Kate B. Gordon publishes middle grade fiction under the imprint Relish Books. The first book in the Unicorn King series, Lily and the Unicorn King, blends the unicorns of European mythology with Maori myths and lore, a trio of brave friends and their ponies. The second book in the series, Sasha and the Warrior Unicorn, will be out late in 2020 with the third book in 2021.
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Cultural Relics Press was established in 1957, and is the only press dedicated to publishing archeology related books. It is committed to salvaging and protecting China’s cultural heritage and publicizing the content and artistic charm of traditional Chinese culture. Over the past 60 years, it has published about 7000 kinds of books on culture and archeology”. Its publications on traditional Chinese culture are well received across the world. It is the first press to engage in cultural exchange abroad and cooperate with counterparts in Europe, the United States, Hong Kong and Taiwan. It has collaborated with partners in UK, USA, Italy, Japan, former Yugoslavia, Taiwan. More than 300 awards has been received at home and abroad, including, among others, National Book Award, China Book Award, and “Most Beautiful Books in the World” (Leipzig).
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In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.
Religion in the Making – so der englische Originaltitel – besteht aus vier Vorlesungen, die Whitehead 1926 gehalten hat. In der gleichen Perspektive, wie er in den ein Jahr früher gehaltenen Lowell Lectures, die unter dem Titel Wissenschaft und moderne Welt erschienen sind, Entwicklung und Wirkung der modernen Wissenschaft analysiert hatte, verfolgt er in Wie entsteht Religion? die Ziele, »eine gedrängte Analyse der vielfältigen Faktoren in der menschlichen Natur vorzulegen, die in ihrem Zusammenwirken eine neue Religion entstehen lassen, den unausweichlichen Wandel der Religion im Zusammenhang mit dem Wandel des Wissens darzustellen und insbesondere die Aufmerksamkeit darauf zu richten, wie die Religion von unserer Auffassung jener beständigen Elemente abhängt, vermöge derer es in der Welt eine feste Ordnung gibt – beständige Elemente, ohne die es keine sich verändernde Welt geben könnte«.
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Religion and life cycles in early modern England assembles scholars working in the fields of history, English literature and art history to further our understanding of the intersection between religion and the life course in the period c. 1550-1800. Featuring chapters on Catholic, Protestant and Jewish communities, it encourages cross-confessional comparison between life stages and rites of passage that were of religious significance to all faiths in early modern England. The book considers biological processes such as birth and death, aspects of the social life cycle including schooling, coming of age and marriage and understandings of religious transition points such as spiritual awakenings and conversion. Through this inclusive and interdisciplinary approach, it seeks to show that the life cycle was not something fixed or predetermined and that early modern individuals experienced multiple, overlapping life cycles.
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Die Klassiker der Soziologie hatten die Religionssoziologie als einen zentralen Teil der Gesellschaftstheorie angesehen, und zwar auch und gerade dort, wo ihnen die moderne, angeblich so religionsfern gebaute Gesellschaft vor Augen stand. Der vorliegende Band, an dem Niklas Luhmann bis kurz vor seinem Tod gearbeitet hat, erneuert diesen Anspruch, indem er die Religion als autonomes Kommunikationssystem innerhalb der modernen Gesellschaft beschreibt.
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Concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. Raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to mainstream cinema and the processes of institutionalisation and classification. Claims that the history of academic film studies and that of cult movie fandom are inextricably intertwined and raises fundamental questions about both cult movies themselves, and film studies as a discipline. Updates work on cult movies at a time when cult films and TV have become a central part of contemporary culture. Ranges over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci fi flicks, as well investigations of Sharon Stone, 'underground' and trivia.
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Make or break? Advertisements repeatedly praise „plant-based“ products or promise new mobility through ointments and dietary supplements. The tools of evidence-based pharmacy help to answer the question „Does this really help?“ This practical guide offers tips and explanations on how to be confident of finding the relevant scientific literature, critically evaluate clinical studies, and interpret therapeutic results. The book provides guidance on how to classify the quality of reviews and meta-analyses and assess the reliability of guidelines in everyday healthcare practice. Practical examples help to avoid pitfalls in evaluation and to understand the statistical details. An extensive appendix with technical terms, checklists, important institutions of evidence-based medicine and further sources completes the book.
