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      • Apricotbooks

        Apricotbooks is a Russian publishing house focused on children, middle-grade and YA segments. We publish a wide range of books in different genres including contemporary fiction, detective stories, dystopian works, fantasy, steampunk, and cyberpunk, among others. We pay very special attention to the book design. Each book is a unique collaboration of the author and the artist. Among our authors you can find winners of international contests as well as promising beginners. Both children and adults read our books with passion. Our motto is to preserve childhood within the heart of every reader. Our great selection of titles has been included in the Russian libraries’ guidance list of the 100 best books for children and teenagers. The company profile also includes culinary works. Our team publishes cook books, produces clips, prospects and creates full range of content for corporate clients. Eco-responsibility and preserving the environment are among our priorities. Therefore, we follow the standards of green printing.

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      • ZNN Network Literary and Illustrator Agency

        - International Copyright, Licensing, and Literary Agency - International Illustrator Agency and Management Services - Creative Content Development Services

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      • Trusted Partner
        June 2008

        Father Browns Geheimnis

        Erzählungen

        by Gilbert Keith Chesterton, Hanswilhelm Haefs

        Gilbert Keith Chesterton wurde am 29. Mai 1874 in London geboren. Er begann eine Ausbildung als Illustrator an der Slade School of Art und besuchte Literaturvorlesungen am Londoner King’s College. Als Kolumnist und Literaturkritiker schrieb er für verschiedene liberale Zeitungen. Von 1900 an erschienen von ihm über hundert Bücher, Gedichte, Kurzgeschichten und Theaterstücke, die durch ihre stilistische Brillanz schnell eine große Bekanntheit erlangten. In besonderem Maße setzte sich Chesterton, der 1922 zum Katholizismus konvertierte, in seinen Büchern und Aufsätzen mit seiner Beziehung zum Christentum auseinander, meistens allerdings – wie in der  bekannten Gestalt des Priester-Detektivs Pater Brown – auf humoristische Weise. Er starb am 14. Juni 1936 in Beaconsfield.

      • Trusted Partner
        June 2008

        Father Browns Skandal

        Erzählungen

        by Gilbert Keith Chesterton, Hanswilhelm Haefs

        Gilbert Keith Chesterton wurde am 29. Mai 1874 in London geboren. Er begann eine Ausbildung als Illustrator an der Slade School of Art und besuchte Literaturvorlesungen am Londoner King’s College. Als Kolumnist und Literaturkritiker schrieb er für verschiedene liberale Zeitungen. Von 1900 an erschienen von ihm über hundert Bücher, Gedichte, Kurzgeschichten und Theaterstücke, die durch ihre stilistische Brillanz schnell eine große Bekanntheit erlangten. In besonderem Maße setzte sich Chesterton, der 1922 zum Katholizismus konvertierte, in seinen Büchern und Aufsätzen mit seiner Beziehung zum Christentum auseinander, meistens allerdings – wie in der  bekannten Gestalt des Priester-Detektivs Pater Brown – auf humoristische Weise. Er starb am 14. Juni 1936 in Beaconsfield.

      • Trusted Partner
        Children's & YA
        July 2019

        Buchstabendschungel

        by Poznanski, Ursula / Illustrated by Büchner, SaBine

        Help the animals to find their letters ... easy as ABC!• By best-selling author Ursula Poznanski• Get a first feeling for letters and words!• Humorously illustrated, with funny details!After a big storm in the jungle, the little monkey collects many funny-looking things. “That are letters,” knows the smart parrot. “Somebody must have lost them”. And indeed, monkey and parrot come across strange animals that seem like something is missing. A "iger", a "nake", a "at" …   An exciting letter story for reading aloud and early reading, guessing and poetizing by yourself!

      • The Arts
        January 1905

        The Elements of Drawing

        by John Ruskin

        Can drawing — sound, honest representation of the world as the eye sees it, not tricks with the pencil or a few "effects" — be learned from a book? One of the most gifted draftsmen, who is also one of the greatest art critics and theorists of all time, answers that question with a decided "Yes." He is John Ruskin, the author of this book, a classic in art education as well as a highly effective text for the student and amateur today. The work is in three parts, cast in the form of letters to a student, successively covering "First Practice," "Sketching from Nature," and "Colour and Composition." Starting with the bare fundamentals (what kind of drawing pen to buy; shading a square evenly), and using the extremely practical method of exercises which the student performs from the very first, Ruskin instructs, advises, guides, counsels, and anticipates problems with sensitivity. The exercises become more difficult, developing greater and greater skills until Ruskin feels his reader is ready for watercolors and finally composition, which he treats in detail as to the laws of principality, repetition, continuity, curvature, radiation, contrast, interchange, consistency, and harmony. All along the way, Ruskin explains, in plain, clear language, the artistic and craftsmanlike reasons behind his practical advice — underlying which, of course, is Ruskin's brilliant philosophy of honest, naturally observed art which has so much affected our aesthetic. Three full-page plates and 48 woodcuts and diagrams (the latter from drawings by the author) show the student what the text describes. An appendix devotes many pages to the art works which may be studied with profit.

