Bentang Pustaka
We are a publisher of quality books for Indonesia. Very passionate about educating the nation.
View Rights PortalWe are a publisher of quality books for Indonesia. Very passionate about educating the nation.
View Rights PortalPeacemaking in the Middle Ages explores the making of peace in the late-twelfth and early thirteenth centuries based on the experiences of the kings of England and the kings of Denmark. From dealing with owing allegiance to powerful neighbours to conquering the 'barbarians', this book offers a vision of how relationships between rulers were regulated and maintained, and how rulers negotiated, resolved, avoided and enforced matters in dispute in a period before nation states and international law. This is the first full-length study in English of the principles and practice of peacemaking in the medieval period. Its findings have wider significance and applications, and numerous comparisons are drawn with the peacemaking activities of other western European rulers, in the medieval period and beyond. This book will appeal to scholars and students of medieval Europe, but also those with a more general interest in kingship, warfare, diplomacy and international relations.
Peacemaking in the Middle Ages explores the making of peace in the late-twelfth and early thirteenth centuries based on the experiences of the kings of England and the kings of Denmark. From dealing with owing allegiance to powerful neighbours to conquering the 'barbarians', this book offers a vision of how relationships between rulers were regulated and maintained, and how rulers negotiated, resolved, avoided and enforced matters in dispute in a period before nation states and international law. This is the first full-length study in English of the principles and practice of peacemaking in the medieval period. Its findings have wider significance and applications, and numerous comparisons are drawn with the peacemaking activities of other western European rulers, in the medieval period and beyond. This book will appeal to scholars and students of medieval Europe, but also those with a more general interest in kingship, warfare, diplomacy and international relations.
In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
This is a vital new work; the first to take the University of Manchester's Museum as its subject. By setting the museum in its cultural and intellectual contexts, Nature and culture explores twentieth-century collecting and display, and the status of the object in the modern world. Beginning with the origins of the Manchester Museum, accounting for its development as an internationally renowned university museum, and concluding at its major expansion at the turn of the millennium, this book casts new light on the history of museums. How did objects become knowledge? Who encountered museum objects on their way to museums? What happened to collections within the museum? How did visitors use and respond to objects? In answering these questions, Nature and culture illuminates not only the history of one institution, but also contributes to wider discussions in the history of science, cultural history and museology. ;