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This book offers a collection of essays tightly focused around the issue of religion in England between 1640 and 1660, a time of upheaval and civil war in England. Edited by well-known scholars of the subject, topics include the toleration controversy, women's theological writing, observance of the Lord's Day and prayer books. To aid understanding, the essays are divided into three sections examining theology in revolutionary England, inside and outside the revolutionary National Church and local impacts of religious revolution. Carefully and thoughtfully presented, this book will be of great use for those seeking to better understand the practices and patterns of religious life in England in this important and fascinating period. ;
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Drawing on the recent ontological turn in critical theory, Spectral Dickens explores an aspect of literary character that is neither real nor fictional, but spectral. This work thus provides an in-depth study of the inimitable characters populating Dickens' illustrated novels using three hauntological concepts: the Freudian uncanny, Derridean spectrality, and the Lacanian real. Thus, while the current discourse on character studies, which revolves around values like realism, depth, and lifelikeness, tends to see characters as mimetic of persons, this book invents new critical concepts to account for non-mimetic forms of characterization. These spectral forms bring to light the important influence of developments in nineteenth-century visual culture, such as the lithography and caricature of Daumier and J.J. Grandville. The spectrality of novelistic characters developed here paves the way for a new understanding of fictional characters in general.
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Spirits of extraction revisits the troubling history of socially reformist, ostensibly anti-racist, Christianity and its role in the expansion of the extractive industries, British imperialism, and settler colonialism. The book explores key moments in the history of Methodism and the evangelical movement. Colonial fears, and the attempt to 'civilise savages', were crucial to the movement's foundation in eighteenth-century industrialising Bristol, England. Through the culture of the Cornish mining diaspora of the nineteenth century, Methodism enmeshed with all the complexity of race and labour-structures of the British empire. At the same time, in Anishinaabewaki/Upper Canda/Ontario, Methodist missionaries laid the foundation of abusive education and racialised ideas of redemption that both enable and sacralise the mining industry. Through these histories of our present, the book theorises the relation of religion and education to racism, modernity, biopower, extractivism, and the geology of race.
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Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.
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Revolutionäres Vorbild, Internationalist und Kosmopolit, Theoretiker, Philosoph, Schriftsteller, Politiker, Liebhaber, Ehemann, Vater, Jude, Feind und verfolgtes Opfer. Leo Trotzki, einer der bedeutendsten politischen Führer der ersten Hälfte des 20. Jahrhunderts, war von schillernder Gestalt. Der 1879 in der Südukraine als Lew Dawidowitsch Bronstein geborene hat den Grundstein zur Gründung der Sowjetunion gelegt, und wird doch immer wieder unterschlagen, wenn die führenden Köpfe der russischen Revolution genannt werden. Zusammen mit Lenin stand er, der Gründer der Roten Armee, 1917 an der Spitze der Oktoberrevolution. Als Volkskommissar war er unter anderem verantwortlich für das Kriegs- und Verlagswesen. Trotzki war nicht nur politischer Führer, sondern auch produktiver Schriftsteller und begnadeter Redner. Fragen nach Kultur und Alltagsleben waren ihm ebenso wichtig wie Politik und Geschichte. Der Aufstieg der Stalinfraktion nach Lenins Tod 1924 führte zu seinem Ausschluß aus den politischen Führungspositionen und schließlich zu seiner Verbannung 1929. Im Jahr 1940 wurde Trotzki in Mexiko-City von einem GPU-Agenten mit einem Eispickel erschlagen. Robert Service, Professor für Russische Geschichte und Spezialist für Russische Revolutionsgeschichte, hat viele Jahre unveröffentlichtes Archivmaterial gesichtet und mit seiner packenden Biographie nicht nur das Bild eines der brillantesten politischen Köpfe der Revolution gezeichnet, sondern sich – unparteiisch und unverfälscht – auch mit der überfälligen Debatte um das Verhältnis zwischen Trotzki und Stalin auseinandergesetzt.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
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This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
