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September 2015Marte Meo Method in Nursing
by Claudia Berther, Therese Niklaus Loosli
The Marte-Meo Method, developed by the Dutch educational counselor Maria Aarts, is a resource and solution focused communication- and video-analysis-method that supports care takers as well as patients in their daily (challenging) interactions. The method uses short film clips from real life situations and analyses these together with the participants. Using this method, inter personal skills as well as the quality of nursing improve and participants learn how to strengthen the emotional competence of those in need of their care. Target Group: Nurses, Nurse Educators
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The ArtsJune 2017Terence Fisher
by Peter Hutchings
Terence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
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January 1994Paolo Ucello: Schlacht von San Romano
Ein Bilderzyklus zum Ruhme der Medici
by Gebhardt, Volker
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Business, Economics & LawMarch 1905The Path of the Law
by Oliver Wendell Holmes Jr.
In The Path of the Law, Holmes discusses his personal philosophy on legal practice. The Common Law is a series of lectures that established Holmes's reputation as a witty and articulate writer.
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Humanities & Social SciencesJuly 2007Martha Gellhorn: The war writer in the field and in the text
by Kate McLoughlin, Martin Hargreaves
Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan's wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism. Often overlooked in accounts of war literature is the writer's precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn's daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn's rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier's magazine. McLoughlin goes on to examine Gellhorn's increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in. ;
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March 2009Lehrbuch der Marte-Meo-Methode
Entwicklungsförderung mit Videounterstützung
by Bünder, Peter; Sirringhaus-Bünder, Annegret; Helfer, Angela
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March 2013Lehrbuch der Marte-Meo-Methode
Entwicklungsförderung mit Videounterstützung
by Bünder, Peter; Helfer, Angela; Sirringhaus-Bünder, Annegret
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The ArtsSeptember 2015Film modernism
by Sam Rohdie
This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. ;
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November 1997Das Sakrament der Herrschaft.
Der politische Eid in der Verfassungsgeschichte des Okzidents. Aus dem Italienischen von Judith Elze.
by Prodi, Paolo
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