Provided with a remarkable collection, Mercure de France follows an exacting editorial policy: French and foreign literature, poetry, history, anthologies... Awarded many times, the publishing house is associated with prestigious names: Romain Gary, Colette, Ionesco , André Gide, André du Bouchet, Henri Michaux, Adonis, Yves Bonnefoy, Andréï Makine, Gilles Leroy, Anne Serre, Gwenaëlle Aubry, Julian Barnes...
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First published in 1974, this novel is a semi-autobiographical reflection on the author's experience of having been the subject of Stanley Kubrick's film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess's finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.
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This book provides a careful and systematic analysis of Anthony Ascham's career and writings for the first time in English. During the crucial period between the Second Civil War and the establishment of the English Republic, when he served as official pamphleteer of the Parliament and the republican government, Ascham put forward a complex argument in support of Parliament's claims for obedience which drew on the political thought of Grotius, Hobbes, Selden, Filmer and Machiavelli. He combined ideas taken from these authors and turned them into a powerful instrument of propaganda to be deployed in the service of the political agenda of his Independent patrons in Parliament. This investigation of Ascham's works brings together an intellectual analysis of his political thought and an exploration of the interaction between politics, propaganda and political ideas.
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Anthony Burgess and America is a biographical and critical analysis of Burgess's commentary on and relationship with the United States of America. Utilising Burgess's entire canon and newly discovered materials to assess Burgess's views on America, this book also evaluates the American inspirations in five Burgess novels. This essential addition to Burgess scholarship tells the story of a nearly unexplored area of Burgess's life. For the first time ever, Burgess's American experiences, work, and documented communication, lectures, interviews and public utterances are brought together to assess where these commentaries overlapped with his fiction. The result is a complex personal and public history about one of Britain's greatest twentieth century authors and their immersion into and interaction with American culture in the second half of the twentieth century.
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This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films. Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958). ;
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Anthony Burgess and Modernity provides a variety of new perspectives and contexts for exploring Burgess's literature and music. A range of international scholars and critics explore the writer's novels, music and linguistic productions to explore and define how Burgess contributed to modernist and postmodernist art. The scholars who contributed to the book provide original explorations of Burgess's work and the theological, psychological, linguistic, literary and musical contexts in which Burgess's achievements can best be understood. It will appeal to scholars and students, but it also offers an appreciation of Burgess's artistic achievements that will provide general readers of Burgess's work with an insight into some of the exciting contexts in which Burgess novels can be read. ;
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A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
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ABBA ABBA is one of Anthony Burgess's most original works, combining fiction, poetry and translation. A product of his time in Italy in the early 1970s, this delightfully unconventional book is part historical novel, part poetry collection, as well as a meditation on translation and the generating of literature by one of Britain's most inventive post-war authors. Set in Papal Rome in the winter of 1820-21, Part One recreates the consumptive John Keats's final months in the Eternal City and imagines his meeting the Roman dialect poet Giuseppe Gioachino Belli. Pitting Anglo-Italian cultures and sensibilities against each other, Burgess creates a context for his highly original versions of 71 sonnets by Belli, which feature in Part Two. This new edition includes extra material by Burgess, along with an introduction and notes by Paul Howard, Fellow in Italian Literature at Trinity College, Cambridge.
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In diesem Buch skizziert Anthony Giddens eine radikal-kritische Politik jenseits aller eingefahrenen Denkmuster: Ausgehend von den Begriffen Globalisierung, Enttraditionalisierung und Ungewißheit beleuchtet er die sozialen Revolutionen unserer Zeit, zeigt die Widersprüche konservativer Politik, stellt zwei Theorien der Demokratisierung einander gegenüber und eintwirft ein Programm radikaler Demokratie
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Anthony Kenny studierte in Rom und Oxford und lehrte seitdem an verschiedenen Universitäten (u.a. an der University of Chicago und der Stanford University). Veröffentlichungen: Action, Emotion and Will (1963), The Five Ways (1969) und Descartes (1968). Zur Zeit arbeitet er an einer Übersetzung von Wittgensteins nachgelassener Philosophischer Grammatik. Kennys Einführung in die Philosophie Ludwig Wittgensteins wendet sich weniger an die etablierte akademische Philosophie als vielmehr an ein breiteres Publikum von »Laien«, das an allgemeinen sprachphilosophischen Themen interessiert ist. Kenny ist es gelungen, so weit in die moderne Logik einzuführen - und zwar unter weitgehendem Verzicht auf mathematische Symbolik -, daß sich der Leser ohne größere Schwierigkeiten auf diesem Gebiet mit Wittgensteins Werken beschäftigen kann. Das vorliegende Buch ist eines der ersten, das das umfangreiche Œuvre Wittgensteins als ganzes darstellt; sein Wert liegt nicht zuletzt darin, daß es sich ausführlich mit den erst kürzlich publizierten Werken aus Wittgensteins mittlerer Zeit befaßt: mit den Philosophischen Bemerkungen und der Philosophischen Grammatik.
