Lindbak + Lindbak
Lindbak + Lindbak is a fresh new Nordic publishing house adding an innovative twist to popular genres like crime, romance & children's books.
View Rights PortalLindbak + Lindbak is a fresh new Nordic publishing house adding an innovative twist to popular genres like crime, romance & children's books.
View Rights PortalIndependent publisher founded in 1989 and releasing around 50 new titles each year both in fiction (literary; contemporary) and non-fiction (history; art; religion , biographies)
View Rights PortalBetween 1983 and 1987, mercenaries adopting the pseudonym GAL (Grupos Antiterroristas de Liberación, Antiterrorist Liberation Group) paid by the Spanish treasury and relying upon national intelligence support were at war with the Basque militant group ETA (Euskadi (e)Ta Askatasuna, Basque Country and Freedom). Over four years, their campaign of extrajudicial assassinations spanned the French-Spanish border. Nearly thirty people were killed in a campaign comprised of torture, kidnapping, bombing and the assassination of suspected ETA activists and Basque refugees. This establishment of unofficial counterterrorist squads by a Spanish Government was a blatant detour from legality. It was also a rare case in Europe where no less than fourteen high-ranking Spanish police officers and senior government officials, including the Minister of Interior himself, were eventually arrested and condemned for counter-terrorism wrongdoings and illiberal practices. Thirty years later, this campaign of intimidation, coercion and targeted killings continues to grip Spain. The GAL affair was not only a serious example of a major departure from accepted liberal democratic constitutional principles of law and order, but also a brutal campaign that postponed by decades the possibility of a political solution for the Basque conflict. Counter-terror by proxy uncovers why and how a democratic government in a liberal society turned to a 'dirty war' and went down the route of illegal and extrajudicial killing actions. It offers a fuller examination of the long-term implications of the use of unorthodox counter-terrorist strategies in a liberal democracy.
Als Joseba nach über zwanzig Jahren seinen Jugendfreund David in Kalifornien wiedersieht, müssen die beiden sich erst an ihre gemeinsame Vergangenheit herantasten – zu viele offene Fragen stehen zwischen ihnen, zuviel Verheimlichtes, Unausgesprochenes. Als ehemalige Mitglieder der baskischen Untergrundorganisation haben sie zwar Abstand gewonnen zu ihren Verstrickungen von damals, doch lasten quälende Schuldgefühle auf ihnen – Schuldgefühle angesichts eines Verrats, von dem sie beide wissen, daß er notwendig war. Wie war es dazu gekommen, daß sie, die jugendlichen Freunde und späteren Studenten, in den Bannkreis der militanten baskischen Idee gerieten? Sie müssen ins reine kommen mit ihrer Vergangenheit, die sie auseinandergetrieben hat und die erst im Angesicht von Davids nahem Tod ihre Macht über sie verliert. Es ist eine beklemmende, zunehmend dramatische Geschichte, und Atxaga erzählt sie ebenso eindringlich wie differenziert. Denn hinter dem Gewissenskonflikt, den David und Joseba durchmachen müssen, liegt die ganz andere Geschichte ihrer unwiderruflichen Entfernung aus dem, was ein ländliches Paradies sein könnte. Wie konnte es geschehen, daß aus den musisch begabten, zweifelnden Jugendlichen, die sie waren, militante Aktivisten der ETA wurden? Daß der eine dafür seine erste große Liebe verriet; daß der andere in ein zwielichtiges Verhältnis zu all seinen ehemaligen Freunden geriet? Welchen menschlichen Preis mußten sie zahlen? Und wer, vor allem, hat damals im Jahr 1976 das Kommando verraten, dem sie beide angehörten?
This volume examines the films of Hispanic and Lusophone women filmmakers from the 1930s to the present day. It establishes productive connections between film practices across these geographical areas by identifying common areas of concern on the part of these female filmmakers. Focusing on aesthetic, theoretical and socio-historical analyses, it questions the manifest or latent gender and sexual politics that inform and structure the emerging cinematic productions by women filmmakers in Portugal, Spain, Latin America and the US. With a combination of scholars from the UK, the US, Spain and Latin America, the volume documents and interprets a fascinating corpus of films made by Hispanic and Lusophone women and proposes research strategies and methodologies that can expand our understanding of socio-cultural and psychic constructions of gender and sexual politics. An essential resource to rethink notions of gender identity and subjectivity, it is a unique contribution to Spanish and Latin American Film Studies and Film Studies.
