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Proverse Hong Kong is a Hong Kong-based press publishing local and international authors with local and international content, including: English-language and translated literary novels, short story and poetry collections, detective stories, mysteries and thrillers, non-fiction (biography, memoirs, travel, china missionary, education and law-court history; source materials including annotated archival transcriptions) ; poetry anthologies; YA fiction; books for students; academic studies (mainly with a Hong Kong and Hong Kong China focus). Formats: paperback, hardback, POD, e-books, audio. Publication awards: from local and international cultural bodies. Events: Spring and Autumn Receptions in Hong Kong with prize announcements and awards, book launches, authors’ brief talks. Prizes: We offer two annual international prizes for writing previously unpublished in English: 1) the Proverse Prize for book-length works of fiction, non-fiction, or poetry; 2) the Proverse Poetry Prize for single poems (max 30 lines). Open to all, 18+ irrespective of residence, nationality or citizenship. Annual entry periods: 7 May-30 June. More information: proversepublishing.com
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This book examines the British cultural engagement with Hong Kong in the second half of the twentieth century. It shows how the territory fit unusually within Britain's decolonisation narratives and served as an occasional foil for examining Britain's own culture during a period of perceived stagnation and decline. Drawing on a wide range of archival and published primary sources, Hong Kong and British culture, 1945-97 investigates such themes as Hong Kong as a site of unrestrained capitalism, modernisation, and good government, as well as an arena of male social and sexual opportunity. It also examines the ways in which Hong Kong Chinese embraced British culture, and the competing predictions that British observers made concerning the colony's return to Chinese sovereignty. An epilogue considers the enduring legacy of British colonialism.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
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Dunkle Mächte bedrohen die Hexenwelt. Auch Hong-Loan ist in Gefahr. Elena und Miranda wollen ihrer neuen Freundin beistehen. Doch dann wird Miranda entführt. Um sie zu retten, muss Elena in die Dämonenwelt eindringen – ein gefährliches Unterfangen, denn die Magie der Dämonen ist unerforscht und weit mächtiger als ihre eigene …
