Furaha Publishers founded in 2014 is an independent children’s book publishing house based in Kigali Rwanda. It publishes 30 to 40 titles a year in both Kinyarwanda and English. Two titles were among the top 10 favorite children’s books in 2017.
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We are a young publisher, but with great experience in the sector, mainly in dentistry. Reputed national and international authors with great experience and who trust in our professionalism.
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Ein englisches Pub ist alles andere als eine beliebige Kneipe. Das Public House ist eine kulturhistorisch geprägte, hochgeschätzte nationale Instutition mit Eigentümlichkeiten, wie sie sich nur auf einer Insel entfalten können. Ganz zu schweigen vom englischen Bier. Bitter, ale oder stout, selbst das helle englische lager schmecken zweifellos anders als die Biere kontinentaler Herkunft. Dieser Pub-Führer vermittelt einen ungewöhnlichen Zugang zur Metropole London und zu den Grafschaften im Südosten Englands. Literarisch interessierte Leser begegnen bei ihren Pub-Besuchen und den angeschlossenen walks vielen Autoren; Garten und Naturliebhaber werden zu den schönsten Gärten und Landschaften Südenglands geführt; Antiquitätensammler kommen an vielen interessanten Lädeb vorbei; Wanderlustigen bieten die zahlreichen pubwalks eine gute Einstimmung auf den anschließenden Kneipenbesuch. Ein richtiges, das heißt ein einladendes, gemütliches und natürlich real ale ausschenkendes Pub mit gastfreundlichem Wirt ist keine Selbstverständlichkeit. Dieses Buch unterstützt Englandreisende bei der Suche nach altehrwüridgen oder auch ungewöhnlichen Gasthäusern - nebenbei nach solchen, die auch bed & breakfast anbieten. Das Public House ist nach britischen Verständnis eine öffentliche Angelegenheit und geschätzter Bewahrer der nationalen Identität - ein Besuch lohnt immer.
In dem schottischen Ort St. Applewood ticken die Uhren noch langsam. Man kennt sich, man hilft sich und einem guten Tropfen ist man ebenfalls nicht abgeneigt. Das Leben ist geruhsam. Kein Mörder lauert hinter dem mit Rosen umrankten Cottage Zaun. Als die alte Cider-Brauerei nach dreißig Jahren Stillstand endlich verkauft wird, ändert sich das. Barrington, der in dem alten Gebäude einen Pub eröffnen will, kommt einem Geheimnis auf die Spur, das ihn selbst in große Gefahr bringt.
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Im neuen Pub "Five Apple Kernells" im schottischen St. Applewood kehrt, nach den Ereignissen des letzten Jahres, Ruhe ein. Farlan, der junge Koch, hat sich eingelebt und scheint sich in seiner neuen Heimat wohl zu fühlen. Doch eines Tages verschwindet er plötzlich spurlos und Barrington versucht, mit allen Mitteln, ihn wiederzufinden. Was verbindet die beiden unbekannten Besucher, die plötzlich im Ort aufgetaucht sind, mit Farlan Kidd? Was hat das mit einem alten Kriminalfall aus Glasgow zu tun und warum schwebt Farlan in Lebensgefahr? Barrington muss Antworten finden und macht sich erneut auf Verbrecherjagd. Ungekürzt gelesen von Johannes Steck.
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Pubs und Literatur – das geht in keinem anderen Land besser zusammen als in Irland. Doch Pub ist nicht gleich Pub. In dieser kurzweiligen Rundreise durch Irland stellt Johann-Günther König rund 150 außergewöhnliche Gaststätten vor: Ob literarisches oder singing Pub, Trauer-Pub, Hotel-Bar, Laden-Pub oder viktorianischer Gin-Palace – der Varianten gibt es viele ...Zur Feier des 100. Bloomsday begibt sich König außerdem auf einen pub crawl durch Dublin, der die Spuren von Joyce, Beckett, Brendan Behan, Flann O'Brien u. v. a. aufnimmt.»Ausflüge« in die Geschichte bedeutender Brauereien und Whiskeybrennereien sowie eine Schilderung der Entwicklung irischer Trinkkultur und der public houses runden diese Reise ab.Im insel taschenbuch liegt außerdem vor: Von Pub zu Pub. Eine literarische Kneipentour durch London und Südengland (it 2888)
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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
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This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
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Making home explores the figure of the orphan child in a broad selection of contemporary US novels by popular and critically acclaimed authors Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michael Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez and Toni Morrison. The orphan child is a continuous presence in US literature, not only in children's books and nineteenth-century texts, but also in a variety of genres of contemporary fiction for adults. Making home examines the meanings of this figure in the contexts of American literary history, social history and ideologies of family, race and nation. It argues that contemporary orphan characters function as links to literary history and national mythologies, even as they may also serve to critique the limits of literary history, as well as the limits of familial and national belonging.
