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      • Clare Painter Associates Ltd

        Licensing digital rights can be complicated and time-consuming. For 15 years our digital licensing agency, founded by pioneering digital publisher David Attwooll (as Attwooll Associates), has guided publishers through rapid and complex digital change. Clare and her small team of digital rights experts take a personal approach to each publisher, recommending specific licences and digital business models. We attend the book fairs in London and Frankfurt each year, and deal regularly with over 50 e-vendors across all sectors of the market: professional, academic, educational, and consumer.

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      • Iranban

        Iranban is a multi‑award‑winning, independent children’s book publishing company based in Teheran, Iran, with more than 500 titles published.

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      • Trusted Partner
        Painting the General
        Humanities & Social Sciences
        March 2024

        Painting the General

        by James Worrall, Alam Saleh

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        Politics and painting at the Venice Biennale, 1948–64
        The Arts
        September 2007

        Politics and painting at the Venice Biennale, 1948–64

        Italy and the Idea of Europe

        by Nancy Jachec, Marsha Meskimmon, Shearer West, Tim Barringer

        Although cultural exchanges were named within the Council of Europe in the mid- 1950s as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural 'triumph', American Abstract Expressionism in particular is commonly identified as the cultural 'weapon' by which that nation conquered Western European culture. Using the Venice Biennale as a case study, this book challenges the idea that there was an American cultural conquest in the 1950s through the fine arts, arguing instead that Western Europe retained a strong sense of world cultural leadership in the immediate post-war years. An institutional history that combines political and diplomatic with art history, and is informed by extensive archival research, it argues that Italian political and cultural figures actively promoted the 'Idea of Europe' - the Council of Europe's cultural initiative of 1955 designed to promote the idea of a homogeneous post-war European culture - at the Biennale in the form of gesture painting as an international style, as the emblem of a culturally united Western Europe, and as the repository of universal humanist values for the international community. Scholarly but accessible, this book will be of interest not only to researchers and to students of international cultural relations during the Cold War, but to general, interested readers, too. ;

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      • Trusted Partner
        Picturing the Romantic
        The Arts
        September 2025

        Picturing the Romantic

        New perspectives on European Romanticism(s) in the visual arts

        by Elisabeth Ansel, Johannes Grave, Christin Neubauer, Mira Claire Zadrozny

        European Romanticism in the visual arts has always been defined by transnational transfer processes. It is surprising that international aspects of Romantic movements have been, in contrast to literary studies, a gap in art historical research. Picturing the Romantic addresses this issue and reveals new perspectives on European Romanticism(s) in the visual arts by reconsidering the phenomenon's traditional canon, geographical dimensions and terminology and analysing various examples of the complex and heterogeneous works of Romantic painting. In sixteen original essays, renowned and early career researchers examine the question of whether to speak of several independently considered Romanticisms or one European Romanticism. They adopt a transnational perspective on Romantic art in and beyond Europe, focusing on the interconnections between the countries.

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      • Trusted Partner
        Painting Dublin, 1886–1949
        The Arts
        December 2020

        Painting Dublin, 1886–1949

        by Kathryn Milligan

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      • Trusted Partner
        Images of the army
        The Arts
        March 2017

        Images of the army

        The military in British art, 1815-1914

        by J. W. M. Hichberger

        In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.

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        Cultural identities and the aesthetics of Britishness
        Humanities & Social Sciences
        March 2017

        Cultural identities and the aesthetics of Britishness

        by Dana Arnold

        Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.

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      • Trusted Partner
        Art as worldmaking
        The Arts
        September 2025

        Art as worldmaking

        Critical essays on realism and naturalism

        by Malcolm Baker, Andrew Hemingway

        Introduction : Realism and its others in the 21st century: Why Realism won't go away - Andrew Hemingway Part I: Theory 1. The figure as double agent: realism and abstraction in European post-war art - Briony Fer 2. Realism's Credibility Problem - Joshua Shannon 3. If only; only if ... - Adrian Rifkin Part II: Sculpture 4. Confronting the Veristic Sculptural Portrait - Malcolm Baker 5. Sculpture, Realism and the Neo-classical Ideal - Martina Droth 6. Elasticity and Victorian Sculptural Form - Caroline Arscott 7. Image of the People: Charles Ray's Recent Work - Anne M. Wagner Part III: Garden Design 8. Of Gardens and Persons: the English Engagement with China's Garden Design - Martin Powers 9. Traditional Views. Conservative Anti-Naturalism and Landscape Aesthetics in France around 1900 - Neil McWilliam Part IV: Painting and Photography 10. Willem Kalf on Reflexykonst and the Aesthetics of Transformation in Still Life - Celeste Brusati 11. Democratic light: phenomenology and the worldliness of painting - Brendan Prendeville 12. The Visibility of Labor - T.J. Clark 13. Body and Soul in the work of Thomas Eakins and F. Holland Day - Rebecca Zurier Part V: Photography and Conema 14. Photography as counter forensics - Steve Edwards 15. Woman, War and Social Documentary Photography in South Africa - Tamar Garb 16. Antonioni's Blow-Up (1966): photography and film - Lisa Tickner Part VI: Post-Media / Contemporary Practice 17. Peter Dreher's Everyday Realism - Alistair Rider 18. From grey and rainy Vermont - Thomas Crow 19. 'Every day, something happens to us': Realism at the crossroads - Gail Day Index

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      • Trusted Partner
        Things. My 200 Picture Book
        Children's & YA

        Things. My 200 Picture Book

        by Magdalena Skala

        The very smallest children can identify and name objects from their homes in this award-winning, large-format board book. Magdalena Skala’s fantastic illustrations use bright colours and clear forms to depict the most important objects from the nursery, kitchen, garden, lounge, bathroom – in short from children’s everyday worlds: a great start into the world of words – and books! Magdalena Skala was awarded the 2019 Meefisch Prize and the Marktheidenfeld Prize for picture book illustration for THINGS. MY 200-PICTURE BOOK.