The situation in our society is precarious. The ecological shocks are omnipresent. The mere continuation of our lifestyles fixated on expansion and self-development has long since reached its limits. As if intoxicated by ourselves, we consume our world voraciously and without restraint. We need moderation and frugality that lead us out of the ecological and social dead ends and hold both the individual and Politics to account. We are by no means powerless and are perfectly capable of leading a life that offers prospects for a humane future. However, our idea of freedom needs urgent correction. For this endeavour to succeed, we need the courage to face reality and the willingness, in a spirit of solidarity, to say goodbye to a false life and join the alliance of renunciation and freedom. Then we will be free – differently and better.
Religion is taught in schools as if a branch of science consisting of some Koranic verses, prophetic tradition (Hadith), creed, worships, and biography! Pupils usually study such items by heart, then they go to exam and forget all. Religion is neither a branch of science nor a branch of material knowledge. Religion is a spiritual education that had to be applied in society. It is felt in the way people behave or conduct. Sometimes we meet a clever pupil but he has bad manners! Another, may get high marks in religion but dismissed out of the school for his ill behaviors and bad manners. I believe that religion must be taught as a spiritual education surrounded by a sphere of sympathy and affection. It is something felt by heart, not studied by heart. Teachers have to adress minds to make pupils convinced. They have to teach them biography of the prophet and also of the orthodox Caliphs. They have to select Koran verses according to “the age and the need”. For example Koranic verses dealing with” prayers”, must be studied in an early stage. Then Koranic verses dealing with “fasting”. After that comes verses dealing with moral conducts. In an advanced stage or secondary school, students can study views, ideas, conceptions, visions and philosophy of Islamic eminent characters, as well as eminent characters of other religions. There is a sort of a deflagrated competition between different religions, though they are similar in concepts and attitudes. Also, rivalary between Islam and Western civilization, and communism, is considered. Western civilization has its own entity. It is an integral doctrine having its theories and applications. Western civilization admits human rights and free economy. It could achieve marvellous progress in different fields of life. At the other hand communism also has its own integral doctrine with a private philosophy, economy and ruling systems. It aspires equality between all people, regardless to their colour or race. As a matter of fact it could achieve marevellous progress in different fields of life. Islam stands in between those two different civilizations, trying to get up and rise after a long sleep in the darkness of stagnancy and retardation. Lately, Islam did not achieve adequate progress in fields like modern science, technology, and material power. But it didn’t surrender, because it is till standing as a civilization having its own historical dignity and tradition. But now it is working hard to compensate what it did lose and indemnify what has gone, without contradicting its message and entity.
How should we as Britons remember transatlantic slavery? How has slavery been remembered in the past? 'Chords of freedom' sets out to answer these questions and, in doing so, traces the way in which British transatlantic slavery has been absorbed into the nation's collective memory. By combining two current historiographical preoccupations - the construction of public memory and British transatlantic slavery - this fascinating book focuses on the way in which the British traditionally have been taught to view transatlantic slavery through the moral triumph of abolition. The author traces the construction of this national history through a number of case studies, including visual images, literary memorials (the competing accounts of the anti-slavery movement produced by Thomas Clarkson and Robert and Samuel Wilberforce), monument-memorials, galleries and museums, and commemorative rituals from the nineteenth century to the present day. A separate chapter also considers how Britain's example in abolishing first the slave trade (1807) and then colonial slavery (1833-34) impacted on the rituals of the American anti-slavery movement, and served as a convenient symbol of the potential of freedom in the British West Indies. 'Chords of freedom' offers valuable new insights into the way in which a 'culture of abolition' took root in Britain, and how our views of transatlantic slavery and figures like William Wilberforce have been revised and amended to reflect the changing demands of a series of 'present days'. Its cross-disciplinary approach will appeal to a broad spectrum of specialists, as well as to undergraduates and postgraduates. ;
Negotiating relief and freedom is an investigation of short- and long-term responses to disaster in the British Caribbean colonies during the 'long' nineteenth century. It explores how colonial environmental degradation made their inhabitants both more vulnerable to and expanded the impact of natural phenomena such as hurricanes, earthquakes, and volcanic eruptions. It shows that British approaches to disaster 'relief' prioritised colonial control and 'fiscal prudence' ahead of the relief of the relief of suffering. In turn, that this pattern played out continuously in the long nineteenth century is a reminder that in the Caribbean the transition from slavery to waged labour was not a clean one. Times of crisis brought racial and social tensions to the fore and freedoms once granted, were often quickly curtailed.
