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Samir Éditeur
Founded in 1947, Samir Éditeur is a Beirut-based francophone publishing house specializing in children’s books and textbooks. We publish in both French and Arabic languages, and our books are distributed worldwide. Our children’s book list includes picture books, first readers, fiction and non-fiction titles for ages 2 to 17. We publish original content as well as carefully curated translations such as Roald Dahl’s books. Our family of culturally and geographically diverse authors and illustrators enriches our catalogue with award-winning titles, such as our YA title Caballero by Lenia Major that won 3 awards and got 3 mentions in France (2017-2018) or our picture book Raconte encore, grand-mère ! by Marido Viale and Xavière Broncard that won the Prix Chronos (2016). Our latest YA novel Droit devant is currently shortlisted for 5 literary awards. We are among those who were the most affected by the Beirut blast this past August. Our offices were completely destroyed; fortunately, our staff had been working from home due to the covid outbreak, so there were no human losses. And so we live to tell another story! – BOP Finalist 2019
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October 2021Clanlands
Zwei Männer, Kilts und jede Menge Whisky | Mit einem Vorwort von Diana Gabaldon
by Heughan, Sam McTavish, Graham
Übersetzt von Barbara Schnell
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The Clanlands Almanac
Ein Jahr voll schottischer Abenteuer
by Heughan, Sam McTavish, Graham
Aus dem Englischen von Barbara Schnell
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Literature & Literary StudiesDecember 2005Graham Swift
by Daniel Lea, Susan Williams
This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
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Humanities & Social SciencesNovember 2023Rethinking Norman Italy
Studies in honour of Graham A. Loud
by Joanna Drell, Paul Oldfield
This volume on Norman Italy (southern Italy and Sicily, c. 1000-1200) honours and reflects the pioneering scholarship of Graham A. Loud. An international group of scholars reassesses and recasts the paradigm by which Norman Italy has been conventionally understood, addressing varied subjects across four key themes: historiographies, identities and communities, religion and Church, and conquest. The chapters revise and refine our understanding of Norman Italy in the eleventh and twelfth centuries, demonstrating that it was not just a parochial Norman or Mediterranean entity but also an integral player in the medieval mainstream.
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FictionNovember 2018Beard's Roman Women
By Anthony Burgess
by Graham Foster
Anthony Burgess draws upon an autobiographical episode to create Beard's Roman Women, the story of a man haunted by his first wife, presumed dead. But is she? A marvellously economical book, full-flavoured, funny, and heartfelt, showing its author at the height of his powers. This new edition is the first to be published with David Robinson's photographs for over 40 years. The text of the novel has been restored using the original typescripts, and Graham Foster's new introduction provides valuable insight into the fictional and biographical contexts of the novel. The text is fully annotated with a detailed set of notes and this edition includes the previously unpublished script for Burgess's television film By the Waters of Leman: Byron and Shelley at Geneva, and a rare piece of Burgess's writing about Rome.
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Humanities & Social SciencesApril 2022Chinese religion in contemporary Singapore, Malaysia and Taiwan
The cult of the Two Grand Elders
by Fabian Graham
In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.
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Lifestyle, Sport & LeisureJune 2024Round our way
Sam Hanna's visual legacy
by Heather Nicholson
Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.
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October 2018Von Männern und ihren Katzen
Die größten Katzenliebhaber der Geschichte
by Sam Kalda, Kirsten Riesselmann
Der beste Freund des Mannes ist der Hund. Von wegen! In seinem stilsicher wie liebevoll illustrierten Buch widmet sich Sam Kalda den großen »Katzenmännern« der Geschichte und beweist, dass den bedeutendsten Denkern, Erfindern, Künstlern und Schriftstellern unserer Zeit keineswegs imposante Vierbeiner beiseite standen, sondern filigrane Katzengeschöpfe. Hemingway, der für seinen Jagdinstinkt – in tierischen wie in libidinösen Gefilden – und seinen exzessiven Alkoholkonsum berüchtigt war, legte eine erstaunliche Zuneigung zu Katzen an den Tag, zärtlich nannte er sie seine »Schnurr-Fabriken«. Nikola Tesla wurde angeblich zum Nachdenken über Elektrizität inspiriert, als er seine Katze Macak streichelte und einen Schlag abbekam. Und als fanatischster Katzenliebhaber wird vermutlich Karl Lagerfeld in die Geschichte eingehen, dessen weißes Siamkätzchen Choupette nicht nur für Chanel modelt, sondern auch einen Twitter-Account, zwei Nannys und eigenes Designergeschirr besitzt. Von Männern und ihren Katzen ist eine längst überfällige und charmante Hommage an die größten Katzenliebhaber aller Zeiten.
