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View Rights PortalEstablished in 1956, Bingsha Shatabdi follows two different trends in publication, It brings out direct translations from various European languages like French, Dutch, German into Bangla. It deals with both contemporary and classical literature. Its second goal is to publish collections of essays in Bangla and English, and its area of concentration is Social Science And Ancient Indian Civilization and Culture.
View Rights PortalSeit vielen Jahrhunderten hat das durch einen Zaubertrick unlöslich ineinander verstrickte Liebespaar die Phantasie der Menschen beschäftigt. Aus den vielfachen französischen und deutschen Überlieferungen der Tristan-Sage hat der Romanist an der Sorbonne Joseph Bédier, ohne die alten Formen des Denkens und Fühlens mit modernen Auffassungen zu vermengen, diese Nacherzählung geschaffen. Die Holzschnitte dieser Ausgabe sind der von Anton Sorg in Augsburg im Jahre 1484 gedruckten »Historie von Tristan und Isolde« entnommen. Joseph Bédier schreibt in einer Anmerkung zu seinem Buch: »Ich habe in diesem Buch versucht, jegliche Vermischung des Alten und Modernen zu vermeiden. Die Unstimmigkeiten, die Anachronismen, die falschen Ausschmückungen auszumerzen … Niemals unsere modernen Auffassungen mit den alten Formen des Denkens und Fühlens zu vermengen: Das war mein Vorwurf, meine Arbeit und, ohne Zweifel, ach! meine Chimäre. Mein Text aber ist weither zusammengekommen, und wenn ich meine Quellen im einzelnen angeben wollte, müßte ich an den Fuß der Seiten eine solche Menge von Noten setzen, daß sie das kleine Buch belasteten und überwucherten.«
The career of Wisconsin-born Joseph Losey spanned over four decades and several countries. A self-proclaimed Marxist and veteran of the 1930s Soviet agit-prop theater, he collaborated with Bertholt Brecht before directing noir B-pictures in Hollywood. A victim of McCarthyism, he later crossed the Atlantic to direct a series of seminal British films such as "Time Without Pity," "Eve," "The Servant," and "The Go-Between," which mark him as one of the cinema's greatest baroque stylists. His British films reflect on exile and the outsider's view of a class-bound society in crisis through a style rooted in the European art house tradition of Resnais and Godard. Gardner employs recent methodologies from cultural studies and poststructural theory, exploring and clarifying the films' uneasy tension between class and gender, and their explorations of fractured temporality.
Combining the fields of evolutionary economics and the humanities, this book examines McCarthy's literary works as a significant case study demonstrating our need to recognise the interrelated complexities of economic policies, environmental crises, and how public policy and rhetoric shapes our value systems. In a world recovering from global economic crisis and poised on the brink of another, studying the methods by which literature interrogates narratives of inevitability around global economic inequality and eco-disaster is ever more relevant.
Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
Auswahl mit Briefen an Gerhart Hauptmann, Rudolf G. Binding, Thomas Mann, Hans Carossa, Martin Heidegger und viele andere ermöglicht den Einblick in das ungewöhnliche Leben und Wirken eines Schriftstellers unserer Zeit.
The fall and rise of the English upper class explores the role traditionalist worldviews, articulated by members of the historic upper-class, have played in British society in the shadow of her imperial and economic decline in the twentieth century. Situating these traditionalist visions alongside Britain's post-Brexit fantasies of global economic resurgence and a socio-cultural return to a green and pleasant land, Smith examines Britain's Establishment institutions, the estates of her landed gentry and aristocracy, through to an appetite for nostalgic products represented with pastoral or pre-modern symbolism. It is demonstrated that these institutions and pursuits play a central role in situating social, cultural and political belonging. Crucially these institutions and pursuits rely upon a form of membership which is grounded in a kinship idiom centred upon inheritance and descent: who inherits the houses of privilege, inherits England.
Mit seinem Cthulu-Mythos wollte H. P. Lovecraft eine Atmosphäre kosmischen Grauens schaffen, die Archaisches mit den modernen Erkenntnissen der Wissenschaft verbindet und unserer Zeit angemessen ist. Die Angst hielt er für das älteste und stärkste Gefühl, mit dem er in seinen Erzählungen gerne spielte. Die besten Erzählungen von H. P. Lovecraft sind in diesem Rand zusammengefaßt.
