CentreHouse Press
CentreHouse Press is an independent UK publisher.
View Rights Portalmikrotext is a publisher for texts with attitude and for new narratives, founded in 2013 in Berlin by Nikola Richter The independent publishing house focusses on new literary texts that comment on contemporary questions and allow insights into tomorrow. The texts are inspired by discussions on social media platformes and reflect today’s global debates. All titles are published digital first. A selection is available in English. In 2020 and 2019, mikrotext was awarded the German Publisher Award by the Federal Ministry of Culture and Media.
View Rights Portal"LAST CHANCE." Nika looks in the mirror one Sunday morning, feeling rather hungover, to see this message daubed on the glass. Who wrote it? And what does it mean? Where are Nika’s house keys and her phone? Where’s Jenny, her flatmate? And why does she feel so terrible this morning – surely she didn’t have that much to drink last night? It’s only when she turns on the TV and sees the morning news that Nika realises it’s not Sunday at all – it’s Tuesday. Two whole days have gone by, and she has no memory of them. During those two days something terrible must have happened. But what?With Aquila, Ursula Poznanski has produced a true psychological thriller. She tells the story almost entirely in reverse, keeping the reader on tenterhooks until the very last page. Not until the shocking twist at the end of the book do we find out what really happened to Nika during those two lost days.
By focusing on aid Central and Eastern Europe, the volume adds to the existent scholarly explorations of modern humanitarianism, its actors and practices. In the twentieth century, aid workers assisted victims of war and earthquakes, delivered food, supported health care, provided childcare, or sheltered refugees. The contributors not only reconstruct these diverse histories and their protagonists, but also bring international, national, and local actors together: from grassroots activists to private associations to state-driven "socialist humanitarians" to large Western aid organizations. In doing so, they challenge the often unidirectional, from West-to-East, and asymmetrical perspective on donor-recipient relationships in humanitarian processes.
Whomever We Love Three sisters, three challenges, three winners of hearts?Although they are sisters, Lina, Kaya and Nika couldn‘t be more different. While Lina enjoys her life to the fullest, Kaya is a full-time perfect student. Nika, on the other hand, always falls for heartbreakers – but together the three of them fight against all odds. In life and in love!Tattoos, leather jacket and unbelievably charming: a bad boy from the books. In a bar, Lina and her two best friends rate guys on Tinder on a scale from 1 to heartbreaker. The reason is Lina‘s little sister Nika, who has once again fallen into the bad boy trap. When the very guy on Lina‘s display just walks through the door – clearly identified by them as a womanizer – her friends challenge her: Lina is to prove to them that she can resist him, effortlessly. That‘s how the Bad Boy Challenge begins... the stakes: nothing less than Lina‘s heart. • Second encounters can defeat first impressions, the heart always wins ...• Original and modern twist on New Adult fiction – touching and an extra dose of humor• Girl power: 3 self-confident sisters as protagonists and role models• Stories about first steps towards independence: Career choices, fear of the future, parental pressure, exploring roots to find your place
„Ich glaube, ich habe bisher noch kein Formel1 Buch gelesen, welches die Thematik so realitätsnah rübergebracht hat wie dieses. Aber was will man auch erwarten, wenn ein echter Formel1 Fan eine F1 Sportsromance schreibt?“ – naddlslibrary, „Für alle F1-Girlies ein absolutes Muss – aber keine Sorge, auch für alle, die einfach eine gute Sports Romance lieben, absolut empfehlenswert.“ - miris.era „Crushing Souls ist für mich ein absolutes Highlight, es ist eine schöne gefühlvolle Sports Romance mit einem besonderen Setting. Für mich fühlte es sich wie ein Rennwochenende an, ein bisschen Gänsehaut, ein bisschen Nervenkitzel und ganz viel Liebe.“ - mrs.kyara..rs3 „Crushing Souls“ hat wirklich alles, was eine gute Geschichte braucht. Schon von der ersten Seite an ist man gefesselt und wird direkt ins Geschehen hineingeworfen“ - c0zylibrary „Auch als Nicht-Formel 1-Fan ist das Buch einfach wundervoll und ich konnte der Geschichte von Fiona und Duncan sehr viel abgewinnen. Caros Schreibstil macht das Buch zu einem Erlebnis und die Geschichte zu einem absoluten Herzensbuch.“ – chaptersofdecember „Ich habe mich in diesem Buch einfach unglaublich wohlgefühlt. Jedes neue Detail für mich in diesem Sport aufgesogen. Mich mit Duncans erstem großen Erfolg mitgefreut, sodass mein Herz fast vor Stolz geplatz ist.“ – buecherwiezucker
This book examines the Thatcher government's attempt to revolutionise Britain's pensions system in the 1980s and create a nation of risk-taking savers with an individual stake in capitalism. Drawing upon recently-released archival records, it shows how the ideas motivating these reforms journeyed from the writings of neoliberal intellectuals into government and became the centrepiece of a plan to abolish significant parts of the UK's welfare state and replace these with privatised personal pensions. Revealing a government that veered between political caution and radicalism, the book explains why this revolution failed and charts the malign legacy left by the evolutionary changes that ministers salvaged from the wreckage of their reforms. The book contributes to understanding of policy change, Thatcherism, and international neoliberalism by showing how major reforms to social security could reflect neoliberal thought and yet profoundly disappoint their architects.
