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Since its publication in 1962, Carlos Fuentes' novel, Aura, remains not merely an object of academic interest but a continuous source of controversy in Mexico. It was the explosive combination of sex and religion that incensed the Ministro de Hacienda, Salvador Abascal, and linked Aura to the recent polemical Mexican film El crimen del Padre Amaro. Aura is preoccupied with the place and persistence of the sacred in modern Mexico rather than simply the secret abuses of institutional Catholicism. This critical edition of the work is accompanied by an introduction and notes on the text. ;
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Looking at royal ritual in pre-revolutionary France, Death and the crown examines the deathbed and funeral of Louis XV in 1774, the lit de justice of November 1774, and the coronation of Louis XVI, including the ceremony of the royal healing touch for scrofula. It reviews the state of the field in ritual studies and appraises the status of the monarchy in the 1770s, including the recall of the parlements and the many ways people engaged with royal ritual. It answers questions such as whether Louis XV died in fear of damnation, why Marie Antoinette was not crowned in 1775 and why Louis XVI's coronation was not held in Paris. This lively, accessible text is a useful tool for under- and post-graduate teaching which will also be of interest to specialists on this under-researched period.
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What is it like to live next door to a British Army base? England's military heartland provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? This book investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
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— "A precise, analytical insight into the phenomenon Trump." (Anton Pelinka, Central European University Budapest) — "An introduction to the contemporary US." (Heinrich Neisser, Jean Monnet Chair of European Integration, University of Innsbruck) — "Refreshingly different." (Herbert Dorfmann, Member of the European Parliament) Joe Biden's America is deeply divided. Donald Trump's term in office made many problems of modern US society visible, which Biden now has to solve. What do American politics look like under Joe Biden? What legacy did Donald Trump leave behind, and what kind of impact does it have? How can the deeper causes, factors and drivers of current US developments be put in a historical context? Roland Benedikter provides a thorough insight into a complex country. In a compact and comprehensible way, he explains the background, challenges and perspectives of the Biden era, while also providing an overview of the current state of US society and culture in general. His analysis is suitable for teaching, decision-makers and civil society as an introduction to today's USA.
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The essential message of the 'two regimes' model is that the social politics of fatherhood have taken on a global significance and that the USA and Sweden represent two ends of an international continuum of ways of thinking about fatherhood. The key selling points of the two regimes model are its topicality, originality, its global appeal, and its particularised appeal to readers in the USA, the Nordic countries, Great Britain, Ireland, the European Union, Japan and China. The book offers students a comparative analytical framework and new insights into why some welfare states have 'father-friendly' social policies and others do not. The book makes an original contribution to the growing fields of welfare regime and gender studies by linking the epochal decline of patriarchal fatherhood to welfare state expansion over the course of the twentieth century and it raises new questions about the legitimacy of religiously inspired neo-patriarchy.
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In this accessible and sophisticated exploration of the nature and workings of social and political power, Haugaard examines the interrelation between domination and empowerment. Building upon the perspectives of Steven Lukes, Michel Foucault, Amy Allen, Hannah Arendt, Anthony Giddens, Pierre Bourdieu and others, he offers a clear theoretical framework, delineating power in four interrelated dimensions. The first and second dimensions of power entail two different types of social conflict. The third dimension concerns tacit knowledge, uses of truth and reification. Drawing upon genealogical theory and accounts of slavery as social death, the fourth dimension of power concerns the power to create social subjects. The book concludes with an original normative pragmatist power-based account of democracy. Offering lucid and entertaining illustrations of complex theoretical perspectives, this book is essential reading for scholars and activists.
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A considered investigation of a long-standing army base's impact on the British countryside. What is it like to live next door to a British Army base? Beyond the barracks provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? Beyond the barracks investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
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This books traces the rise to prominence in the twentieth-century of a sub-genre of gothic fiction that is, emphatically, a horror of enlightenment rationality rather than gothic darkness, examining post-modern revisions of Modernist "Promethean" tropes in an eclectic range of gothic, fantasy and SF writing. Whether the subject be terror of London's churches in the psychogeographical fiction of Iain Sinclair and Alan Moore, the Orcs in the linguistic fantasies of J.R.R. Tolkien, King Kong, killer-computers, or demon-children in post-war British science-fiction, A Book of Monsters offers illuminating perspectives on the darker recesses of the post-modern imagination, setting out a compelling, and comprehensive, overview on our contemporary unconscious.
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
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This book examines the rise and fall of the aristocratic Lacy family in England, Ireland, Wales and Normandy. This involves a unique analysis of medieval lordship in action, as well as a re-imagining of the role of English kingship in the western British Isles and a rewriting of seventy-five years of Anglo-Irish history. By viewing the political landscape of Britain and Ireland from the perspective of one aristocratic family, this book produces one of the first truly transnational studies of individual medieval aristocrats. This results in an in-depth investigation of aristocratic and English royal power over five reigns, including during the tumultuous period of King John and Magna Carta. By investigating how the Lacys sought to rule their lands in four distinct realms, this book also makes a major contribution to current debates on lordship and the foundations of medieval European society.
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Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
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It is well known that the old English poem Beowulf begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then probes its darker side. The author's unique knowledge of Anglo-Saxon culture provides constant surprises and enlightenment. This book will be invaluable to all students of the poem for its fresh and detailed reading, its identification of a coherent structure and its establishment of the integrity of the surviving texts. ;
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Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
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The so-called Investiture Conflict was a watershed moment in the political life of the Latin West and the history of the papacy. Occurring at a time of rapid social change and political expansion, the eleventh-century reform movement became a debate centered on a ritual: the investment of bishops with the signs of their sacred and secular authority. The consecration of bishops, however, was only one of several contemporaneous conflicts over the significance of consecrations. Less well known is that which occurred over the dedication of churches. This book provides an examination of the consecration, placing the fundamental questions of the Gregorian Reform and Investiture Conflict back into their original liturgical framework. This context allows us to consider the symbolic richness of the liturgy that attracted large numbers of people. ;
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This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come.
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This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come.
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This volume is a photographic facsimile from the copy of the play by George Wapull in the Harry Ransom Centre.It was originally printed in 1576 by Hugh Jackson, and is one of only five extant copies. The introduction discusses the place of this play in Jackson's output, including two other interludes printed by him shortly afterwards. Besides compositorial practice and some irregularities, it addresses the identity of the author, historical detail about the surviving copies, and the editorial contribution of John Payne Collier. The text is rich in stage directions and aspects of performance are discussed including the doubling scheme for four players and the active role of the Vice. The play was written at a time when interludes designed for small acting troupes were popular and exhibited remarkable theatrical expertise. The intellectual context is considered, and in particular the place of this play among the considerable number of surviving interludes from London which focus upon wealth and its abuses and other matters of economic importance at the time.