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Brown am Abend vor Weihnachten in einem Pariser Hotel mit Husten krank im Bett liegt, kommt ihm das nicht ganz ungelegen: Seine Frau wollte dieses Jahr unbedingt im Kreise der Großfamilie auf dem englischen Familiensitz feiern, doch er hat ganz und gar keine Lust, am kommenden Tag früh dorthin aufzubrechen. Mrs. Brown will keine Ausflüchte gelten lassen, und damit ihr Mann rasch wieder zu Kräften kommt, verspricht sie ihm einen Senfwickel, der seinen Husten mildern soll. Doch woher mitten in der Nacht in einem fremden Hotel Senf nehmen? Mrs. Brown irrt durch die dunklen Gänge, doch als es ihr endlich gelingt, den Senfwickel anzulegen, erlebt sie eine Überraschung … Eine herrlich vergnügliche Weihnachtsgeschichte der etwas anderen Art mit bestem britischen Humor von Anthony Trollope.
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Africa was a key focus of Britain's foreign policy under Tony Blair. Military intervention in Sierra Leone, increases in aid and debt relief, and grand initiatives such as the Commission for Africa established the continent as a place in which Britain could 'do good'. Britain and Africa under Blair: in pursuit of the good state critically explores Britain's fascination with Africa. It argues that, under New Labour, Africa represented an area of policy that appeared to transcend politics. Gradually, it came to embody an ideal state activity around which politicians, officials and the wider public could coalesce, leaving behind more contentious domestic and international issues. Building on the story of Britain and Africa under Blair, the book, now available in paperback, draws wider conclusions about the role of 'good' and idealism in foreign policy. In particular, it discusses how international relationships provide opportunities to create and pursue ideals, and why they are essential for the well-being of political communities. It argues that state actors project the idea of 'good' onto idealised, distant objects, in order to restore a sense of the 'good state'. The book makes a distinctive and original contribution to debates about the role of ethics in international relations, and will be of particular interest to academics, policy-makers and students of international relations, Africa and British foreign policy, as well as anyone interested in ethics in international affairs. ;
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An illuminating study of one of the best-selling, most widely studied black authors today. Explains Morrison's relation to the American civil rights and Black Consciousness movements. Places Morrison in a political and historical context . ;
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»Eigentlich ist Weihnachten langweilig.« Nur ein kleiner Satz, aber für Isabel Lownd unverzeihlich, zumal er aus dem Mund des jungen Mannes kommt, in den sie sich – noch im Geheimen – unsterblich verliebt hat: Maurice Archer, ein junger Gutsbesitzer aus der Gegend und Freund der Familie, verbringt die Feiertage mit der Pastorenfamilie Lownd, und auch er ist unsterblich in Isabel verliebt. Doch die junge Frau, für die Weihnachten der schönste Tag des Jahres ist, ist tief gekränkt, und Maurice gibt sich alle Mühe, die Wogen wieder zu glätten und dem Fest der Liebe doch noch etwas abzugewinnen. Wird Isabel ihm seinen Fauxpas verzeihen? Eine herrlich vergnügliche Weihnachtsgeschichte um zwei Verliebte, deren Annäherung ausgerechnet an den Feiertagen allen möglichen Missverständnissen unterliegt – mit bestem britischem Humor von Anthony Trollope.
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