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Samir Éditeur
Founded in 1947, Samir Éditeur is a Beirut-based francophone publishing house specializing in children’s books and textbooks. We publish in both French and Arabic languages, and our books are distributed worldwide. Our children’s book list includes picture books, first readers, fiction and non-fiction titles for ages 2 to 17. We publish original content as well as carefully curated translations such as Roald Dahl’s books. Our family of culturally and geographically diverse authors and illustrators enriches our catalogue with award-winning titles, such as our YA title Caballero by Lenia Major that won 3 awards and got 3 mentions in France (2017-2018) or our picture book Raconte encore, grand-mère ! by Marido Viale and Xavière Broncard that won the Prix Chronos (2016). Our latest YA novel Droit devant is currently shortlisted for 5 literary awards. We are among those who were the most affected by the Beirut blast this past August. Our offices were completely destroyed; fortunately, our staff had been working from home due to the covid outbreak, so there were no human losses. And so we live to tell another story! – BOP Finalist 2019
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Lifestyle, Sport & LeisureJune 2024Round our way
Sam Hanna's visual legacy
by Heather Nicholson
Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.
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October 2018Von Männern und ihren Katzen
Die größten Katzenliebhaber der Geschichte
by Sam Kalda, Kirsten Riesselmann
Der beste Freund des Mannes ist der Hund. Von wegen! In seinem stilsicher wie liebevoll illustrierten Buch widmet sich Sam Kalda den großen »Katzenmännern« der Geschichte und beweist, dass den bedeutendsten Denkern, Erfindern, Künstlern und Schriftstellern unserer Zeit keineswegs imposante Vierbeiner beiseite standen, sondern filigrane Katzengeschöpfe. Hemingway, der für seinen Jagdinstinkt – in tierischen wie in libidinösen Gefilden – und seinen exzessiven Alkoholkonsum berüchtigt war, legte eine erstaunliche Zuneigung zu Katzen an den Tag, zärtlich nannte er sie seine »Schnurr-Fabriken«. Nikola Tesla wurde angeblich zum Nachdenken über Elektrizität inspiriert, als er seine Katze Macak streichelte und einen Schlag abbekam. Und als fanatischster Katzenliebhaber wird vermutlich Karl Lagerfeld in die Geschichte eingehen, dessen weißes Siamkätzchen Choupette nicht nur für Chanel modelt, sondern auch einen Twitter-Account, zwei Nannys und eigenes Designergeschirr besitzt. Von Männern und ihren Katzen ist eine längst überfällige und charmante Hommage an die größten Katzenliebhaber aller Zeiten.
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Literature & Literary StudiesJuly 2023In the company of wolves
Werewolves, wolves and wild children
by Sam George, Bill Hughes
In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children - often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.
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August 2004Sam, die Beatles und ich
Wie ich das Herz meines Sohnes gewann
by Smith, Peter / Englisch Goga-Klinkenberg, Susanne
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The ArtsSeptember 2015Film modernism
by Sam Rohdie
This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. ;
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Literature & Literary StudiesOctober 2017Botany, sexuality and women's writing, 1760–1830
From modest shoot to forward plant
by Sam George
In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.
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