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        April 2016

        Cash Club

        Roman

        by Berkeley, Ben

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        July 1998

        Recht und Praxis des konzernweiten Cash Managements.

        Ein Beitrag zur Konzernfinanzierung. Konzern, Konzernrecht und Konzernfinanzierung, Teil VIII. Hrsg. von Walther Hadding / Uwe H. Schneider.

        by Hormuth, Mark W. / Herausgegeben von Hadding, Walther; Herausgegeben von Schneider, Uwe H.

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        January 1976

        Bank Credit, Money and Inflation in Open Economies.

        Proceedings of the Conference on Bank Credit, Money and Inflation in Open Economies held in Leuven on September 15 - 16, 1974.

        by Herausgegeben von Fratianni, Michele; Herausgegeben von Tavernier, Karel

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        Humanities & Social Sciences
        March 2025

        The Florentine florin

        The politics and culture of money in the Middle Ages

        by Stefano Locatelli

        Minted in Florence around November 1252, the florin became one of the leading gold currencies of the Middle Ages. Historians agree that its success was mainly due to the need for a stable means of payment in the networks of international trade. The Florentine Florin investigates the florin as a medium with hitherto neglected political, social, and cultural dimensions. By bringing human agents and political institutions more prominently into the history of the coin, this book enhances our understanding of money and its nature from a historical perspective, and provides an original framework for the integrated study of material culture and economic practices.

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        Humanities & Social Sciences
        June 2010

        The Material Renaissance

        None

        by Michelle O'Malley, Christopher Breward, Evelyn Welch, Bill Sherman

        Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving. The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. ;

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        Literature & Literary Studies
        June 1981

        El coronel no tiene quien le escriba

        by Gabriel Garcia Marquez, Giovanni Pontiero

        Gabriel García Márquez has been described as the greatest writer in Spanish since Cervantes, and El coronel no tiene quien le escriba is considered to be one of his best works. This reflective and atmospheric novel is set in a small Colombian town where the frustrated and stubborn Colonel, a veteran of the 'War of a Thousand Days', is still, after thirty years, waiting for the letter authorising payment of his war pension. The old soldier and his wife mourn the brutal killing of their only son, and the story of their struggle against poverty and sickness culminates in the Colonel's defiant refusal to part with his cherished fighting cock, however serious the consequences. The moving narrative pays tribute to the resilience of human nature and man's will to survive in the face of heavy odds. The novel also throws light on the turbulent religious and political troubles in Latin America. Now revised to include an updated chronology and bibliography, Giovanni Pontiero's acclaimed critical edition provides English-speaking students with an introduction to, and notes on the text, and a selected vocabulary. ;

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        November 2011

        The Honest Man's Fortune

        by Grace Ioppolo

        This edition of The Honest Man's Fortune, a play co-written by John Fletcher, Nathan Field, and Philip Massinger for the Lady Elizabeth's Men in 1613 and revived for the King's Men in 1625, is the first diplomatic edition of one of the most remarkable dramatic manuscripts of the early modern period. Almost uniquely, the fair-copy manuscript records the entire process of the circular transmission of the text from authors to censor to bookkeeper to actors to playhouse, as well as the types of revision each required. In the hand of Edward Knight, the King's Men's book-keeper, this manuscript's title-page notes that it was '/Plaide In the yeare 1613/' and contains one of the few surviving complete licences by Master of the Revels Sir Henry Herbert who states, 'This Play. Being an olde One and the Originall Lost was reallowd by mee. This: 8 febru. 1624 [i.e., 1625]'. In fact, Herbert accepted as payment for the new licence a printed edition of Sir Philip Sidney's /Arcadia/. More excitingly, the many cuts, deletions, and marginal and interlinear additions and revisions as well as the names of three actors in its stage directions show us two transmissions of this text: the first in 1613, when it was composed and licensed and then adjusted by the authors, and the second in 1625, when it went through almost the same process for revival. With a full discussion of the manuscript's material properties, provenance, transcription history, and the play's composition and performance history, this new edition of /The Honest Man's Fortune/ puts the play where it belongs: at the centre of the canon of Jacobean drama. ;

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