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Ediciones Puro Chile
Puro Chile creates unique, high-quality and personalized books of renowned creators in the fields of Art, Architecture, Photography and Design.
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Humanities & Social SciencesJuly 2018Changing anarchism
Anarchist theory and practice in a global age
by Jonathan Purkis, James Bowen
The massive protests against globalisation in recent years have re-awoken interest in anarchism. Changing anarchism sets out to reposition anarchist theory and practice by documenting contemporary anarchist practice and providing a viable analytical framework for understanding it. The contributions here, from both academics and activists, raise challenging and sometimes provocative questions about the complex nature of power and resistance to it. The areas covered include: sexuality and identity; psychological dependency on technology; libertarian education; religion and spirituality; protest tactics; mental health and artistic expression; and the ongoing 'metaphorical wars' against drugs and terror. This collection epitomises the rich diversity that exists within contemporary anarchism as well as demonstrating its ongoing relevance as a sociological tool.
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AnarchismJune 2012Changing anarchism
Anarchist theory and practice in a global age
by Edited by Jonathan Purkis and James Bowen
The massive protests against globalisation in recent years have re-awoken interest in anarchism. Changing anarchism, finally available in paperback, sets out to reposition anarchist theory and practice by documenting contemporary anarchist practice and providing a viable analytical framework for understanding it. The contributions here, from both academics and activists, raise challenging and sometimes provocative questions about the complex nature of power and resistance to it. The areas covered include: sexuality and identity; psychological dependency on technology; libertarian education; religion and spirituality; protest tactics; mental health and artistic expression; and the ongoing 'metaphorical wars' against drugs and terror. This collection epitomises the rich diversity that exists within contemporary anarchism as well as demonstrating its ongoing relevance as a sociological tool.
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Literature & Literary StudiesSeptember 2024James Baldwin Review
by Douglas Field, Justin Joyce, Dwight McBride
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Humanities & Social SciencesOctober 2024Bulletin of the John Rylands Library 100/1
by Fred Schurink, Rachel Winchcombe
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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December 2001Die Formen des Religiösen in der Gegenwart
by Charles Taylor, Karin Wördemann, Charles Taylor
Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.
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Literature & Literary StudiesOctober 2024The Legacy of John Polidori
The Romantic Vampire and its Progeny
by Sam George, Bill Hughes
John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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December 2006James Joyce für Boshafte
by James Joyce, Friedhelm Rathjen
Für Liebhaber des boshaften Humors: James Joyce. »Rom kommt mir vor wie ein Mann, der davon lebt, daß er die Leiche seiner Großmutter für Reisende zur Schau stellt.«
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1985Geschichten vom Tierarzt Dr. James Herriot
Der Doktor und das liebe Vieh und Dr. James Herriot, Tierarzt
by Herriot, James / Übersetzt von Kloth, Friedrich A; Übersetzt von Herrera, Ulla H de
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Humanities & Social SciencesMarch 2020Knowledge, mediation and empire
James Tod's journeys among the Rajputs
by Florence D'Souza, Andrew Thompson, John M. MacKenzie
This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
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September 2001Der Fischer Atlas Medien
Fakten Trends Zusammenhänge
by Donald, Stephanie; Balvanes, Mark; Donald, James
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Humanities & Social SciencesMarch 2017
The Arctic in the British imagination 1818–1914
by Andrew Thompson, John M. MacKenzie, Rob David
The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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The ArtsOctober 20174 saints in 3 acts
A snapshot of the American avant-garde in the 1930s
by Patricia Allmer, John Sears
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
