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      • Pampia Grupo Editor

        "I don't consider myself fundamentally as a professional. I'm basically an adventurer." (Orson Welles) My company is me, my friends, who give their opinion about my work, the authors who discuss about which cover to use for their work, and my dear ghost writers who have always accompanied me. Together with this group of people, I have achieved a catalog of titles of constant sale, that do not age, ranging from local and Latin American literature to personal improvement books; these are "longsellers" I never stop reprinting them. I like books and I venture into it.

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      • BCS, The Chartered Institute for IT

        BCSis committed to making IT good for society and has over 70,000 members,including students, teachers, professionals and practitioners. Through a wide range of global communities, we foster links between experts from industry, academia and business to promote new thinking, education and knowledge sharing. BCSpromotes continuing professional development through a series of respected IT qualifications, professional certifications and apprenticeships, and provides practical support and information services for its customers around the world.

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      • Trusted Partner
        Malone stirbt
        January 1991

        Malone stirbt

        Roman

        by Samuel Beckett, Elmar Tophoven

        Samuel Beckett wurde am 13. April 1906 in Dublin geboren und starb am 22. Dezember 1989 in Paris. Er zählt zu den bedeutendsten Schriftstellern des 20. Jahrhunderts und erhielt 1969 den Literaturnobelpreis. Beckett ist dem breiten Publikum hauptsächlich durch seine Dramen, insbesondere Warten auf Godot, bekannt, verfasste aber auch Prosa und Lyrik.

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        Das Zeichen des Jägers
        October 2009

        Das Zeichen des Jägers

        Kriminalroman

        by Soti Triantafillou, Birgit Hildebrand

        New York im Sommer 1990: Privatdetektiv Stuart Malone leidet unter der Hitze, unter Schlaflosigkeit und trüben Erinnerungen. Daß die New Yorker Polizei ihn und seine Assistentin Deenie zu laufenden Ermittlungen hinzuziehen will, hebt seine Laune nicht unbedingt. Doch die ehemaligen Kollegen brauchen seine Hilfe bei einer rätselhaften Mordserie in Chinatown. Denn dem ersten Anschein nach haben die Getöteten nur eines gemeinsam: das Zeichen eines Hirsches, das ihnen auf den Arm gemalt wurde.

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        Collections XVI
        November 2011

        Collections XVI

        by Eugene Giddens

        Collections XVI contains new documentary evidence concerning Luminalia, the anonymous Shrovetide masque of 1638, and theatrical references in the Bridewell Hospital Court of Governors' Minute Books. The volume also includes editions of fragments from an early seventeenth-century adaptation of Plautus' Captivi, held in the archives of New College, Oxford, and the part of Amarath from Harvard University manuscript Thr.10.1. The volume is edited by Eugene Giddens, with contributions from Nadine N. W. Akkerman, William Poole, Abigail Rokison, and Duncan Salkeld. It is part of the Malone Society's ongoing Collections series, which gathers together documents relating to the drama of the period. ;

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        Collections XVII
        Literature & Literary Studies
        May 2016

        Collections XVII

        by Eugene Giddens, Siobhan Keenan

        Collections XVII is the latest volume in the Malone Society's pioneering series of editions of miscellaneous documents relating to English theatre and drama before 1642. It is likely to be of special interest not only to early theatre historians but to those working on Tudor and Stuart court and civic culture, manuscript writing, household drama and early modern women's writing, as it publishes new material in each of these fields. The book includes items such as Revels Office accounts, a playscript fragment, entertainments, poems and civic shows. Many of these documents are previously unpublished, and have been freshly edited and transcribed; each has an introduction giving details of its date, authorship and historical importance. The volume will be essential reading for postgraduates and university teachers in early modern drama, theatre history and women's writing. ;

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        5.500 Patchwork-Blöcke
        February 2007

        5.500 Patchwork-Blöcke

        Traditionelle Muster, Variationen und neue Ideen

        by Malone, Maggie / Übersetzt von Weinold, Helene

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        The Humorous Magistrate (Arbury)
        Literary studies: c 1500 to c 1800
        November 2011

        The Humorous Magistrate (Arbury)

        by Edited by Margaret Jane Kidnie

        The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. This, the earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. The second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes.

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        The Humorous Magistrate (Osborne)
        Literature & Literary Studies
        November 2011

        The Humorous Magistrate (Osborne)

        by Jacqueline Jenkins, Mary Polito

        The Humorous Magistrate is a seventeenth-century satiric comedy extant in two highly distinctive manuscripts. The earliest and clearly working draft of the play is bound with three other plays (including The Emperor's Favourite, published by the Malone Society in 2010) in a volume in the library of the Newdigate family of Arbury Hall, Nuneaton, Warwickshire. This, the second version, showing yet another stage of revision not found in the Arbury manuscript and orientated towards performance, was purchased by the University of Calgary from the English antiquarian Edgar Osborne in 1972. The relationship between the manuscripts was discovered in 2005. The anonymous play has been attributed to John Newdigate III (1600-1642). Like The Emperor's Favourite, it takes aim at the court; its particular object of satire is governmental strategies under the Personal Rule of Charles I. The play appears in print for the first time in these separate editions. The volumes are illustrated with several plates, some provided for comparative purposes. ;

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        Ein Unglück, das man bis zum Ende verteidigen muß
        October 2014

