The Universidad de La Sabana University Press publishes both printed and digital versions of all the books in its catalog. Our books are the intellectual property of our teachers and researchers. We share with you in this fair book series in peace, conflict, and professional gastronomy techniques, focused on Colombian gastronomy. Check our online catalog https://publicaciones.unisabana.edu.co/
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Rua do Sabão wants to bring unpublished or half forgotten titles to Brazil, using only direct translations of the original language; and make room for new works, created by Brazilian authors of tomorrow.
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Wie man ein Geisterdorf umsiedelt Seit Bodhis Familie nach Neu-Nebelheim umgesiedelt wurde, vermisst der Elfjährige sein altes Dorf Nebelheim, dem der Abriss bevorsteht. Bei einem letzten Besuch entdeckt er dort Geister. Auf der Suche nach ihren sterblichen Überresten, die ungefragt nach Neu-Nebelheim umgebettet wurden, spuken sie durch das verlassene Dorf und wollen den Arbeitern aus dem Kohleloch ihre Körper stehlen. Gemeinsam mit der Gespenster-Expertin Joe will Bodhi das Unheil abwenden. Dafür müssen sie die Geister „nur“ nach Neu-Nebelheim bringen – ein Abenteuer voller Freundschaft und neuer Hoffnung beginnt. Bodhi, Joe und ein Dorf voller Geister: Eine lustige Geschichte über Freundschaft und Geister Gespenster umsiedeln: Warmherzige Geister-Geschichte für Kinder ab 9 Jahren von der Kirsten-Boie-Preisträgerin Sabrina Schmohl. Geister gibt es wirklich: Der 11-jährige Bodhi hilft den Gespenstern beim Umzug aus einem verlassenen Geisterdorf. Gespenstertreiben mit Tiefgang: In der abenteuerlichen Gruselgeschichte entdeckt Bodhi die Bedeutung von Heimat und wahrer Freundschaft. Ausgezeichnetes Leseabenteuer: Ein Coming of age-Roman mit viel Herz und Humor von Sabrina Schmohl, die den Kirsten-Boie-Preis 2024 gewonnen hat. Die Geister sind los! