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Master Publishing House, is an Egyptian publishing house and literary agency that publish & sells their author’s books in the formats: Paper, eBook.
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This book offers an accessible critical introduction to the work of Graham Swift, one of Britain's most significant contemporary authors. Through detailed readings of his novels and short stories from 'The Sweet Shop Owner' (1980) to 'The Light of Day' (2003), Daniel Lea lucidly addresses the key themes of history, loss, masculinity and ethical redemption, to present a fresh approach to Swift. This study proposes that one of the side-effects of modernity has been the destruction of traditional pathways of self and collective belief, leading to a loss of understanding between individuals about their duties to each other and to society. Swift's writing returns repeatedly to the question of what we can believe in when all the established markers of identity - family, community, gender, profession, history - have become destabilised. Lea suggests that Swift increasingly moves towards a notion of redemption through a lived ethical practice as the only means of finding solace in a world lacking a central symbolic authority. ;
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This volume on Norman Italy (southern Italy and Sicily, c. 1000-1200) honours and reflects the pioneering scholarship of Graham A. Loud. An international group of scholars reassesses and recasts the paradigm by which Norman Italy has been conventionally understood, addressing varied subjects across four key themes: historiographies, identities and communities, religion and Church, and conquest. The chapters revise and refine our understanding of Norman Italy in the eleventh and twelfth centuries, demonstrating that it was not just a parochial Norman or Mediterranean entity but also an integral player in the medieval mainstream.
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Anthony Burgess draws upon an autobiographical episode to create Beard's Roman Women, the story of a man haunted by his first wife, presumed dead. But is she? A marvellously economical book, full-flavoured, funny, and heartfelt, showing its author at the height of his powers. This new edition is the first to be published with David Robinson's photographs for over 40 years. The text of the novel has been restored using the original typescripts, and Graham Foster's new introduction provides valuable insight into the fictional and biographical contexts of the novel. The text is fully annotated with a detailed set of notes and this edition includes the previously unpublished script for Burgess's television film By the Waters of Leman: Byron and Shelley at Geneva, and a rare piece of Burgess's writing about Rome.
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In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.
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— True crime stories from the morgue — Famous deaths and autopsy stories resolved, such as Antarctic explorer Sir Ernest Shackleton and the case of Anne Greene, who survived her execution by hanging The post-mortem examination. A glimpse inside the interior of the human being. Many find the idea fascinating; for others it is creepy or even repugnant. There are still numerous myths and horror stories surrounding the autopsy, many of them associated with primal human fears such as that of being buried alive, which have existed since Antiquity. It is precisely for this reason that it is important to carry out the post-mortem examination with the utmost conscientiousness. Pathologist Roland Sedivy provides an exciting insight into his profession. Profound and with tremendous humour, he tells us about the early days of the autopsy, and shares with us some macabre and some mysterious cases.
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Die Kinderbuchklassiker „Der Wind in den Weiden“, „Peter Pan“ und die beliebtesten Märchen der Brüder Grimm - liebevoll und kindgerecht nacherzählt und wunderschön illustriert. Maulwurf, Ratterich und der Dachs müssen ihrem Freund, dem Kröterich, mal wieder aus der Patsche helfen. Er kann einfach nicht auf seine halsbrecherischen Abenteuer verzichten. Zahllose Abenteuer warten auch auf Wendy und ihre Brüder. Denn Peter Pan und die Fee Tinker Bell nehmen sie mit auf eine fantastische Reise nach Nimmerland. Und Dornröschen, Hänsel und Gretel, die Bremer Stadtmusikanten und viele andere bekannte Figuren entführen in märchenhafte Welten. Wunderbare Bilderbuchklassiker zum Vorlesen ab 4 Jahren!
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This book is our principal source for the history of the Kingdom of Sicily in the troubled years between the death of its founder, King Roger, in February 1154 and the spring of 1169. It covers the reign of Roger's son, King William I, known to later centuries as 'the Bad', and the minority of the latter's son, William II 'the Good'. The book illustrates the revival of classical learning during the twelfth-century renaissance. It presents a vivid and compelling picture of royal tyranny, rebellion and factional dispute at court. Sicily had historically been ruled by tyrants, and that the rule of the new Norman kings could be seen, for a variety of reasons, as a revival of that classical tyranny. A more balanced view of Sicilian history of the period 1153-1169 has been provided as an appendix to the translation in the section of the contemporary world chronicle ascribed to Archbishop Romuald II of Salerno, who died in April 1181. In particular the chronicle of Romuald enables us to see how the papal schism of 1159 and the simultaneous dispute between the German Emperor Frederick Barbarossa and the north Italian cities affected the destiny of the kingdom of Sicily. In contrast to the shadowy figure of Hugo Falcandus, the putative author of the principal narrative of mid-twelfth-century Sicilian history, Romuald II, Archbishop of Salerno 1153-1181, is well-documented.
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Fledermäuse basteln, die Uhr lesen, Schiffchen bauen, malen, auf Drachen reiten, andere trösten, auf der Ukulele schrammeln, Schätze suchen, auf andere zugehen, Fragen stellen, tanzen, tagträumen – es gibt viel wichtigere Sachen im Leben eines Kindes als ›besser – schneller – weiter‹, als Schularbeiten und Tests, nämlich Fantasie und Herzensbildung und jede Menge Lebensfreude. Davina Bell und Allison Colpoys rauschen mit den Leserinnen und Lesern in gewitzten Reimen und knallig-fröhlichen Bildern durch all das, worin Kinder jeden Tag ganz nebenbei aufgehen und glänzen. Und zeigen dabei: Jeder kann etwas anderes gut, denn jeder ist einzigartig. Dieses lebendige, farbenfrohe Buch feiert all die Dinge, die jedes einzelne Kind ausmachen und ihm Wert verleihen – und das ist mehr als gute Noten, Stillsitzen und Bravsein.
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Der kleine Alfie möchte zu gerne zur Verkleidungsparty in der Schule gehen, sein Kostüm – ein Seestern – liegt schon bereit. Doch kurz davor verlässt ihn der Mut – er ist einfach zu schüchtern. Seine Mutter geht stattdessen mit ihm ins Aquarium, wo Alfie staunend vor der großen Glasscheibe steht und einen Clownfisch beobachtet, der sich kurz zeigt und dann gleich wieder zwischen den Korallen versteckt. »Manchmal müssen Clownfische sich einfach verstecken. So sind sie einfach«, sagt Alfies Mutter. »Menschen auch«, sagt Alfie. Doch bei der nächsten Verkleidungsparty traut er sich – im Kostüm eines Clownfischs. In wunderbar warmem Ton und poetischen Bildern erzählen Davina Bell und Allison Colpoys davon, dass man sich manchmal die Bettdecke über den Kopf ziehen muss und es einfach ein bisschen dauert, bis man bereit ist für die Welt da draußen.
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