This book examines the Thatcher government's attempt to revolutionise Britain's pensions system in the 1980s and create a nation of risk-taking savers with an individual stake in capitalism. Drawing upon recently-released archival records, it shows how the ideas motivating these reforms journeyed from the writings of neoliberal intellectuals into government and became the centrepiece of a plan to abolish significant parts of the UK's welfare state and replace these with privatised personal pensions. Revealing a government that veered between political caution and radicalism, the book explains why this revolution failed and charts the malign legacy left by the evolutionary changes that ministers salvaged from the wreckage of their reforms. The book contributes to understanding of policy change, Thatcherism, and international neoliberalism by showing how major reforms to social security could reflect neoliberal thought and yet profoundly disappoint their architects.
The politics of Middle English parables examines the dynamic intersection of fiction, theology and social practice in late-medieval England. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches the translated stories as stable vehicles of Christian teaching, this book highlights the many variations and points of conflict across Middle English renditions of the same story. In parables related to labour, social inequality, charity and penance, the book locates a creative theological discourse through which writers attempted to re-construct Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures and cultural debates of late-medieval Christianity.
A girl torn between two brothers. Regardless of which one she falls in love with it will be disastrous for the other. Christopher and Adrian have sworn that no girl will ever come between them again, because there is a sleeping monster inside Adrian, just waiting to hurt his brother. But then Jessa comes to High Moor Grange… Jessa would do anything to find her sister Alice, who has been registered as missing for five years. High Moor Grange is the first clue she has been given after all this time – but apart from a ruin shrouded in mist, all she finds there are the owners of this dilapidated manor house. Jessa suspects that they both know more about Alice’s disappearance than they admit. Christopher wants nothing more than to be rid of her, and constantly gets on her nerves with his arrogance – and even his warm-hearted brother Adrian seems to be harbouring some secrets. Jessica knows that she ought to stay away from the twin brothers, because instead of finding answers at High Moor Grange, she finds herself in danger of losing her heart in a battle against a 200-year-old curse. Dark, irresistible and deeply romantic – a modern Beauty and the Beast story by the queen of emotions!
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
Works of travel have been the subject of increasingly sophisticated studies in recent years. This book undermines the conviction with which nineteenth-century British writers talked about darkest Africa. It places the works of travel within the rapidly developing dynamic of Victorian imperialism. Images of Abyssinia and the means of communicating those images changed in response to social developments in Britain. As bourgeois values became increasingly important in the nineteenth century and technology advanced, the distance between the consumer and the product were justified by the scorn of African ways of eating. The book argues that the ambiguities and ambivalence of the travellers are revealed in their relation to a range of objects and commodities mentioned in narratives. For instance, beads occupy the dual role of currency and commodity. The book deals with Henry Morton Stanley's expedition to relieve Emin Pasha, and attempts to prove that racial representations are in large part determined by the cultural conditions of the traveller's society. By looking at Joseph Conrad's Heart of Darkness, it argues that the text is best read as what it purports to be: a kind of travel narrative. Only when it is seen as such and is regarded in the context of the fin de siecle can one begin to appreciate both the extent and the limitations of Conrad's innovativeness.
His world is that of the Royals – full of scandals and secrets. Falling in love with him was never part of her plan. Their paths cross at the royal stud farm... Greta just wants to get away: away from her school and away from the friends who have so endlessly disappointed her. The holiday job at the royal stud farm comes at just the right time for her. She might not have any interest in horses – and even less in princes and princesses – but the royal family’s palace still makes her heart beat faster. But on the very first day she quarrels with Edward, the horse trainer. He guesses that she is hiding a secret and wants to do whatever it takes to bring it out in the open. When, shortly afterwards, Prince Tristan appears at the stud farm, Greta’s life is completely turned upside down. She notices all too late that she is in the process of falling in love – and specifically with the boy that she actually wants to stay away from. Humorous and romantic, glamorous and exciting: ‘Royal Horses’ is the perfect love story for all readers from 12 to 99 years-old. Greta and Edward‘s story continues! Volume 2, ‘Crown Dream’ will be out in autumn 2020.