Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.
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Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation. The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised.
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'Independence' was an important ideal for men in Georgian England. In this period, however, the word meant much more than simply the virtues of self-sufficiency and impartiality. Most people believed that obligations absolutely compromised freedom and conscience, whereas 'independence' was associated with manly virtue and physical vigour. Fundamentally, the political world was thought to consist of 'independent men', exercising their consciences and standing up for the general good. As such, Georgians thought about political action and masculine virtue very differently to the ways in which we do today. In study, newly available in paperback, Matthew McCormack establishes the links between the histories of masculinity and politics, highlighting the centrality of 'manly' ideals in the political world and - conversely - the role of politics in the operation of gender ideology. ;
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This book explores the housing problem throughout the 70 years of Soviet history, looking at changing political ideology on appropriate forms of housing under socialism, successive government policies on housing, and the meaning and experience of 'home' for Soviet citizens. Attwood examines the use of housing to alter gender relations, and the ways in which domestic space was differentially experienced by men and women. Much of Attwood's material comes from Soviet magazines and journals, which enables her to demonstrate how official ideas on housing and daily life changed during the course of the Soviet era, and were propagandised to the population. Through a series of in-depth interviews, she also draws on the memories of people with direct experience of Soviet housing and domestic life. Attwood has produced not just a history of housing, but a social history of daily life which will appeal both to scholars and those with a general interest in Soviet history.
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