Lone Pine Publishing
Livres Canada Books
View Rights PortalThis book is a collection of articles by anthropologists and social scientists concerned with gendered labour, care, intimacy and sexuality, in relation to mobility and the hardening of borders in Europe. Interrogating the relation between physical, geopolitical borders and ideological, conceptual boundaries, it offers a range of vivid and original ethnographic case studies that will capture the imagination of anyone interested in gendered migration, policies of inclusion and exclusion, and regulation of reproduction and intimacy. The book presents ethnographic and phenomenological discussions of people's changing lives as they cross borders, how people transgress and reshape moral boundaries of proper gender and kinship behaviour, and moral economies of intimacy and sexuality. It also focuses on migrants' navigation of social and financial services in their destination countries, putting questions about rights and limitations on citizenship at the core.
What does money really stand for? How can the abstractions of high finance be made visible? Show me the money documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. It tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money, from the South Sea Bubble to our current crisis. Show me the money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts and electronic trading systems.
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.
Verbotene Liebe Das Schicksal von Tana Fairchild scheint vorgezeichnet: Eine arrangierte Hochzeit mit Landon, dem Sohn des Gouverneurs, um den Frieden zwischen den Inselhexen und den Festlandbewohnern zu sichern. Doch als Tana das Mitternachtsritual des Hexenzirkels verpasst, kann sie sich an niemanden um Hilfe wenden. In ihrer Not begegnet sie dem faszinierenden Magier Wolfe, ein Hexer mit dunklen Geheimnissen, der behauptet, ihr helfen zu können. Er zeigt Tana eine Welt, in der sie sich mächtiger und lebendiger fühlt als je zuvor. Zwischen der arrangierten Hochzeit mit Landon und der unwiderstehlichen Anziehungskraft von Wolfe steht Tana vor einer existentiellen Entscheidung: Sie muss sich zwischen Liebe und Pflicht, zwischen der Loyalität zu ihrem Volk und der Loyalität zu ihrem Herzen, entscheiden … Bring Me Your Midnight: Prickelnde Romantasy mit dem Trope Forbidden love Herz oder Pflicht?: Eine fesselnde Liebesgeschichte mit einer starken Protagonistin für Romantasy-Fans ab 14 Jahren. Voll angesagt: mit den Erfolgstropes Forbidden love und Enemies-to-Lovers. Sehnsüchtig erwartet: Die neue, hexenhafte Romantasy von New York Times-Bestsellerautorin Rachel Griffin („Wild is the Witch“) Atmosphärisch und prickelnd: Eine Welt voller Hexen, Magie und gefährlicher Allianzen und eine Heldin, die zwischen Tradition und Verlangen hin- und hergerissen ist. Endlich da: „Bring Me Your Midnight“, die neue Romantasy von Bestsellerautorin Rachel Griffin, zieht Mädchen ab 14 Jahren voll in ihren Bann. Eine spannungsgeladene Geschichte zwischen Pflicht und Verlangen und einer starken Protagonistin!
In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda's first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman's perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women. Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.
There are beautiful and difficult moments in the life of a little bear. Fortunately, his parents are always there for him! No matter whether the little bear gets frustrated with a difficult puzzle, is afraid of jumping into the swimming lake or gets angry because he has to accept a “no” from his parents, he is always experiencing the following: "My parents love me. I can trust them and feel their support." A secure bond between children and their caregivers is the foundation for a healthy self-esteem, a good handling of one's own feelings and resilience. Such a bond develops in many small everyday situations, whenever children experience that their parents see them, accept them and accompany them – even in difficult moments.
In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
Take Some Time Out! The headline grabs Liv’s attention as she browses, depressed, through the job ads. Although she’s only 22 and just starting out in journalism, a recent disastrous interview cost her a new job. The ad sounds like a dream come true: someone needs a house-sitter to mind a lighthouse on the Irish coast for six months! Taking time out is exactly what Liv needs to clear her head and recharge her batteries. She sends off her application and a few weeks later finds herself standing in front of her new home. Next to a good-looking Irishman who makes her heart beat faster. She doesn’t know it yet, but he’ll break her heart, too… 16+ years The beginning of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately. Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
June ist aufgeregt und nervös zugleich: Kian, ihr bester Freund aus der Schulzeit, kehrt nach sieben Jahren aus Australien zurück und zieht zu ihr in die WG. Beide haben sich verändert – Kian ist nicht mehr der pummelige Junge von damals, sondern ein attraktiver Mann mit Muskeln und Tattoos, und June, die einst lebhaft und selbstbewusst war, ist nun schüchtern und zurückhaltend. Trotz der Zeit, die sie getrennt verbracht haben, und der Veränderungen, die sie durchgemacht haben, ist die Anziehung zwischen ihnen sofort spürbar. Doch es ist nicht einfach, dort weiterzumachen, wo sie aufgehört haben. Die Vergangenheit und ihre Geheimnisse werfen lange Schatten auf die Gegenwart, und June findet sich hin- und hergerissen zwischen ihren wachsenden Gefühlen für Kian und der Angst vor den Schatten, die ihre gemeinsame Vergangenheit auf ihre mögliche Zukunft wirft. Als Kian beginnt, sich in Junes Alltagsleben zu integrieren, flammen alte Gefühle wieder auf, und es entsteht