This collection brings together historians, political theorists and literary scholars to provide historical perspectives on the modern debate over freedom of speech, particularly the question of whether limitations might be necessary given religious pluralism and concerns about hate speech. It integrates religion into the history of free speech and rethinks what is sometimes regarded as a coherent tradition of more or less absolutist justifications for free expression. Contributors examine the aims and effectiveness of government policies, the sometimes contingent ways in which freedom of speech became a reality and a wide range of canonical and non-canonical texts in which contemporaries outlined their ideas and ideals. Overall, the book argues that while the period from 1500 to 1850 witnessed considerable change in terms of both ideas and practices, these were more or less distinct from those that characterise modern debates.
Throughout the long nineteenth-century the sounds of liberty resonated across the Anglophone world. Focusing on radicals and reformers committed to the struggle for a better future, this book explores the role of music in the transmission of political culture over time and distance. Following in the footsteps of relentlessly travelling activists - women and men - it brings to light the importance of music making in the lived experience of politics. It shows how music encouraged, unified, divided, consoled, reminded, inspired and, at times, oppressed. The book examines iconic songs; the sound of music as radicals and reformers were marching, electioneering, celebrating, commemorating as well as striking, rioting and rebelling; and it listens within the walls of a range of associations where it was a part of a way of life, inspiring, nurturing, though at times restrictive. It provides an opportunity to hear history as it happened.
Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Never kiss a Vampire! Die 20-jährige Cara ist ein Freigeist. Mit ihren FreundInnen stützt sie sich regelmäßig in das Nachtleben Neapels. Auf einer illegalen Party in den Katakomben von Neapel lernt sie die geheimnisvolle Kisa kennen. Ein gemeinsamer Tanz endet mit einem intensiven Kuss. Zu spät merkt Cara, dass Kira eine Vampirin ist. Sie beißt zu und trinkt von Caras Blut. Cara verwandelt sich in eine Vampirin und muss ihr geliebtes Leben hinter sich lassen. Sie schwört Rache und lässt sich in den Vampirclan einschleusen, um ihn zu zerstören. Doch leider ist da diese verdammte Anziehungskraft, die sie gegenüber Kisa seit dem gemeinsamen Kuss verspürt… Hat ihre Liebe eine Zukunft? Blood Rebel: Sexy und queer! Ein fesselnder Vampirroman ab 16 Jahren in der faszinierenden Unterwelt Neapels. Lesbian New Adult Romantasy: spannend und sexy. Verflucht angesagt: mit dem beliebten Trope Enemies to Lovers. Atemberaubend erzählt: ein Pageturner für Fans von Fantasy-Schmökern und LGBTQIA+-Büchern.
Rome in 1860 - with the exciting age of the Risorgimento as an atmospheric backdropLuca Di Fulvio's new novel is a powerful emotional epic about solidarity, self-discovery, homeland, family, love, and life dreams. The story begins in 1860, with the plot set mainly in Rome during the last phase of the Italian unification movement, the Risorgimento. Luca Di Fulvio creates a highly emotional, mentally cinematic epic with strong, distinctive characters. An orphan boy who wants to use his camera to change the way people see the world. A circus girl with a burning interest in politics. A countess who gives the gift of freedom to others. Three people whom fate brings to Rome in 1870, the pulsating heart of Italy on its path to becoming a nation state. As their paths cross in the midst of this city of promise, their dreams seem to be interwoven with magical bands. But the dazzling city of Rome presents the three with unexpected challenges. One day, when a dramatic event shakes the Eternal City, they are threatened with losing everything they hold dear. A highly emotional epic about three unforgettable characters, and a visually stunning story about new beginnings, the power of love, and a great longing for security in a world where one person stands up for the other. Bursting with life, deeply moving, and full of hope - Luca Di Fulvio's stories are like journeys that you wish would never end Three people and their dream of a better world The new novel by SPIEGEL bestselling author Luca Di Fulvio Set in Rome in 1860 against the atmospheric backdrop of the Italian unification movement
Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director's position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities.
Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities. ;
This thorough account of the life and films of the Spanish-Basque filmmaker Julio Medem is the first book in English on the internationally renowned writer-director of Vacas, La ardilla roja (Red Squirrel), Tierra, Los amantes del Círculo Polar (Lovers of the Arctic Circle), Lucía y el sexo (Sex and Lucía), La pelota vasca: la piel contra la piedra (Basque Ball) and Caótica Ana (Chaotic Ana), Initial chapters explore Medem's childhood, adolescence and education and examine his earliest short films and critical writings against a background of a dramatically changing Spain. Later chapters provide accounts of the genesis, production and release of Medem's challenging and sensual films, which feed into complex but lucid analyses of their meanings, both political and personal, in which Stone draws on traditions and innovations in Basque art, Spanish cinema and European philosophy to create a complete and provocative portrait of Medem and his work. ;