        Ein Unglück, das man bis zum Ende verteidigen muß

        Briefe 1941 - 1956

        by Samuel Beckett, Chris Hirte

        Während der Kriegsjahre in Frankreich war der Austausch von Briefen vielfach erschwert oder schlicht zu gefährlich . Nach Kriegsende jedoch setzt ein Strom von Briefen ein, deren Fülle und Wucht den publizierten Werken in Samuel Becketts fruchtbarsten Jahren in nichts nachsteht. Besonders die Briefe an den Kunsthistoriker Georges Duthuit, die das Entstehen von »Molloy, Malone stirbt, Der Namenlose« und »Warten auf Godot« begleiten, werden zum Prozess einer Selbstfindung. In immer neuen Anläufen dringt Beckett zum Kern der Ästhetik vor, die seine Werke prägt. In ihrer Gesamtheit gestatten uns Becketts Briefe, nachzuvollziehen, wie aus einem leidenschaftlich in seine Arbeit vertieften, kaum bekannten Schriftsteller infolge des sensationellen Erfolgs von »Warten auf Godot« ein weltberühmter Autor wird – und wie Beckett darauf reagiert. Der Band enthält umfassende Einführungen, die sich mit Becketts Situation im Krieg und mit dem einschneidenden Wechsel von der englischen zur französischen Sprache beschäftigen, ferner Stellenkommentare, Zeittafeln und Kurzporträts der wichtigsten Briefpartner. Die auf vier Bände angelegte Ausgabe erschließt zum ersten Mal das Briefwerk eines der großen Schriftsteller des 20. Jahrhunderts.

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        Spenser and Donne
        Literature & Literary Studies
        August 2021

        Spenser and Donne

        Thinking poets

        by Yulia Ryzhik

        The names Edmund Spenser and John Donne are typically associated with different ages in English poetry, the former with the sixteenth century and the Elizabethan Golden Age, the latter with the 'metaphysical' poets of the seventeenth century. This collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge this dichotomous view and to engage critically with both poets, not only at the sites of direct allusion, imitation, or parody, but also in terms of common preoccupations and continuities of thought, informed by the literary and historical contexts of the politically and intellectually turbulent turn of the century. Juxtaposing these two poets, so apparently unlike one another, for comparison rather than contrast changes our understanding of each poet individually and moves towards a more holistic, relational view of their poetics.

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        Rereading Chaucer and Spenser
        Literature & Literary Studies
        August 2024

        Rereading Chaucer and Spenser

        Dan Geffrey with the New Poete

        by Rachel Stenner, Tamsin Badcoe, Gareth Griffith

        Rereading Chaucer and Spenser is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser. By reading one of the greatest poets of the Middle Ages alongside one of the greatest poets of the English Renaissance, this collection poses questions about poetic authority, influence, and the nature of intertextual relations in a more wide-ranging manner than ever before. With its dual focus on authors from periods often conceived as radically separate, the collection also responds to current interests in periodisation. This approach will engage academics, researchers and students of Medieval and Early Modern culture.

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        The early Spenser, 1554–80
        Literature & Literary Studies
        September 2020

        The early Spenser, 1554–80

        'Minde on honour fixed'

        by Jean R. Brink, Joshua Samuel Reid

        Brink's provocative biography shows that Spenser was not the would-be court poet whom Karl Marx's described as 'Elizabeth's arse-kissing poet'. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell's Catechism and Dean of St. Paul's. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser's life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.

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        Edmund Spenser and the romance of space
        Literature & Literary Studies
        August 2022

        Edmund Spenser and the romance of space

        by Tamsin Badcoe

        Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.

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        Clever bluffen
        January 1998

        Clever bluffen

        Internet

        by Ainsley, Robert

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        In Dobryd
        August 1996

        In Dobryd

        Eine polnische Kindheit. Roman. Aus dem Amerikanischen von Gabriele C. Pallat

        by Ann Charney, Gabriele C Pallat

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        Clever bluffen
        January 1999

        Clever bluffen

        Computer

        by Ainsley, Robert; Rae, Alexander C

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        Spenser and Virgil
        Literature & Literary Studies
        September 2020

        Spenser and Virgil

        by Syrithe Pugh, J. B. Lethbridge

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        The silence of Barbara Synge
        Literature & Literary Studies
        March 2009

        The silence of Barbara Synge

        by Bill McCormack

        'The silence of Barbara Synge' provides a fascinating companion volume to Bill McCormack's acclaimed 'Fool of the family' (2000), a biography of the playwright J.M. Synge (1871-1909). Taking the alledged death of Mrs John Hatch (née Synge) in 1767 as a focal point, this book explores the varied strands of the Synge family tree in eighteenth and nineteenth century Ireland. Key events in the family's history are carefully documented, including a suicide in 1769 which is echoed in an early Synge play, the effects of the famine which influenced 'The playboy of the western world' in 1907, and the behaviour of Francis Synge at the time of the union. 'The silence of Barbara Synge' is a unique work of cultural enquiry, combining archival research, literary criticism, and religious and medical history to pull the strands together and relate them to the family's literary descendent J.M. Synge. ;

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        The art of The Faerie Queene
        Literature & Literary Studies
        January 2021

        The art of The Faerie Queene

        by Richard Danson Brown

        The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.

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