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October 2023Post-Mortem
Autopsy stories: the unusual experiences of a pathologist
by Roland Sedivy
— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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June 2018Die besten Kinderbuchklassiker zum Vorlesen
Der Wind in den Weiden, Peter Pan und Grimms Märchen
by Barrie, James Matthew; Grahame, Kenneth; Grimm, Jacob und Wilhelm
Die Kinderbuchklassiker „Der Wind in den Weiden“, „Peter Pan“ und die beliebtesten Märchen der Brüder Grimm - liebevoll und kindgerecht nacherzählt und wunderschön illustriert. Maulwurf, Ratterich und der Dachs müssen ihrem Freund, dem Kröterich, mal wieder aus der Patsche helfen. Er kann einfach nicht auf seine halsbrecherischen Abenteuer verzichten. Zahllose Abenteuer warten auch auf Wendy und ihre Brüder. Denn Peter Pan und die Fee Tinker Bell nehmen sie mit auf eine fantastische Reise nach Nimmerland. Und Dornröschen, Hänsel und Gretel, die Bremer Stadtmusikanten und viele andere bekannte Figuren entführen in märchenhafte Welten. Wunderbare Bilderbuchklassiker zum Vorlesen ab 4 Jahren!
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The ArtsMarch 2025
We all die at the end
Storytelling in the climate apocalypse
by Sam Haddow
We all die at the end offers a survey of contemporary end-of-the-world fiction, spanning literature, children's fiction, video games, theatre and film. It draws on eco-critical philosophy and narrative theory to show ways in which the climate crisis is reorienting storytelling in the face of foreseeable human extinction. In the process, it argues that such stories have a role to play in helping us come to terms with the severity and scale of the crisis that we face.
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Humanities & Social SciencesJanuary 2013Tyrants of Sicily by Hugo Falcandus
by Graham Loud, Thomas Wiedemann
This book is our principal source for the history of the Kingdom of Sicily in the troubled years between the death of its founder, King Roger, in February 1154 and the spring of 1169. It covers the reign of Roger's son, King William I, known to later centuries as 'the Bad', and the minority of the latter's son, William II 'the Good'. The book illustrates the revival of classical learning during the twelfth-century renaissance. It presents a vivid and compelling picture of royal tyranny, rebellion and factional dispute at court. Sicily had historically been ruled by tyrants, and that the rule of the new Norman kings could be seen, for a variety of reasons, as a revival of that classical tyranny. A more balanced view of Sicilian history of the period 1153-1169 has been provided as an appendix to the translation in the section of the contemporary world chronicle ascribed to Archbishop Romuald II of Salerno, who died in April 1181. In particular the chronicle of Romuald enables us to see how the papal schism of 1159 and the simultaneous dispute between the German Emperor Frederick Barbarossa and the north Italian cities affected the destiny of the kingdom of Sicily. In contrast to the shadowy figure of Hugo Falcandus, the putative author of the principal narrative of mid-twelfth-century Sicilian history, Romuald II, Archbishop of Salerno 1153-1181, is well-documented.
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The ArtsDecember 2007J. M. W. Turner
The making of a modern artist
by Sam Smiles, Alan Rutter
Alone of his contemporaries, J.M.W. Turner is commonly held to have prefigured modern painting, as signalled in the existence of The Turner Prize for contemporary art. Our celebration of his achievement is very different to what Victorian critics made of his art. This book shows how Turner was reinvented to become the artist we recognise today. On Turner's death in 1851 he was already known as an adventurous, even baffling, painter. But when the Court of Chancery decreed that the contents of his studio should be given to the nation, another side of his art was revealed that effected a wholescale change in his reputation. This book acts as a guide to the reactions of art writers and curators from the 1850s to the 1960s as they attempted to come to terms with his work. It documents how Turner was interpreted and how his work was displayed in Britain, in Europe and in North America, concentrating on the ways in which his artistic identity was manipulated by art writers, by curators at the Tate and by designers of exhibitions for the British Council and other bodies. ;
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Humanities & Social SciencesJune 2021Rethinking Norman Italy
by Joanna Drell, Paul Oldfield, C. E. Beneš
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