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March 2016Der Traum vom Jahre Null
Autoren, Bestseller, Leser: Die Neuordnung der Bücherwelt in Ost und West nach 1945
by Adam, Christian
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October 2007GWT im Einsatz
AJAX-Anwendungen entwickeln mit dem Google Web Toolkit
by Hanson, Robert; Tacy, Adam / Übersetzt von Alkemper, Christian
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Humanities & Social SciencesJuly 2025Conservatism, Christian Democracy and the dynamics of transformation
Traditions, cooperation and influence in North-West Europe, 1945-91
by Gary Love, Christian Egander Skov
Conservatism, Christian Democracy, and the Dynamics of Transformation compares the centre-right political traditions of Britain, the Nordic countries, France, West Germany, and Austria and looks for evidence of political cooperation and influence across borders during the period 1945-90. The book explores howa variety of intellectuals, politicians, and political parties transformed their politics in response to major economic, social, and political challenges and seeks to explain why conservatives and Christian democrats came to feel that they belonged to a wider centre-right political family by the end of this period. It also examines why these political traditions found it difficult to cooperate with each other after the Second World War and why they decided to invest more political capital in inter-party relations and wider transnational projects from the 1960s. As the book shows, these developments resulted in two new centre-right internationals: the European Democrat Union and the International Democrat Union.
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2025Why Be a Christian Today?
by Elisabeth Zoll / Thomas Seiterich (eds.)
The exciting texts and reports by professing Christians offer a fresh perspective for all those who have cultivated a Christian spirituality for many years. However, the book also provides easy access for those who are newly interested in the Christian faith. There are probably as many professions of Christian faith as there are believers in the world. But what do Christians think and how have they been moulded? Elisabeth Zoll and Thomas Seiterich have compiled very personal ideas about the Christian faith in this book. When selecting the contributors, the editors deliberately chose not to include people with church offices or specialised theologians. Irrespective of church policy issues and church scandals, the contributors have provided insights into their path to faith.
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November 2010Lebenslust mit Christian Morgenstern
by Christian Morgenstern, Thomas Kluge
Christian Morgenstern wurde am 6. Mai 1871 in München geboren. 1892/93 begann er ein Studium der Rechtswissenschaften an der Universität Breslau, das er bald abbrach. Er zog nach Berlin und war dort als Journalist, Kultur- und Literaturkritiker und Redakteur tätig und veröffentlichte zahlreiche Beiträge und Glossen in Zeitschriften. Sein erster von seinen insgesamt vierzehn Lyrik-Bänden In Phantas Schloß erschien 1895. In der Folgezeit beschäftigte er sich mit der Übersetzung und Herausgabe der Werke von August Strindberg und Henrik Ibsen und schrieb für Max Reinhardts Berliner Kabarett »Schall und Rauch«. Von 1903 bis 1905 war er Redakteur der Zeitschrift »Das Theater« im Verlag von Bruno Cassirer, für den er auch als freier Lektor arbeitete. 1909 schloß sich Morgenstern dem Kreis der antroposophischen Gesellschaft um Rudolf Steiner an. Am 31. März 1914 starb er in Meran / Italien an den Folgen einer Tuberkulose-Erkrankung.
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Humanities & Social SciencesJanuary 2013Christian Dualist Heresies in the Byzantine World, c. 650-c. 1450
by Janet Hamilton, Bernard Hamilton
Christian dualism originated in the reign of Constans II (641-68). It was a popular religion, which shared with orthodoxy an acceptance of scriptual authority and apostolic tradition and held a sacramental doctrine of salvation, but understood all these in a radically different way to the Orthodox Church. One of the differences was the strong part demonology played in the belief system. This text traces, through original sources, the origins of dualist Christianity throughout the Byzantine Empire, focusing on the Paulician movement in Armenia and Bogomilism in Bulgaria. It presents not only the theological texts, but puts the movements into their social and political context.
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The ArtsJanuary 2024Transmodern
An art history of contact, 1920–60
by Christian Kravagna,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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Early modern history: c 1450/1500 to c 1700July 2013Impostures in early modern England
by Tobias B. Hug
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Humanities & Social SciencesJanuary 2013The Jews in western Europe, 1400–1600
by John Edwards
As European politics, society, economy and religion underwent epoch-making changes between 1400 and 1600, the treatment of Europe's Jews by the non-Jewish majority was, then as in later periods, a symptom of social problems and tensions in the Continent as a whole. Through a broad-ranging collection of documents, John Edwards sets out to present a vivid picture of the Jewish presence in European life during this vital and turbulent period. Subjects covered include the Jews' own economic presence and culture, social relations between Jews and Christians, the policies and actions of Christian authorities in Church and State. He also draws upon original source material to convey ordinary people's prejudices about Jews, including myths about Jewish 'devilishness', money-grabbing, and 'ritual murder' of Christian children. Full introductory and explanatory material makes accessible the historical context of the subject and highlights the insights offered by the documents as well as the pitfalls to be avoided in this area of historical enquiry. This volume aims to provide a coherent working collection of texts for lecturers, teachers and students who wish to understand the experience of Jewish Europeans in this period.
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The ArtsJune 2022Transmodern
An art history of contact, 1920–60
by Christian Kravagna, Marsha Meskimmon, Amelia Jones,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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The ArtsJune 2022Transmodern
An art history of contact, 1920–60
by Christian Kravagna, Marsha Meskimmon, Amelia Jones,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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The ArtsJune 2022Transmodern
An art history of contact, 1920–60
by Christian Kravagna, Marsha Meskimmon, Amelia Jones,
How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.
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Humanities & Social SciencesJuly 2023
African football migration
by Paul Darby, James Esson, Christian Ungruhe
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The ArtsOctober 2008The encompassing city
Streetscapes in early modern art and culture
by Stuart Blumin
The streetscape - the closely observed, faithfully rendered view of the city's streets, squares, canals, buildings and people - was a new artistic genre of the early modern era, a period in which the city itself was assuming new forms and taking on new roles in Europe and America. This unique book reopens the window of the early city view makers by tracing earlier forms of urban representation in European art into the sudden coalescence of the new genre in Italy and the Low Countries during the middle years of the seventeenth century. It explores the rapid expansion and diffusion of the genre through the eighteenth century, its appeal to such artists as Canaletto, Bernardo Bellotto, Francesco Guardi, and Giovanni Battista Piranesi, and its embrace of a culture of secular improvement more commonly understood through the writings of Enlightenment philosophes. To examine the long history of the genre is to learn much about the early modern city, and to rediscover many beautiful and long-forgotten works of art. ;
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