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      • Trusted Partner
        The Persian Gulf triangle
        Humanities & Social Sciences
        June 2026

        The Persian Gulf triangle

        Strategic relations between Iran, Saudi Arabia and the United States

        by Luíza Cerioli

        This book offers a nuanced snapshot of the complex geopolitical dynamics in the Persian Gulf, underlining the interaction between Iran, Saudi Arabia, and the US. Examining their interwoven relations since the 1970s, Luíza Cerioli's framework reveals how changes in US-Saudi ties have ripple effects on Iran-US and Iran-Saudi relations and vice versa. Using a historical lens, she explores how enduring US-Saudi connections hinge on order expectations, delves into the cognitive factors shaping US-Iran enmity and traces the source of oscillation in the Saudi-Iran ties. Employing Neoclassical Realism, the book investigates status-seeking, national identities and leadership preferences, offering a deeper understanding of the region's multipolar system. By combining International Relations and Middle East Studies, Cerioli's work contributes to both fields, unravelling the intricate interplay between international structures, regional nuances and agency in shaping Persian Gulf geopolitics.

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      • Trusted Partner
        Iranian Jewry during Afghan Invasion
        January 1990

        Iranian Jewry during Afghan Invasion

        The Kitab-i Sar Guzasht-i Kashan of Babai b. Farhad

        by Moreen, Vera B.

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      • Trusted Partner
        Capitalism in contemporary Iran
        Business, Economics & Law
        January 2026

        Capitalism in contemporary Iran

        by Kayhan Valadbaygi

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      • Trusted Partner
        European Film Noir
        The Arts
        January 2019

        European Film Noir

        by Andrew Spicer

        European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

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      • Trusted Partner
        Spanish cinema 1973–2010
        The Arts
        January 2019

        Spanish cinema 1973–2010

        Auteurism, politics, landscape and memory

        by Maria M. Delgado, Robin Fiddian

        This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.

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      • Trusted Partner
        Family Romance
        Biography & True Stories
        November 2024

        Family Romance

        by Jean Strouse

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      • Trusted Partner
        80 Picture Cards for Coaching, Training, and Psychotherapie
        Psychology

        80 Picture Cards for Coaching, Training, and Psychotherapie

        Initiating Learning- and Change Processes

        by Evelin Fräntzel, Dieter Johannsen

        People think and remember in images, images influence our feelings and our perception, they shape our interpersonal communication and interaction. Coaches, supervisors,trainers, consultants, and therapists can use picture cards as a creative method to initiate learning and change processes among their clients. The card set can be used when working with groups and teams as well as in individual settings. Using the picture cards and the detailed exercise descriptions, processes ofprofessional and personal reorientation and further development of clients can be effectively supported. The enclosed booklet gives numerous suggestions for the use of the picture cards in practice.   For: • coaches• supervisors• consultants• group leaders• psychotherapists• psychologists• teachers, educators, personnel developers

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      • Trusted Partner
        Popular imperialism and the military, 1850-1950
        Humanities & Social Sciences
        March 2017

        Popular imperialism and the military, 1850-1950

        by John M. MacKenzie

        Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.

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      • Trusted Partner
        Diamond Painting - Bastelspaß mit Diamanten - Weihnachten
        September 2024

        Diamond Painting - Bastelspaß mit Diamanten - Weihnachten

        Crystal Art mit 6 Motiven und über 2.000 Diamanten - Gestalte Bilder nach dem Malen-Nach-Zahlen-Prinzip - Ab 8 Jahren

        by Anna Lena Grünhäuser

        Glitzer, Funkel, Bastelspaß! Verziere vorwitzige Weihnachtselfen, verschmuste Rentiere und festliche Weihnachtsbäume mit glitzernden Diamanten und lass dich überraschen, wie toll deine Kunstwerke funkeln! Enthalten sind 6 Motive, über 2.000 Diamanten und ein Applikator-Stift. Der Trend Diamond Painting endlich als Buch! Kreative Beschäftigung für Kinder ab 8 Jahren Funktioniert nach dem bewährten Malen nach Zahlen-Prinzip Mit 6 Motiven, über 2.000 Diamanten, Behältnis und Stift zum Aufkleben der Steinchen und Anleitung Zusätzlich 19 Ausmalbilder Fördert die Feinmotorik Entspannt und beruhigt Tolles Mitbringsel für die Adventszeit

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      • Trusted Partner
        The English manor c.1200–c.1500
        Literature & Literary Studies
        January 2013

        The English manor c.1200–c.1500

        by Mark Bailey

        Provides a comprehensive introduction and essential guide to one of the most important institutions in medieval England and to its substantial archive. This is the first book to offer a detailed explanation of the form, structure and evolution of the manor and its records. Offers translations of, and commentaries upon, each category of document to illustrate their main features. Examples of each category of record are provided in translation, followed by shorter extracts selected to illustrate interesting, commonly occurring, or complex features. A valuable source of reference for undergraduates wishing to understand the sources which underpin the majority of research on the medieval economy and society.

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