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      • Robert Lecker Agency

        Robert Lecker Agency is a dynamic literary management and consulting firm devoted to securing and advancing the careers of its client authors. The Agency draws on 30 years of publishing experience to obtain profitable and fair contracts with North America’s fastest growing publishers. Robert Lecker has worked extensively in trade publishing and has an established track record as an editor, coordinator, and subsidiary rights manager. RLA specializes in books about entertainment, music, popular culture, popular science, intellectual and cultural history, food, and travel. However, we are open to any idea that is original and well presented. We are also receptive to books written by academics that can attract a broad range of readers.

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      • Claire Roberts Global Literary Management LLC

        We provide every client with detailed editing and marketing advice, and we match our clients with the best publishers in the US and Canada as well as around the world. Authors have many opportunities for publication beyond North America and due to our experience at the forefront of international literary markets, we are uniquely positioned to manage a writer's career globally, from print to television and film rights, to translated editions, audio and e-book editions. With nearly three decades of experience in publishing, Claire Roberts knows the industry from both the publisher side and the agency side of the business, and has negotiated many major contracts for authors.  She has held executive positions at Penguin Random House, HarperCollins, Houghton Mifflin Harcourt and worked most recently at a major literary agency, Trident Media Group.  At Trident she was Vice-President and Managing Director of the Foreign Rights department and developed her own client list.  Claire Roberts has handled the international literary careers of many authors, including winners of the Pulitzer Prize and the Booker Prize.  Among the many authors she has worked with are Marilynne Robinson, Esi Edugyan, Justin Cronin, Michael Ondaatje, Marlon James, Jokha Alharthi, Elizabeth George, former Google chairman Eric Schmidt, Ayana Mathis, Jon Krakauer, Paul Harding, and W. Bruce Cameron.

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      • Trusted Partner
        Literature & Literary Studies
        March 2013

        Edmund Burke's Reflections on the Revolution in France

        by Jeff Wallace, John Whale, John Whale

        First published in 1790 Edmund Burke's Reflections on the Revolution in France initiated a debate not only about the nature of the unprecedented historical events taking place across the channel, but about the very identity of the British state and its people. It has subsequently been appropriated by a variety of conservative and liberal thinkers and has played a major role in our understanding of the relationship between rhetoric, aesthetics and politics. In this volume, leading Burke scholars offer new and challenging essays which allow us to reconsider the historical context in which Reflections on the Revolution in France was written. The essays consider its reception, its engagements in the discourses of nationalism and toleration, its legacy to English and Irish writers of the Romantic period and its impact within our contemporary cultural and critical theory. The volume demonstrates a range of interdisciplinary critical methods and cultural perspectives from which to read Burke's most famous work. This volume will be the ideal companion to Burke's Reflections for all students of literature, history, politics and Irish studies. ;

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        The Arts
        April 2020

        Idols of the Odeons

        by Andrew Roberts

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        Literature & Literary Studies
        May 1999

        Derek Walcott

        by John Thieme, John Thieme

        This book provides a unique account of Walcott's development as a writer in addition to being the fullest study of his poetry and plays to date. Discusses all his major works and includes information on his out-of-print and unpublished plays along with . ;

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        Literature & Literary Studies
        November 2007

        R. K. Narayan

        by John Thieme, John Thieme

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        Humanities & Social Sciences
        November 2007

        Public issue television

        World in Action' 1963–98

        by Peter Goddard, John Corner, Kay Richardson

        Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;

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        Humanities & Social Sciences
        June 2016

        Curating empire

        Museums and the British imperial experience

        by Sarah Longair, Andrew Thompson, John McAleer, John Mackenzie

        Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire. ;

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        Humanities & Social Sciences
        March 2017

        Exhibiting the Empire

        Cultures of display and the British Empire

        by John McAleer, John M. MacKenzie

        Exhibiting the empire considers how a whole range of cultural products - from paintings, prints, photographs, panoramas and 'popular' texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture - were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.

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        Humanities & Social Sciences
        April 2020

        Anarchism, 1914–18

        Internationalism, anti-militarism and war

        by Ruth Kinna, Matthew S. Adams

        Anarchism 1914-18 is the first systematic analysis of anarchist responses to the First World War. It examines the interventionist debate between Peter Kropotkin and Errico Malatesta which split the anarchist movement in 1914 and provides a historical and conceptual analysis of debates conducted in European and American movements about class, nationalism, internationalism, militarism, pacifism and cultural resistance. Contributions discuss the justness of war, non-violence and pacifism, anti-colonialism, pro-feminist perspectives on war and the potency of myths about the war and revolution for the reframing of radical politics in the 1920s and beyond. Divisions about the war and the experience of being caught on the wrong side of the Bolshevik Revolution encouraged anarchists to reaffirm their deeply-held rejection of vanguard socialism and develop new strategies that drew on a plethora of anti-war activities.