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The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;
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When we think about Victorian factories, 'Dark Satanic Mills' might spring to mind - images of blackened buildings and exhausted, exploited workers struggling in unhealthy and ungodly conditions. But for some employees this image was far from the truth, and this is the subject of 'The Factory in a Garden' which traces the history of a factory gardens movement from its late-eighteenth century beginnings in Britain to its twenty-first century equivalent in Google's vegetable gardens at their headquarters in California. The book is the first study of its kind examining the development of parks, gardens, and outdoor leisure facilities for factories in Britain and America as a model for the reshaping of the corporate environment in the twenty-first century. This is also the first book to give a comprehensive account of the contribution of gardens, gardening and recreation to the history of responsible capitalism and ethical working practices.
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This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
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Through the lens of performance and politics, this collection zooms in on the context-specific dimensions, analogies, and micro-histories of the Left to better understand the larger picture. It proposes a search for the Left not from totalising Leftist ideological positions and partisan politics but from ethical dimensions through smaller-scale Left-leaning struggles; not from the political to the aesthetic, but from the potentiality of art to offer new political imagination and critique; not from the individual subordinated to the collective, but from the dialectics of subjectivity and collectivity. This is not an attempt at a sweeping global overview of Leftist cultures either, but a collection that brings together culture-specific and comparative perspectives. This book searches for fragments of and on the Left, past and present, through which to rethink and patch a fragmented world.
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Moving between Britain and Jamaica The bonds of family reconstructs the world of commerce, consumption and cultivation sustained through an extended engagement with the business of slavery. Transatlantic slavery was both shaping of and shaped by the dynamic networks of family that established Britain's Caribbean empire. Tracing the activities of a single extended family - the Hibberts - this book explores how slavery impacted on the social, cultural, economic and political landscape of Britain. It is a history of trade, colonisation, enrichment and the tangled web of relations that gave meaning to the transatlantic world. The Hibberts's trans-generational story imbricates the personal and the political, the private and the public, the local and the global. It is both the intimate narrative of a family and an analytical frame through which to explore Britain's history and legacies of slavery.
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Home front heroism investigates how civilians were recognised and celebrated as heroic during the Second World War. Through a focus on London, this book explores how heroism was manufactured as civilians adopted roles in production, protection and defence, through the use of uniforms and medals, and through the way that civilians were injured and killed. This book makes a novel contribution to the study of heroism by exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations. By tracing the different ways that Home Front heroism was cultivated on a national, local and personal level, this study promotes new ways of thinking about the meaning and value of heroism during periods of conflict. It will appeal to anyone interested in the social and cultural history of Second World War as well as the sociology and psychology of heroism.
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This book opens the doors to the homes of the forgotten poor and traces the goods they owned before, during and after the industrial revolution (c. 1650-1850). Using a vast and diverse range of sources, it gets to the very heart of what it meant to be 'poor' by examining the homes of the impoverished and mapping how numerous household goods became more widespread. As the book argues, poverty did not necessarily equate to owning very little and living in squalor. In fact, its novel findings show that most of the poor strove to improve their domestic spheres and that their demand for goods was so great that it was a driving force of the industrial revolution.
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This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). ;
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Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
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Recent decades have witnessed major changes in gender roles and family patterns, as well as a falling birth rate in Ireland and the rest of Europe. While the traditional family is now being replaced in many cases by new family forms, we do not know the reasons why people are making the choices they are and whether or not these choices are leading to greater well-being. While demographic research has attempted to explain the new trends in family formation and fertility, there has been little research on people's attitudes to family formation and having children. This book presents the results of the first major study to examine people's attitudes to family formation and childbearing in Ireland. Based on a nationwide representative sample of 1,404 men and women in the childbearing age group, the study was carried out against a backdrop of changing gender role attitudes and behaviour as well as significant demographic change.
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Nach dem New-York-Times-Bestseller Die Klarheit schreibt Leslie Jamison einen großen Roman über Sucht und Ausweglosigkeit, über echte Verzweiflung und die flüchtigen hellen Augenblicke, die so schnell wieder verschwinden, wie sie gekommen sind. Als junge Frau läuft Tilly von zu Hause weg und landet in der schäbigen Unterwelt Nevadas, wo sie statt des großen Glücks nur Drogen, Alkohol und die falschen Männer findet. Eines Tages, nachdem Tilly beinahe dreißig Jahre lang keinen Kontakt zu ihrer Familie hatte und sich in einem Trailerpark in der Wüste fast zu Tode getrunken hat, steht ihre Nichte Stella vor der Tür ihres Wohnwagens und zwingt sie zu einem Neuanfang. Der Gin-Trailer erzählt die Geschichte der eigentümlichen Beziehung, die zwischen den beiden entsteht.
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This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.