Der 125. Geburtstag Borchardts am 9. Juni 2002 wird noch einmal Gelegenheit geben, die beharrlich im Halbdunkel gebliebene Gestalt dieses großen Dichters, Essayisten und übersetzers endlich zu entdecken. Rudolf Borchardt, geboren am 9. 6. 1877 in Königsberg, gestorben am 10. 1. 1945 in Trins/Brenner, schrieb den ersten Hauptteil der geplanten Selbstbiographie, seine Kindheitserinnerungen, in den Jahren 1927 und 1928. Eine Fortsetzung fand nicht statt. 1966 wurde Rudolf Borchardts Leben von ihm selbst erzählt zum ersten Mal im Zusammenhang veröffentlicht. Gegenstand ist die eigene Kindheit, bis hin zu den ersten Schuljahren in Berlin.Der Begriff des Biographischen nimmt in Borchardts Gedankenwelt einen zentralen Platz ein, »denn in ihm faßt sich«, bemerkt Ernst Zinn, »das Ringen um die Wiedergewinnung und Erweckung des Vergangenen, um die Formung und Bildung des eigenen Geistes und um die Vergegenwärtigung der Geschichte in Forschung und Dichtung zusammen«.Im Bewußtsein dessen, daß »das Individuum in seiner Bildung noch einmal durch alle Stufen läuft, die die Natur hat durchlaufen müssen, um zur Gattung dieses Individuums zu gelangen«, schreibt Borchardt an Hugo von Hofmannsthal, »begriff ich, daß die Gegenstände meines Studiums und meiner Qualen – Wissenschaft und Leidenschaft – Geschichte des deutschen Volkes und Geschichte des menschlichen Geistes im Sinne meiner eigenen höheren Biographie waren, und daher alle im Flusse, alle lebendig, alle noch unentschieden, noch mitten in ihrem Drama. Erforschung war Handeln, Leben, Schaffen. Schaffen war Beschwören, Hervorzaubern, Beleben, Wiederherstellen. Denken war Erinnern. Erinnern war Vorverkündigen.«
This book outlines the ways sport helps to create transnational social fields that interconnect migrants dispersed across a region known as the Black Atlantic: England, North America and the Caribbean. Many Caribbean men's stories about their experiences migrating to Canada, settling in Toronto, finding jobs and travelling involved some contact with a cricket and social club. This book offers a unique contribution to black diaspora studies through showing sport as a means of allaying the pain of ageing in the diaspora, creating transnational social networks and marking ethnic boundaries on a local scale. The book also brings black diaspora analysis to sport research, and through a close look at what goes on before, during and after cricket matches provides insights into the dis-unities, contradictions and complexities of Afro-diasporic identity in multicultural Canada. It will be of interest to students and scholars in sociology, sport studies and black diaspora studies.
This book examines the political works of Andrew Michael Ramsay (1683-1743) within the context of early eighteenth-century British and French political thought. In the first monograph on Ramsay in English for over sixty years, the author uses Ramsay to engage in a broader evaluation of the political theory in the two countries and the exchange between them. At the beginning of the eighteenth century, Britain and France were on divergent political paths. Yet in the first three decades of that century, the growing impetus of mixed government in Britain influenced the political theory of its long-standing enemy. Shaped by experiences and ideologies of the seventeenth century, thinkers in both states exhibited a desire to produce great change by integrating past wisdom with modern knowledge.
The Russian Revolution of 1917 was not just a world-historical event in its own right, but also struck powerful blows against racism and imperialism, and so inspired many black radicals internationally. This edited collection explores the implications of the creation of the Soviet Union and the Communist International for black and colonial liberation struggles across the African diaspora. It examines the critical intellectual influence of Marxism and Bolshevism on the current of revolutionary 'black internationalism' and analyses how 'Red October' was viewed within the contested articulations of different struggles against racism and colonialism. Challenging European-centred understandings of the Russian Revolution and the global left, The Red and the Black offers new insights on the relations between Communism, various lefts and anti-colonialisms across the Black Atlantic - including Garveyism and various other strands of Pan-Africanism. The volume makes a major and original intellectual contribution by making the relations between the Russian Revolution and the Black Atlantic central to debates on questions relating to racism, resistance and social change.
Works of travel have been the subject of increasingly sophisticated studies in recent years. This book undermines the conviction with which nineteenth-century British writers talked about darkest Africa. It places the works of travel within the rapidly developing dynamic of Victorian imperialism. Images of Abyssinia and the means of communicating those images changed in response to social developments in Britain. As bourgeois values became increasingly important in the nineteenth century and technology advanced, the distance between the consumer and the product were justified by the scorn of African ways of eating. The book argues that the ambiguities and ambivalence of the travellers are revealed in their relation to a range of objects and commodities mentioned in narratives. For instance, beads occupy the dual role of currency and commodity. The book deals with Henry Morton Stanley's expedition to relieve Emin Pasha, and attempts to prove that racial representations are in large part determined by the cultural conditions of the traveller's society. By looking at Joseph Conrad's Heart of Darkness, it argues that the text is best read as what it purports to be: a kind of travel narrative. Only when it is seen as such and is regarded in the context of the fin de siecle can one begin to appreciate both the extent and the limitations of Conrad's innovativeness.