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        Business, Economics & Law
        November 2015

        Ferranti. A history

        by John F. Wilson

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        Humanities & Social Sciences
        July 2023

        The imperial Commonwealth

        Australia and the project of empire, 1867-1914

        by Wm. Matthew Kennedy

        From the late 1800s to the early 1900s, Australian settler colonists mobilised their unique settler experiences to develop their own vision of what 'empire' was and could be. Reinterpreting their histories and attempting to divine their futures with a much heavier concentration on racialized visions of humanity, white Australian settlers came to believe that their whiteness as well as their Britishness qualified them for an equal voice in the running of Britain's imperial project. Through asserting their case, many soon claimed that, as newly minted citizens of a progressive and exemplary Australian Commonwealth, white settlers such as themselves were actually better suited to the modern task of empire. Such a settler political cosmology with empire at its center ultimately led Australians to claim an empire of their own in the Pacific Islands, complete with its own, unique imperial governmentality.

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        June 2023

        Onkel Montagues Schauergeschichten 1

        by Chris Priestley, David Roberts, Beatrice Howeg

        "In Onkel Montagues Schauergeschichten 1" von Chris Priestley begibt sich der Leser zusammen mit dem jungen Edgar auf eine unheimliche Reise in die Welt der Gruselgeschichten. Onkel Montague, ein mysteriöser alter Mann mit einer Vorliebe für das Makabere, lebt zurückgezogen in einem alten Haus, umgeben von einem Garten, der eher einem Friedhof gleicht. Jedes Mal, wenn Edgar seinen Onkel besucht, erzählt dieser ihm eine Reihe von schaurigen Geschichten, die nicht nur fesselnd, sondern auch beängstigend sind. Diese Geschichten sind eng verbunden mit den merkwürdigen Gegenständen, die im ganzen Haus verteilt sind und scheinbar eine eigene düstere Vergangenheit haben. Während Edgar von den Erzählungen seines Onkels in den Bann gezogen wird, beginnt er sich zu fragen, wie viel Wahrheit in den Gruselgeschichten steckt und welche Geheimnisse sein Onkel wirklich verbirgt. Die Sammlung von Schauergeschichten, die von Geistern, Dämonen und unerklärlichen Phänomenen handeln, führt den Leser durch eine Welt voller Dunkelheit und Mysterien. Mit jeder Geschichte, die Onkel Montague erzählt, wird die Grenze zwischen Realität und Fiktion immer verschwommener. Edgar muss erkennen, dass die Welt um ihn herum viel mehr Geheimnisse birgt, als er je für möglich gehalten hätte. "Onkel Montagues Schauergeschichten 1" ist nicht nur eine Hommage an die klassische Gruselliteratur, sondern auch eine tiefgründige Erkundung der menschlichen Faszination für das Übernatürliche und Unbekannte. Chris Priestley gelingt es meisterhaft, eine Atmosphäre zu schaffen, die den Leser von der ersten bis zur letzten Seite in Atem hält. Fesselnde Gruselgeschichten: Eine Sammlung von schaurigen Erzählungen, die Fans von klassischen und modernen Gruselgeschichten begeistern wird. Atmosphärische Erzählkunst: Chris Priestley meistert es, eine unheimliche Atmosphäre zu schaffen, die den Leser in ihren Bann zieht. Geheimnisvolle Charaktere: Die mysteriösen Figuren, allen voran Onkel Montague selbst, fügen der Geschichte eine tiefe und spannende Ebene hinzu. Für junge und ältere Leser: Obwohl als Jugendbuch konzipiert, bieten die Geschichten auch erwachsenen Lesern gruseligen Lesespaß. Lehrreich: Neben Unterhaltung bieten die Geschichten auch Einblicke in menschliche Ängste und die Kraft der Erzählung. Hochwertige Illustrationen: Die kunstvollen Zeichnungen unterstreichen die düstere Stimmung des Buches perfekt. Nominiert für den Deutschen Jugendliteraturpreis 2011: Eine Anerkennung für die Qualität und den literarischen Wert des Werkes.

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        Literature & Literary Studies
        November 2007

        R. K. Narayan

        by John Thieme, John Thieme, Rebecca Mortimer

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        Humanities & Social Sciences
        June 2017

        Anarchism, 1914–18

        by Matthew S. Adams, Ruth Kinna

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