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Kallisti Publishingproducepersonal development and business books that expand the mind, generate ideas, and grow profits. They believe when you read, you succeed.
View Rights PortalKallisti Publishingproducepersonal development and business books that expand the mind, generate ideas, and grow profits. They believe when you read, you succeed.
View Rights PortalIvo Andric, geboren 1892 in Dolac bei Travnik, arbeitete als Diplomat, Politiker und Schriftsteller. Für seine Romane und Erzählungen wurde er 1961 mit dem Literaturnobelpreis ausgezeichnet und gilt als einer der wichtigsten Autoren der südslawischen Literatur. Er starb 1975 in Belgrad.
Accessible and original analysis of all Jean Renoir's sound films, including those he made in Hollywood - this is the first major study to appear for a number of years and brings new light on some of the director's most celebrated films.. Illuminating account of critical debates concerning Renoir, and focusing on hitherto neglected areas such as gender, nation and ethnicity the book asks us to rethink our understanding of Renoir's political commitment.. Traces his output from the silent period to the age of television, tying his work into a fast-shifting, socio-historical context.. Detailed analyses of his sound films map his evolving style while individual chapters cover Renoir's career and writings, critical debates, the silent and early sound films, the Popular Front period, Renoir amèricain and the later films.
Blue wine or colour-matched letters, compass points seen in colour, or listening to music that is also an experience of forms and structures. Anyone with these kind of perceptions lives among the synaesthetes. This phenomenon was long overlooked by science. Nowadays, things are different. This book presents not only modern neuroscience’s standpoint on the puzzle of synaesthesia; it also ventures into philosophical peripheral areas. What does life look like for a synaesthete, and how does our perception work anyway?
Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty. ;