eine zarte Romanze, die jedoch von Unsicherheiten und unausgesprochenen Wahrheiten belastet wird. Beide müssen lernen, mit ihren veränderten Selbstbildern umzugehen und herausfinden, ob ihre Beziehung stark genug ist, um die Geheimnisse der Vergangenheit zu überwinden. Ihre Reise ist geprägt von Momenten intensiver Nähe und Vertrautheit, aber auch von Missverständnissen und Konflikten, die aus dem mangelnden Mut resultieren, offen miteinander zu kommunizieren. June und Kian stehen vor der Herausforderung, nicht nur sich selbst und ihre Beziehung zueinander neu zu definieren, sondern auch zu entscheiden, wie viel sie bereit sind, für eine gemeinsame Zukunft zu riskieren. Fesselnde, emotionale Liebesgeschichte von June und Kian, die nach Jahren der Trennung wieder zueinanderfinden. Ihre neu entflammten Gefühle stellen sie vor große Herausforderungen und Entscheidungen. Erlebe, wie sich die Hauptcharaktere von ihrer Vergangenheit lösen und durch ihre Erlebnisse wachsen. June und Kian zeigen, dass wahre Liebe Mut zur Veränderung und Offenheit erfordert. Die Autorin Jette Menger entführt die Leser in eine Welt voller intensiver Gefühle, geheimer Wünsche und der Sehnsucht nach Verständnis und Akzeptanz. Spannendes Setting in der malerischen Stadt Bath bildet die perfekte Kulisse für diese berührende Geschichte, in der alte Freundschaften neu entdeckt und verborgene Geheimnisse aufgedeckt werden. Das ständige Hin und Her zwischen Annäherung und Rückzug hält die Spannung bis zum Schluss aufrecht und spiegelt die Komplexität menschlicher Beziehungen wider. Neben der Liebesgeschichte werden wichtige Themen wie Selbstfindung, Verarbeitung von Vergangenheitstraumata und die Bedeutung echter Freundschaft behandelt. Geschrieben aus zwei Perspektiven bietet die Geschichte einen tiefen Einblick in die Gedanken- und Gefühlswelt beider Protagonisten, was sie besonders authentisch und nachvollziehbar macht. Auftakt einer mitreißenden Reihe: "Know Us 1. Know me again" ist der Beginn einer Reihe, die Lust auf mehr macht und Leser*innen gespannt auf die Fortsetzungen warten lässt. Ideal geeignet für Leser*innen, die komplexe Charakterbeziehungen, emotionale Achterbahnfahrten und herzzerreißende Momente lieben.
After a terrible blow of fate throws her life into confusion, Seanna needs desperately to get away from it all. She’s come to the village of Castledunn in the hope of getting her life back in order. The wild countryside of Ireland’s west coast and the slow pace of rural life give her new energy. Her job behind the bar in the village’s only pub provides a comforting sense of routine. Then the pub changes hands, bought by the attractive, but stubborn Neall Kennan, who throws Seanna’s feelings into turmoil. Not only is she attracted to him, she’s also reminded of her own past. It’s more than Seanna can bear. 16+ years The second volume of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately! Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
January 1st, 1950: in Cologne, Hamburg and San Remo, people ring in the new decade. The one before left deep scars in the cities and in people’s minds and hearts. Gerda and Heinrich Aldenhoven’s house in Cologne is bursting at the seams. Heinrich’s art gallery is not making enough money to feed all the hungry mouths. In contrast, Gerda’s friends Elisabeth and her husband Kurt in Hamburg don’t have money worries. As press officer of the savings bank, Kurt can provide a modest existence for his family. But they also yearn for a little more lightness in their lives. Their son-in-law Joachim still hasn’t returned from the war. And Margarethe Aldenhoven has ended up in San Remo. Her life at her Italian husband’s side seems carefree, but she is tortured by her dependency on her mother-in-law. As differently as they all spent New Year’s Eve – out and about in Cologne, quietly at home in Hamburg, classily in San Remo – the questions on New Year’s Day are the same: will the wounds finally heal? What will the future bring?
Not a single soul as far as the eye can see. Just sea, cliffs and the beach. And a lighthouse. It’s a wondrously beautiful place – not that Airin has a chance to enjoy it. The lighthouse has been converted into a cosy living space available for rent, and 24-year-old Airin has to look after the property while at the same time running her own bed and breakfast in Castledunn. It’s a lot of work for one person, but normally everything runs smoothly. Until Joshua, the nephew of the lighthouse owner, moves in. Arrogant and priggish, he complains ceaselessly about everything. Airin feels like strangling him. Or kissing him. Who cares, just as long as he stops talking! 16+ years The third volume of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately! Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
This remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today.
This is the first ever book to analyse outsourcing - contracting out public services to private business interests. It is an unacknowledged revolution in the British economy, and it has happened quietly, but it is creating powerful new corporate interests, transforming the organisation of government at all levels, and is simultaneously enriching a new business elite and creating numerous fiascos in the delivery of public services. What links the brutal treatment of asylum-seeking detainees, the disciplining of welfare benefit claimants, the profits effortlessly earned by the privatised rail companies, and the fiasco of the management of security at the 2012 Olympics? In a word: outsourcing. This book, by the renowned research team at the Centre for Research on Socio-Cultural Change in Manchester, is the first to combine 'follow the money' research with accessibility for the engaged citizen, and the first to balance critique with practical suggestions for policy reform.