ArtThema
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View Rights PortalOur most popular titles include IT ALL COMES BACK TO YOU, an Amazon #1 Best Seller in multiple fiction categories for over a year and a half (US) and an extremely popular book club selection all over the US. The Art of Dixie is also the English language publisher of TAPESTRY, an Award-Winning Finalist in the Women's Fiction category of The 2020 International Book Awards, The Bronze Medal Winner in Southern Fiction in Publisher's Weekly 2020 Readers' Choice Awards, and a Five Star Readers' Favorite Award Winner.
View Rights PortalA pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
Ben Lerner ist einer der klügsten und innovativsten amerikanischen Dichter der Gegenwart. No Art zeigt das breite Spektrum lyrischer Formate, das Lerner beherrscht und fortwährend weiterentwickelt: das zerstörte Sonett, das poetische Denkbild, die gestisch verschobene Elegie, die Rekombination und Variation von Reden und sprachlichen Gesten über den einzelnen Text hinaus. Wiederkehrende Themenbereiche, Vertextungsverfahren und sprachliche Referenzsysteme werden sichtbar, an erster Stelle eine doppelte Auseinandersetzung: mit der kulturellen und politischen Gegenwart der Vereinigten Staaten und der Frage, wie sich denkend und sprechend darauf zugreifen lässt. Alexander Kluge bescheinigt Lerners Gedichten »einen völlig autonomen Duktus und Rhythmus« und schreibt in seinem Vorwort: »Zugleich finden sich in dieser Strömung von Worten blitzartig hochkonzentrierte Funken an Information, an Witz und inhaltlicher Präzision. So treffen hier Ideale der Kritischen Theorie (…) mit einer gediegenen New Yorker Modernität zusammen.«
Art as worldmaking is a response to Alex Potts's provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts's recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism's historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art's truth value or more broadly with conceptual problems of representation and the intersections of art and politics.
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
In "Ein Sommer in Sommerby" von Kirsten Boie werden die zwölfjährige Martha und ihre jüngeren Brüder Mats und Mikkel unverhofft in ein ländliches Abenteuer verstrickt, als sie ihre Ferien bei der unkonventionellen Großmutter verbringen müssen. Diese lebt in einem abgeschiedenen Haus ohne moderne Annehmlichkeiten wie Telefon oder Internet, dafür aber umgeben von Hühnern, einem Motorboot und bewaffnet mit einem Gewehr für den Fall ungebetener Gäste. Was zunächst als ein langweiliger Zwangsaufenthalt erscheint, entpuppt sich schnell als eine Zeit voller Entdeckungen und Zusammenhalt, als die Idylle durch äußere Bedrohungen ins Wanken gerät. Die Kinder lernen, was im Leben wirklich zählt, und entdecken die Werte von Freundschaft, Familie und einem bewussten Umgang mit der Natur. Kirsten Boie gelingt es, mit "Ein Sommer in Sommerby" eine Geschichte zu weben, die zeitlos und warmherzig ist, dabei aber auch wichtige Themen wie Achtsamkeit in der Natur, das Miteinander über Generationen hinweg und die wahre Bedeutung von Freundschaft und Zusammenhalt behandelt. Die Erzählung erinnert in ihrer Art an die idyllischen Geschichten Astrid Lindgrens und spricht damit nicht nur junge Leserinnen und Leser an, sondern auch Erwachsene, die sich nach einem Gegenpol zur schnelllebigen und digitalen Welt sehnen. Boies Talent, komplexe Themen kindgerecht und spannend zu vermitteln, macht dieses Buch zu einem wertvollen Begleiter für die ganze Familie. Zeitlose Erzählung: Eine warmherzige Geschichte für Kinder ab 10 Jahren, die an die Klassiker von Astrid Lindgren erinnert und Generationen verbindet. Abenteuer und Naturverbundenheit: Ein lebendiges Plädoyer für den achtsamen Umgang mit der Natur und die Schönheit des einfachen Lebens auf dem Land. Starke Charaktere und emotionale Tiefe: Durch die authentischen und liebevoll gezeichneten Charaktere entsteht eine Geschichte mit Herz, die zum Nachdenken anregt. Spannung und Humor: Geschickt verwebt Kirsten Boie Abenteuer und Spaß mit ernsten Themen, ohne dabei belehrend zu wirken. Ideal für die ganze Familie: Eignet sich hervorragend zum Vorlesen und gemeinsamen Lesen, fördert das Gespräch über Werte und den Umgang miteinander. Mehr als nur Unterhaltung: Neben der spannenden Handlung bietet das Buch Anstöße, über den eigenen Lebensstil und den Wert von Gemeinschaft und Natur nachzudenken. Der Dein SPIEGEL-Bestseller, auch gelistet bei Antolin. Alle Bände der Reihe: Band 1: Ein Sommer in Sommerby Band 2: Zurück in Sommerby Band 3: Für immer Sommerby Band 4: Am schönsten ist es in Sommerby Zusätzlich erschienen ist das Koch- und Erlebnisbuch "Sehnsucht nach Sommerby" mit norddeutschen Rezepten und Ausflugstipps in der Schlei-Region - eine perfekte Ergänzung zur Kinderbuch-Bestsellerreihe.
