Freelance literary agent with more than 20 years experience in cultural management and copyright management. Director of the A + V Visual Creators Agency (A+V Agencia de Creadores Visuales).
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Seit zwei Jahrzehnten tritt der Politwissenschaftler John McCormick für eine »demokratische Wende« in der Forschung zu Machiavelli ein, indem er die plebejischen, antioligarchischen und sogar »populistischen« Züge von dessen politischem Denken betont. Wie die bahnbrechenden Aufsätze in diesem Band zeigen, ist Machiavelli überraschend relevant für die Analyse der gegenwärtigen Krise der Demokratie, die durch Populismus und Plutokratie gekennzeichnet ist. Mit seiner Hilfe, so McCormick, lassen sich unsere demokratischen Verfassungen neu gestalten, so dass die Bürgerinnen und Bürger die Korruption von Oligarchen vereiteln und sich direkter sowie umfassender am politischen Geschehen beteiligen können.
»Es war um 1907.« In Paris lernen sich der Deutsche Jules und der Franzose Jim kennen, eine enge Freundschaft entsteht. Sie teilen die Liebe zur Literatur, zur Kunst und zu den Frauen, von denen nicht wenige durch ihr Leben gehen. Doch als Kathe auftaucht, eine abenteuerlustige Berlinerin mit dem Lächeln einer griechischen Statue, von der beide gleichermaßen fasziniert sind, bittet Jules: »Die da nicht? … ja, Jim?« Jules und Kathe ziehen nach Deutschland, heiraten und bekommen zwei Kinder … erst nach dem Ersten Weltkrieg sehen die Freunde sich wieder – und es entwickelt sich eine leidenschaftliche Dreiecksbeziehung. Doch bald wird die Amour fou zwischen Kathe und Jim zu einem tragischen Spiel, bei dem es keinen Gewinner geben kann ... Eine zeitlose Geschichte über Freundschaft, Liebe und Freiheit.
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Ein junger Mann voller erhabener Ideale strebt nach großen Taten, doch er versagt im entscheidenden Moment. Jim, ein Schiffsoffizier, dient auf dem Dampfer Patna. Nach einem Unglück überläßt er viele hundert Menschen ihrem Schicksal. Er verliert Schiffspatent und Ehre und wandert auf der Flucht vor der Vergangenheit immer weiter nach Osten. Dort erwartet ihn eine weitere Bewährungsprobe.
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Samuel Hall Young, a Presbyterian clergyman, met John Muir when the great naturalist's steamboat docked at Fort Wrangell, in southeastern Alaska, where Young was a missionary to the Stickeen Indians. In "Alaska Days With John Muir" he describes this 1879 meeting: "A hearty grip of the hand and we seemed to coalesce in a friendship which, to me at least, has been one of the very best things in a life full of blessings." This book, first published in 1915, describes two journeys of discovery taken in company with Muir in 1879 and 1880. Despite the pleas of his missionary colleagues that he not risk life and limb with "that wild Muir," Young accompanied Muir in the exploration of Glacier Bay. Upon Muir's return to Alaska in 1880, they traveled together and mapped the inside route to Sitka. Young describes Muir's ability to "slide" up glaciers, the broad Scotch he used when he was enjoying himself, and his natural affinity for Indian wisdom and theistic religion. From the gripping account of their near-disastrous ascent of Glenora Peak to Young's perspective on Muir's famous dog story "Stickeen," Alaska Days is an engaging record of a friendship grounded in the shared wonders of Alaska's wild landscapes.
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A Midsummer Night's Dream is Shakespeare's most enchanting comedy, and in the twentieth century it has become perhaps his most popular play. It contains some of Shakespeare's loveliest poetry and is one of his most complex and effective dramatic structures. After an historical survey of the Dream from Shakespeare's time through to the nineteenth century, Jay Halio focuses primarily on twentieth century productions and adaptations, for film and television as well as for the stage. Chapters are devoted to productions by Max Reinhardt, Peter Hall, Robert Lepage, and especially to Peter Brook's landmark production in 1970 and the reactions to it. Using a wealth of personal experience, as well as original promptbooks and critical reviews, Halio shows how differently but still very effectively the play may be staged, as the wide variety of plays he records. This second, enlarged edition contains three new chapters on Adrian Noble's RSC production and film, Michael Hoffman's film, and the Dream in China. Written in clear, jargon-free language, this is the only book so far in print that offers an extended study of major twentieth-century productions of the Dream in their historical context.
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Chinua Achebe has long been regarded as Africa's foremost writer. In this major new study, Jago Morrison offers a comprehensive reassessment of his work as an author, broadcaster, editor and political thinker. With new, historically contextualised readings of all of his major works, this is the first study to view Achebe's oeuvre in its entirety, from Things Fall Apart and the early novels, through the revolutionary Ahiara Declaration - previously attributed to Emeka Ojukwu - to the revealing final works The Education of a British Educated Child and There Was a Country. Contesting previous interpretations which align Achebe too easily with this or that nationalist programme, the book reveals Achebe as a much more troubled figure than critics have habitually assumed. Authoritative and wide-ranging, this book will be essential reading for scholars and students of Achebe's work in the twenty-first century. ;
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