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Wie man sich einen Lord angelt
Roman | Verführung pur - das romantische Jahreshighlight für alle Bridgerton-Fans
by Irwin, Sophie
Aus dem Englischen von Kristina Koblischke und Hannah Brosch
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Trusted PartnerJanuary 1974
Morgenvisite.
Roman.
by Sobel, Irwin Ph / Englisch Kaiser, Erika; Englisch Winger, Ilse
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Trusted PartnerFebruary 2015
The Big Bang Theory und die Philosophie
Stein, Papier, Schere, Aristoteles, Locke
by Herausgegeben von Irwin, William; Herausgegeben von Kowalski, Dean A.; Übersetzt von Wollermann, Thomas; Übersetzt von Reitz, Barbara
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Trusted PartnerThe ArtsFebruary 2022
"I am Jugoslovenka!"
Feminist performance politics during and after Yugoslav Socialism
by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
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Trusted PartnerHumanities & Social SciencesJune 2012
Cultures and caricatures of British imperial aviation
Passengers, pilots, publicity
by Gordon Pirie, Andrew Thompson, John Mackenzie
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;