Empirical art: Filmmaking for fieldwork in practice is an insightful exploration of what the craft of filmmaking brings to social science research. Providing creative avenues on how to narrate encounters, relationships, and experiences during fieldwork, this comprehensive volume offers a rich tapestry of theoretical explorations and explorative methodologies. Skilfully connecting the worlds of ethnography, art and cinema, the contributors in this book act as a compass for filmmakers and researchers venturing to use a camera and microphone to relate and narrate their research collaborations and fieldsites. Drawing from the authors' extensive experience in disciplines like social anthropology, environmental humanities, and political science, "Empirical Art" breaks down the intricate process of crafting ethnographic films that departs from the researcher's subjectivity. Covering aspects of filmmaking from conceptualisation to production and distribution, readers are equipped with a treasure trove of collaborative techniques, innovative approaches, and ethical considerations necessary to generate and examine storytelling practices in contemporary fields of study. The authors discuss the significance of the multiple roles that technologies of filmmaking play in reflecting on cultural practices, social dynamics, and (beyond) human storytelling and their transformative potentials. Whether a seasoned filmmaker, an aspiring ethnographer, or an academic seeking new dimensions for their research, Empirical Art serves as a guide to integrating visual storytelling, cinema craft and empirical research.
Keine Normalisierung der Vergangenheit. (Rede). Über den doppelten Boden des demokratischen Rechtsstaates. (Rede). Heinrich Heine und die Rolle des Intellektuellen in Deutschland. Kritische Theorie und Frankfurter Universität. (Interview). Über Moral, Recht, zivilen Ungehorsam und Moderne. (Interview). Die Idee der Universität - Lernprozesse. Die Schrecken der Autonomie. Carl Schmitt auf englisch. Eine Art Schadensabwicklung. Apologetische Tendenzen - Vom öffentlichen Gebrauch der Historie - Nachspiel. Geschichtsbewußtsein und posttraditionale Identität. Die Westorientierung der Bundesrepublik.
The book introduces the psychology of disaster scenarios, taking into account national and international research. The title outlines different concepts, like anguish, stress, and resilience, and highlights the importance of psychosocial attention to minimize the consequences of disastrous situations and maintaining good mental health. The book consists of a foreword and four chapters, which include a technical note from the Federal Counsel of Psychology, the main concepts of risk and disaster management, and information on the official agencies and nonprofit organizations that work with disaster risks reduction. Target Group: clinical psychologists, mental health professionals, psychiatrists, students, and teachers
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
This bestselling title is a practical handbook on the concept of basic stimulation in nursing and its application for patients suffering from perceptional deficits, developmental delays and mental handicaps. It enables nurses to develop, improve and stabilize physically and mentally handicapped people with impaired perceptional, communicative and motor skills. Target Group: Nurses
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
The years between 1830 and 1852 were turbulent ones in French politics - but were also a golden age for French political caricature. Caricature was wielded as a political weapon, so much so that in 1835 the French politician Adolphe Thiers claimed that 'nothing was more dangerous' than graphic satire. This book is the first full study of French political caricature during the critical years of the July Monarchy (1830-48) and the Second Republic (1848-52). Focusing on the crucial question of republicanism, it shows how caricature was used - by both republicans and anti-republicans - to discuss, define and articulate notions of republican identity during this highly significant period in modern French and European history. ;
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method. ;