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        Humanities & Social Sciences
        May 2021

        Disciplined agency

        Neoliberal precarity, generational dispossession and call centre labour in Portugal

        by Patrícia Alves de Matos

        Since the mid-2000s, the harsh reality of call centre employment for a generation of young workers in Portugal has been impossible to ignore. With its endless rows of small cubicles, where human agents endure repetitive telephone conversations with abusive clients under invasive modes of technological surveillance, discipline and control, call centre work remains a striking symbol of labour precarity, a condition particularly associated with the neoliberal generational disenchantment that 'each generation does better than its predecessor'. This book describes the emergence of a regime of disciplined agency in the Portuguese call centre sector. Examining the ascendancy of call centres as icons of precarity in contemporary Portugal, this book argues that call centre labour constitutes a new form of commodification of the labouring subject. De Matos argues that call centres represent an advanced system of non-manual labour power exploitation, due to the underestimation of human creativity that lies at the centre of the regimented structures of call centre labour. Call centres can only guarantee profit maintenance, de Matos argues, through the commodification of the human agency arising from the operators' moral, relational and social embedded agentive linguistic interventions of creative improvisation, decision-making, problem-solving and ethical evaluation.

      • Trusted Partner
      • May 1987

        Dracula

        by Bram Stoker

        Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. It introduced Count Dracula, and established many conventions of subsequent vampire fantasy. The novel tells the story of Dracula's attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and a woman led by Professor Abraham Van Helsing.

      • Business, Economics & Law
        April 1905

        The Acquisitive Society

        by R.H. Tawney

        This 1926 survey, written by a distinguished social and economic historian, examines the role of religion in the rise of capitalism. Arguing that material acquisitiveness is morally wrong and a corrupting social influence, the author draws upon his profound knowledge of labor and politics to show how concentrated wealth distorts economic policies. Colorful but credible, this study offers a timeless vision of alternative means toward a just economic, social, and intellectual order.

      • Technology, Engineering & Agriculture
        March 1905

        The First Book of Farming

        by Charles L. Goodrich

        This book is a result of the author's search for these facts and truths as a student and farmer and his endeavor as a teacher to present them in a simple manner to others. The object in presenting the book to the general public is the hope that it may be of assistance to farmers, students and teachers, in their search for the fundamental truths and principles of farming.

      • Business, Economics & Law
        March 1905

        The Path of the Law

        by Oliver Wendell Holmes Jr.

        In The Path of the Law, Holmes discusses his personal philosophy on legal practice. The Common Law is a series of lectures that established Holmes's reputation as a witty and articulate writer.

      • Business, Economics & Law
        April 1905

        Creating Capital

        Money-making as an aim in business

        by Fredrick L. Lipman

        The object of this paper is to discuss money-making; to examine its prevalence as an aim among people generally and the moral standards which obtain among those who consciously seek to make money.

      • The Arts
        March 1905

        Concerning the Spiritual in Art

        by Wassily Kandinsky

        A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

      • Humanities & Social Sciences
        November 1904

        Common Sense

        Addressed to The Inhabitants of America

        by Thomas Paine

        Published anonymously in 1776, six months before the Declaration of Independence, Thomas Paine’s Common Sense was a radical and impassioned call for America to free itself from British rule and set up an independent republican government. Savagely attacking hereditary kingship and aristocratic institutions, Paine urged a new beginning for his adopted country in which personal freedom and social equality would be upheld and economic and cultural progress encouraged.

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      • September 1904

        Hamlet

        by William Shakespeare

        Hamlet is Shakespeare's longest play, and is considered among the most powerful and influential works of world literature, with a story capable of "seemingly endless retelling and adaptation by others". The play likely was one of Shakespeare's most popular works during his lifetime, and still ranks among his most performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879. It has inspired many other writers—from Johann Wolfgang von Goethe and Charles Dickens to James Joyce and Iris Murdoch—and has been described as "the world's most filmed story after Cinderella"

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