of Shakespeare's most challenging plays. ;
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Im Mittelpunkt des umfangreichen Prosawerks von Henry James (1843-1916) steht der Gegensatz von „alter“ und „neuer Welt“, so auch in Daisy Miller. Die Amerikanerin ist eine Frau, die weiß, was sie will, und sich nicht geniert,es auch zu tun ...
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Es gibt Tage, da spürt man schon beim Aufwachen, dass gleich etwas ganz Neues und ganz Wunderbares geschehen wird und man beschenkt wird mit einem unerwarteten Glück. Über diese viel zu seltenen, unvergesslichen Tage, in denen man mit der Welt im Einklang ist und sich wie von einer inneren Sonne durchstrahlt fühlt, über diese Tage, die für immer aus der Erinnerung herausleuchten, erzählen Paul Auster, Lily Brett, Teju Cole, Roald Dahl, Peter Handke, Wolfgang Herrndorf, Hermann Hesse, Erich Kästner, Robert Menasse, Amos Oz, Marcel Proust, Rainer Maria Rilke, Joachim Ringelnatz, Andrzej Stasiuk, Kurt Tucholsky, Robert Walser u. v. a.
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1. Introducing the Career of Henry Hills, Printer - What is a printer? - Print output - Insignia - Roles - Partnerships - Cultural configurations of the early modern printer 2. 'Once upon a time': Biographical Encounters with Henry Hills - Henry Hills' Lives: From DNB to ODNB - Cultural biographies of printers - Hugh Dalton's Cave: Reading Henry Hills Part 2: Transformations 3. '[N]othing but the plain truth': The Prodigal Repackaged (1650-51, 1688, 1825) - Henry Hills: Particular Baptist printer / author - The Prodigal as shame management - Henry Hills and the tailor's wife: 'Pressing' at a biographical anecdote - The Prodigal Returned to his Father's House, by Henry Hills (1825): Reprinting a reprint 4. 'Licking himself whole again': Writing and Rewriting Henry Hills' Catholic Conversion (1685, 1686, 1733, 1826) - Henry Hills: Catholic Printer - A View (1685): From runaway apprentice to anti-Catholic book burner - Entering Book (1686): Roger Morrice and the Hills household - Revolution Politicks (1733): Print mediation and and public talk - Hills, last seen at Watten, near Sainte-Omer, 13 February 1689 Part 3: Afterlives 5. Henry Hills, Eikon Basilike, and his Posthumous Role in the Pamela Prayer Conspiracy - Taking the Pamela Prayer interpolation seriously: Eikon Basilike, authorship, and the work of conspiracy - '[T]he Roundhead printer!': Almack, Madan, and Hills' role in the publication of the Eikon - The 'leading witness': Writing and rewriting Hills in Milton scholarship - Finding Henry Hills in Dr Bernard's library 6. Pirates, Parents, and Print: Rewriting Henry Hills' Last Will and Testament - 'Suite Trouble': Contesting Hills' legacy - '[A]n expedient lineage': Henry Hills junior goes to Bombay - Working with what remains
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The Famous Victories of Henry the Fifth" was first published in 1598, and the play is widely held to have influenced Shakespeare's "Henry IV", Parts 1 and 2, and "Henry V". Only two copies of the 1598 quarto are known to exist, and this edition will reproduce the copy held at the Huntington Library. The introduction offers a detailed account of the text of the play and considers its authorship, dating and performance. ;
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Robert Walsers Biographie ist von spannender Rätselhaftigkeit. Zeit seines Lebens verlief sein Weg am Rande der literarischen und bürgerlichen Welt, so daß er in den Zeugnissen seiner Zeitgenossen kaum Niederschlag fand. Und Walser seinerseits vermied es, sein Leben irgendwie anders zu dokumentieren als in seiner Literatur. Dort aber spielt er mit seiner Biographie – phantasierend und verwandelnd, so daß die Texte von seinen Lebensumständen mehr verschweigen als verraten. In mehr als 20jähriger Forschung ist es dem Herausgeber gelungen, eine Fülle unbekannter Materialien und Bilder zusammenzutragen. Annähernd 1000 zeitgenössische Bilddokumente erlauben es, Walsers Lebenswelt in einer Nähe und Dichte kennenzulernen, wie es bislang nicht möglich war. »Sein Lebensbild wird nie komplett geschrieben werden können. Schon scheint mancher seinen Charakter zu umkleiden versucht zu haben.« Robert Walser
