The Book Cultural Center is a publishing house established in Morocco, Casablanca, created in 2016. With over 42 years of experience in the industry, we are specialized in Arabic literature, social science and novels. We have more than 250 titles. Our books are distributed in all Arabic countries and we participate in more than 10 bookfairs a year. Our establishment is a reference and a pioneer in the Arabic world.
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Livres Canada Books supports Canadian-owned book publishers in their export sales activities, in developing international partnerships, and assists publishers in improving their overall results through a range of services, including financial support, collective marketing, promotion, research, training, and a collective presence at major international book fairs. We are delighted to showcase great Canadian fiction, non-fiction, scholarly books, children’s books and young adult fiction in English and French. We encourage you to consult the listings here to find the stories and relationships that speak to you most. Livres Canada Books appuie les éditeurs appartenant à des intérêts canadiens dans leurs activités de ventes à l’exportation, en établissant des partenariats internationaux et en améliorant leur rendement global au moyen d’une gamme de services, dont l’aide financière, le marketing collectif, la promotion, la recherche, la formation et une présence collective aux principales foires internationales du livre. Nous nous réjouissons de mettre en vedette des titres canadiens exceptionnels, qu’il s’agisse de romans, de livres de non fiction, de livres pour enfants, de romans jeunes adultes ainsi que des publications savantes, et ce, en français et anglais. Nous vous invitons à consulter ces titres pour y découvrir les récits et les histoires qui vous interpellent le plus.
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Arthur Rimbauds Le Bateau ivre ist eines der bedeutendsten Langgedichte der Weltliteratur. Nur drei Tage, die ihn "in Trance" versetzten, reichten Paul Celan aus für das Meisterwerk seiner Übersetzung dieses Gedichtes ins Deutsche: kühn und eigen, und doch so nah am Text, wie es einer Nachdichtung nur möglich ist. Es war Celans Überzeugung, "daß mir hier ein wirklich einzigartiger Wurf geglückt ist". Zur Wiedergabe von Originaltext und Übertragung in direkter Gegenüberstellung treten aufschlußreiche Zeugnisse, vor allem die Verlagsbriefwechsel, Abbildungen und ein ausführliches Nachwort des Herausgebers.
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In großen Bildern schildert Gertrud von le Fort die tragische Lage der Stadt Magdeburg im Dreißigjährigen Krieg.
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Le visage de la paix, erschienen im Oktober 1951, ist das letzte einer stattlichen Anzahl von Büchern, die von 1936 an, während fünfzehn Jahren, aus der Zusammenarbeit von Paul Eluard (1895–1952) und Pablo Picasso (1881–1973) entstanden sind.Am 5. Dezember, aus Anlaß des dreißigjährigen Bestehens der Kommunistischen Partei Frankreichs, zeichnete Picasso eine Folge von 29 allegorischen Variationen zum Thema Taube und Frauengesicht. In der Abfolge der Zeichnungen entwickelte Picasso nach Art einer Bildergeschichte die schrittweise Annäherung der Taube an das Frauengesicht. Das Frauengesicht erscheint zuerst nur als Umriß, wird nach und nach belebt, während die Taube sich mehr und mehr herandrängt, das Gesicht mehr und mehr umfängt, bis sie schließlich eine Einheit mit ihm bildet: Die Taube hat sich das Frauengesicht einverleibt.Gestalt- und Antlitz-Metamorphosen sind in dem Werk von Picasso nichts Ungewöhnliches. Das Motiv der Verbindung von Taube und Frauengesicht hingegen erscheint hier zum erstenmal. (Aus dem Nachwort)
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The Lettre sur la comédie de l'Imposteur is the only work of any length which does full justice to comedy in the 17th century as a serious dramatic form. It is an important document in its own right and because it is inseparable from the historical context of Molière's Le Tartuffe ou l'Imposteur and the circumstances which influenced its development. ;
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This book examines the Thatcher government's attempt to revolutionise Britain's pensions system in the 1980s and create a nation of risk-taking savers with an individual stake in capitalism. Drawing upon recently-released archival records, it shows how the ideas motivating these reforms journeyed from the writings of neoliberal intellectuals into government and became the centrepiece of a plan to abolish significant parts of the UK's welfare state and replace these with privatised personal pensions. Revealing a government that veered between political caution and radicalism, the book explains why this revolution failed and charts the malign legacy left by the evolutionary changes that ministers salvaged from the wreckage of their reforms. The book contributes to understanding of policy change, Thatcherism, and international neoliberalism by showing how major reforms to social security could reflect neoliberal thought and yet profoundly disappoint their architects.
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A girl torn between two brothers. Regardless of which one she falls in love with it will be disastrous for the other. Christopher and Adrian have sworn that no girl will ever come between them again, because there is a sleeping monster inside Adrian, just waiting to hurt his brother. But then Jessa comes to High Moor Grange… Jessa would do anything to find her sister Alice, who has been registered as missing for five years. High Moor Grange is the first clue she has been given after all this time – but apart from a ruin shrouded in mist, all she finds there are the owners of this dilapidated manor house. Jessa suspects that they both know more about Alice’s disappearance than they admit. Christopher wants nothing more than to be rid of her, and constantly gets on her nerves with his arrogance – and even his warm-hearted brother Adrian seems to be harbouring some secrets. Jessica knows that she ought to stay away from the twin brothers, because instead of finding answers at High Moor Grange, she finds herself in danger of losing her heart in a battle against a 200-year-old curse. Dark, irresistible and deeply romantic – a modern Beauty and the Beast story by the queen of emotions!
