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      • Nashre-Cheshmeh Publishing House

        Nashre-Cheshmeh is a family business with more than 100 employees. It is one of the most active private publishing houses of the country with more than 1500 books, an annual number of 130 new ones, and six bookstores. The house has been working for more than 35 years, publishing the works of the most significant Iranian writers, poets, and translators, and the young generation of the best Iranian literary figures of the country. Many of these writers have novels, short stories, or poems published, or going to be published, in the European countries, the US, and Asia. We have always supported Iran’s joining the Berne Convention, thus tried to acquire the Persian translation rights for the titles we publish, such as the books by Orhan Pamuk, Steve Toltz, Patrick Modiano, Javier Marias, Rolf Dobelli, Alain Badiou, Klaus Modick, Ben Clanton, Siri Kolu.

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      • Alan Paton Will Trust

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      • Trusted Partner
        Thomas Nashe and literary performance
        Literature & Literary Studies
        July 2024

        Thomas Nashe and literary performance

        by Chloe Kathleen Preedy, Rachel Willie

        As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.

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      • Trusted Partner
        Der Kuckuck führt ein Lotterleben
        January 1977

        Der Kuckuck führt ein Lotterleben

        Purzelreime

        by Nash, Ogden / Illustriert von Götlinger, Walther

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      • Trusted Partner
        Immortal: Schwarze Glut
        June 2009

        Immortal: Schwarze Glut

        Roman

        by Nash, Joy / Übersetzt von Schilasky, Sabine

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      • Trusted Partner
        Immortal: Gebieterin der Finsternis
        November 2009

        Immortal: Gebieterin der Finsternis

        Roman

        by Nash, Joy / Übersetzt von Schilasky, Sabine

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      • Trusted Partner
        Immortal: In den Armen der Dunkelheit
        July 2010

        Immortal: In den Armen der Dunkelheit

        by Nash, Joy; Popp, Robin T.; Ashley, Jennifer / Übersetzt von Schilasky, Sabine

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      • Trusted Partner
        Showing resistance
        The Arts
        July 2024

        Showing resistance

        Propaganda and Modernist exhibitions in Britain, 1933–53

        by Harriet Atkinson

        This is the first book-length analysis of exhibitions used for propaganda and political interventions in Britain during the two decades from 1933. It analyses how exhibitions were mounted in public places - from station concourses to workers' canteens, empty shops and bombsites - becoming a key tool for public communication. Richly illustrated, the book extends our existing knowledge of the work of a range of prominent artists, architects and designers active in Britain, including Edith Tudor-Hart, Edward McKnight-Kauffer, Paul Nash, F. H. K. Henrion, Misha Black, John Heartfield, Oskar Kokoschka and Erno Goldfinger.

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      • Trusted Partner
        Modernism and empire
        Literature & Literary Studies
        April 2000

        Modernism and empire

        Writing and British coloniality, 1890–1940

        by Howard Booth, Nigel Rigby

        This is the first book to explore the relationship between literary modernism and the British Empire. Contributors look at works from the traditional modernist canon as well as extending the range of work addresses - particularly emphasising texts from the Empire. A key issue raised is whether modernism sprang from a crisis in the colonial system, which it sought to extend, or whether the modern movement was a more sophisticated form of cultural imperialism. The chapters in Modernism and empire show the importance of empire to modernism. Patrick Williams theorises modernism and empire; Rod Edmond discusses theories of degeneration in imperial and modernist discourse; Helen Carr examines Imagism and empire; Elleke Boehmer compares Leonard Woolf and Yeats; Janet Montefiore writes on Kipling and Orwell, C.L. Innes explores Yeats, Joyce and their implied audiences; Maire Ni Fhlathuin writes on Patrick Pearse and modernism; John Nash considers newspapers, imperialism and Ulysses; Howard J. Booth addresses D.H. Lawrence and otherness; Nigel Rigby discusses Sylvia Townsend Warner and sexuality in the Pacific; Mark Williams explores Mansfield and Maori culture; Abdulrazak Gurnah looks at Karen Blixen, Elspeth Huxley and settler writing; and Bill Ashcroft and John Salter take an inter-disciplinary approach to Australia and 'Modernism's Empire'. ;

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      • Trusted Partner
        Antonio and Mellida
        Literature & Literary Studies
        March 2005

        Antonio and Mellida

        John Marston

        by David Bevington, W Gair, Richard Dutton, Alison Findlay, Helen Ostovich

        Antonio and Mellida was the first play by John Marston performed by the newly revived Paul's Company in 1599. Marston sought to display a variety of talents, comic, tragic, satiric and historical, advertising his own dramatic skills and the prowess of the choristers of Paul's. The play is based on incidents in the reigns of Sforza, Francesco, Galeazzo and Lodovico, who were Dukes of Milan in the late fifteenth and early sixteenth centuries. Marston displays a detailed knowledge of the dramatic works of Shakespeare, Seneca, Kyd and Nashe as well as the prose of Sidney, Erasmus, Montaigne, Florio and others. This edition relates the play to a wide variety of literary contexts. It also includes a comprehensive introduction, an analysis of staging, and full commentary. The text is based on a collation of all known copies of the 1602 Quarto and is presented in a thoroughly modernised format. ;

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      • Trusted Partner
        Spenserian satire
        Literature & Literary Studies
        January 2017

        Spenserian satire

        A tradition of indirection

        by Series edited by J. B. Lethbridge, Rachel Hile, Joshua Samuel Reid

        Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

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      • Trusted Partner
        The diplomacy of decolonisation
        Humanities & Social Sciences
        February 2018

        The diplomacy of decolonisation

        by Alanna O'Malley, J Simon Rofe, Giles Scott-Smith

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      • Trusted Partner
        The diplomacy of decolonisation
        Humanities & Social Sciences
        September 2019

        The diplomacy of decolonisation

        America, Britain and the United Nations during the Congo crisis 1960-1964

        by Alanna O'Malley, J. Simon Rofe, Giles Scott-Smith

        The book reinterprets the role of the UN during the Congo crisis from 1960 to 1964, presenting a multidimensional view of the organisation. Through an examination of the Anglo-American relationship, the book reveals how the UN helped position this event as a lightning rod in debates about how decolonisation interacted with the Cold War. By examining the ways in which the various dimensions of the UN came into play in Anglo-American considerations of how to handle the Congo crisis, the book reveals how the Congo debate reverberated in wider ideological struggles about how decolonisation evolved and what the role of the UN would be in managing this process. The UN became a central battle ground for ideas and visions of world order; as the newly-independent African and Asian states sought to redress the inequalities created by colonialism, the US and UK sought to maintain the status quo, while the Secretary-General Dag Hammarskjöld tried to reconcile these two contrasting views.

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      • Trusted Partner
        Ich liebe Sex
        January 1997

        Ich liebe Sex

        Die Kraft der weiblichen Sexualität

        by Ogden, Gina

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      • Trusted Partner
        Die Bedeutung der Bedeutung. (The Meaning of Meaning)
        1974

        Die Bedeutung der Bedeutung. (The Meaning of Meaning)

        Eine Untersuchung des Einflusses der Sprache auf das Denken und der Wissenschaft des Symbolismus. Supplement: Das Problem der Bedeutung in primitiven Sprachen

        by C K Ogden, I A Richards, Bronislaw Malinowski, Gert H Müller

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      • Trusted Partner
        Cultures and caricatures of British imperial aviation
        Humanities & Social Sciences
        June 2012

        Cultures and caricatures of British imperial aviation

        Passengers, pilots, publicity

        by Gordon Pirie, Andrew Thompson, John Mackenzie

        The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature. ;

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