Play yourself happy! The educational-therapeutic games and materials of our Sternwiese-Verlag enable individual access to the child's emotions and thoughts. With help of exciting strategies, unique concepts and personable characters will be developing and strengthening of social and emotional skills varied support.
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Discover our JUNGLE list: comic series for kids, teens and YA. Jungle recently published best-selling comic series, adapted from teens novels such as The Enola Holmes Mysteries (now on Netflix) and The Diary of an 8-bit warrior (Cube Kid). Discover our STEINKIS list: graphic documentaries and graphic adaptation for adults. Steinkis essentially publishes non-fiction graphic books (memoirs, docu-fiction, investigations) and also published graphic adaptation of literary works.
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Klassiker für starke Kids Robinson Crusoe landet als Schiffbrüchiger ganz alleine auf einer unbewohnten Insel. Zunächst ist keine Rettung in Sicht. Doch Schritt für Schritt richtet er mit viel Einfallsreichtum sein Leben auf der Insel ein - bis er eines Tages eine unbekannte Spur im Sand entdeckt … Nach dem berühmten Roman von Daniel Defoe - kindgerecht geschrieben und leicht zu lesen für Kinder ab 7/8 Jahren. Abenteuer auf einer einsamen Insel - Klassiker einfach lesen Der Titel ist auf Antolin.de gelistet.
Daniel Defoe, geboren 1660 in London, arbeitete als Kaufmann, Journalist und Publizist. Mit seinem Roman Robinson Crusoe wurde er weltberühmt. Er gilt als Begründer des modernen englischen Romans. Defoe starb 1731 in London.
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»Defoe hat mit seinem Robinson eines der schönsten Bücher der Welt geschrieben.« Hermann Hesse Illustrierte Ausgabe mit gekürzten Auszügen aus Daniel Defoes weltberühmtem Roman über einen Schiffbrüchigen, der sich auf einer Insel gegen die Natur behaupten muss.
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This study compares the making and remaking of the political identities of the miners' movements in Britain and Germany. Taking the south Wales and Ruhr coalfields as case studies, it focuses on the public discourse of the trade unions and political parties as it was disseminated in local newspapers, trade union publications, pamphlets and election leaflets. It reveals how the miners' movements used ideas such as class, religion, the 'people' or Volk, socialization and nationalization to construct organizational identities during the turbulent period between 1890 and 1926. These concepts were crucial not only in the formation and self-identity of the miners' trade unions, but also in the way they interacted with employers and the state. They adapted and changed over time as the miners' movements reacted to war, economic depression and increasing industrial conflict. The book contends that these identities were not simply the result of structural factors, but were formed at the juncture where cultural, political and sociological forces intersect. Examining this intersection through discourse analysis and the concept of the 'lifeworld', the book brings together the social world of the miners and the realm of organized politics to advance historical understanding of two of the most important elements in the most powerful labour movements in Europe. ;
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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This book considers the most electorally successful political party in Spain, the Spanish Socialist Workers' Party (PSOE), which was in government for two of the three decades since it won office under Felipe González in 1982. Providing rich historical background, the book's main focus is on the period since General Franco's death in 1975. It charts Spain's modernisation under the PSOE, with a particular focus on the role played by European integration in this process. Covering events including the 2011 general election, the book is one of the most up-to-date works available in English and will be of great interest to academics and undergraduate and postgraduate students in the field of Spanish and European studies. ;
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This book tells the story of how the moderate right in the Labour Party, trumped by the left for a decade and weakened by defections to the SDP in 1981, fought back organisationally to regain control of the party by 1985, producing an NEC supportive of Neil Kinnock and ready to expel Militant, introduce One-Member-One-Vote and return the party to electability. It describes the Manifesto Group of Labour MPs, Labour Solidarity, Forward Labour and the all-important but secret St Ermins Group of senior trade unionists, each of which strove to ensure that the party represented Labour voters and trade union members. Written by an insider, it draws on extensive interviews with all the key players and unique access to private papers and closed archives to explain how the moderates triumphed over the hard left. ;
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Modern European cinema and love examines nine European directors whose films contain stories about romantic love and marriage. The directors are Jean Renoir, Ingmar Bergman, Alain Resnais, Michelangelo Antonioni, Agnès Varda, François Truffaut, Federico Fellini, Jean-Luc Godard and Éric Rohmer. The book approaches questions of love and marriage from a philosophical perspective, applying the ideas of authors such as Stanley Cavell, Leo Bersani, Luce Irigaray and Alain Badiou, while also tracing key concepts from Freudian psychoanalysis. Each of the filmmakers engages deeply with notions of modern love and marriage, often in positive ways, but also in ways that question the institutions of love, marriage and the 'couple'.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
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This book provides a detailed investigation and comparison of the trade unions of five EU member states: Austria, Britain, France, Germany and Sweden, and their positions on Economic and Monetary Union (EMU). Several European-level trade union organisations are also examined. The focus of this project, however, is not limited to EMU as a case study. Rather, EMU is regarded as a vehicle to assess trade unions' options and possibilities to respond to global structural change in general and to participate in the formation of the future economic-political system of the EU in particular. Two principal hypotheses are investigated. Firstly, that a labour movement's position on EMU depends crucially on its length and degree of exposure to the competitive pressures of globalisation, and secondly, that those trade unions which lose influence within the domestic institutional set-up are most in favour of the establishment of an industrial relations system and social regulation at the European level to counter global pressures. By contrast, unions which continue to enjoy a strong position at the national level, are less likely to engage in European co-operation. ;
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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
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