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        Literature & Literary Studies
        August 1998

        Pulp

        Reading popular fiction

        by Scott McCracken

        Pulp brings together in one volume chapters on the best seller, detective fiction, popular romance, science fiction and horror. It combines a lucid and accessible account of the cultural theories that have informed the study of popular fiction with detailed readings of Jackie Collins, Jilly Cooper, Colin Dexter, William Gibson, Stephen King, Iain Banks, Terry McMillan and Walter Mosley. Scott Mc Cracken argues that popular fiction serves a vital function: it provides us with the means to construct a workable sense of self in the face of the disorientating pressures of modernity. ;

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        March 1976

        Scott / Amundsen

        Wettlauf zum Pol

        by Holt, Kare

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        November 2011

        Der große Gatsby

        by Francis Scott Fitzgerald, Reinhard Kaiser

        New York in den 'Goldenen Zwanzigern': Man tanzt Charleston und Black Bottom und begeistert sich für Duke Ellington und Louis Armstrong. Der geheimnisumwitterte Jay Gatsby hat alles, was man mit Geld kaufen kann, und führt ein Leben im Überfluß. Die rauschenden Feste auf seinem märchenhaften Anwesen auf Long Island sind berühmt und ein beliebter Treffpunkt der New Yorker High-Society. Dennoch ist Gatsby ein Einzelgänger, der zurückgezogen lebt. Niemand weiß etwas über seine Herkunft oder welchen dubiosen Geschäften er seinen Reichtum verdankt. Die Geschichte von Jay Gatsby, dem einsamen Millionär, der seiner längst verlorenen Liebe nachjagt, ist einer der größten und meistgelesenen Klassiker der amerikanischen Literatur. F. Scott Fitzgerald, der Dichter der 'Roaring Twenties', erzählt von der Glamourwelt der Reichen und von der Oberflächlichkeit und Sinnlosigkeit des mondänen Lebens. In der glanzvollen Neuübersetzung von Reinhard Kaiser ist dieser Roman neu zu entdecken - in seiner Dramatik, seiner Tragik, seiner Eleganz und nicht zuletzt auch in seiner Komik.

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        October 2011

        Der große Gatsby

        by Reinhard Kaiser, F. Scott Fitzgerald

        New York in den »Goldenen Zwanzigern«: Man tanzt Charleston und Black Bottom und begeistert sich für Duke Ellington und Louis Armstrong. Der geheimnisumwitterte Jay Gatsby hat alles, was man mit Geld kaufen kann, und führt ein Leben im Überfluß. Die rauschenden Feste auf seinem märchenhaften Anwesen auf Long Island sind berühmt und ein beliebter Treffpunkt der New Yorker High-Society. Dennoch ist Gatsby ein Einzelgänger, der zurückgezogen lebt. Niemand weiß etwas über seine Herkunft oder welchen dubiosen Geschäften er seinen Reichtum verdankt. Die Geschichte von Jay Gatsby, dem einsamen Millionär, der seiner längst verlorenen Liebe nachjagt, ist einer der größten und meistgelesenen Klassiker der amerikanischen Literatur. F. Scott Fitzgerald, der Dichter der »Roaring Twenties«, erzählt von der Glamourwelt der Reichen und von der Oberflächlichkeit und Sinnlosigkeit des mondänen Lebens. In der glanzvollen Neuübersetzung von Reinhard Kaiser ist dieser Roman neu zu entdecken - in seiner Dramatik, seiner Tragik, seiner Eleganz und nicht zuletzt auch in seiner Komik.

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        The Arts
        April 2006

        Benjamin's Arcades

        An unGuided tour

        by Peter Buse, Bertrand Taithe, Ken Hirschkop, Roger Cooter, Scott McCracken, Carolyn Steedman, Bertrand Taithe

        The Arcades Project, Walter Benjamin's unfinished masterpiece, is a brilliant but maddening book. Benjamin's Arcades: an unGuided Tour looks for the method behind the madness, carefully reconstructing the intellectual and political context of the work and unpacking its numerous analogies, metaphors and conceptual gambits. Written by three literary scholars and one historian, this text is both a reading companion and a vigorous interpretation of one of the most important humanistic texts of the twentieth century. Benjamin's Arcades is composed of 16 entries and a specially designed 'convoluted' index. Some of the entries confront Benjamin with a different reading of his own historical sources (Blanqui, Marx, Giedion), others look intensively at key themes, obsessions, and images (the gambler, commodity fetishism, the Angel of History, magic). Throughout there is discussion of the relationship of Benjamin's work to current and past debate on topics such as modernity, Judaism, fascism, and psychoanalysis. Benjamin's Arcades opens up Benjamin's texts to a variety of interdisciplinary perspectives and will be an essential text for those seeking to better understand this extraordinary work. ;

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        June 2006

        Im Auftrage des Königs

        Die gefährlichen Abenteuer des Quentin Durward

        by Walter Scott, Edgar Päßler, Traude Dienel

        Sir Walter Scotts Roman, erschienen 1823, führt uns ins Frankreich des 15. Jahrhunderts an den Hof von König Ludwig XI. Der Held, ein junger schottischer Adliger, verdingt sich als Bogenschütze beim König und gewinnt dessen Vertrauen. Der Regent schickt ihn als Begleiter der Gräfin Isabelle de Croye nach Liège. Nach atemberaubenden Abenteuern führt Quentin Durward seinen Auftrag aus und gewinnt das Herz der Gräfin. Im Auftrage des Königs ist ein echtes Abenteuerbuch, das nicht nur jungen Lesern einen Einblick in die damalige Zeit ermöglicht und das zugleich ein wunderbares Lesevergnügen bietet.

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        Literature & Literary Studies
        January 2014

        Court and civic society in the Burgundian Low Countries c.1420–1530

        by Andrew Brown, Graeme Small

        This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.

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        April 2003

        Unzweifelhaft der Beste

        Short Stories

        by Bradfield, Scott

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        The Arts
        January 2019

        Carol Reed

        by Peter William Evans

        Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.

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        Teaching, Language & Reference
        June 2010

        Collaboration and interdisciplinarity in the Republic of Letters

        Essays in honour of Richard G. Maber

        by Paul Scott

        The Republic of Letters emerged during the seventeenth century as a concept to describe the interaction between scholars across Europe and beyond. While the concept was an imaginary one, it was firmly grounded in a reality of close circles of interaction between intellectuals, which had always existed but which was now endowed with a renewed sense of collaboration and participation within this community without barriers of statehood or creed. These fifteen essays explore differing aspects of collaboration and interdisciplinarity in the context of the radical change in mindset that the emergence of the Republic of Letters had fostered. Essays deal with French and English theatre, travel writing, the identity of the woman writer, the nature and function of gossip, scholarly interaction, and political and theological ideologies. The concluding essay provides a synthesis of the nature of seventeenth-century scholarship. The volume offers new insights into the mechanisms and workings of the Republic of Letters and charters the transition of scholarly pursuit being classified, even by some scholars themselves, as a solitary and sometimes pedantic pursuit to the notion of a network of ideas and interchange. This self-identification with a transnational league which knew no limits of geography, resources, gender or class marks a radical transition in the history of ideas and was to have far-reaching consequences, solidly preparing the way for the Enlightenment.

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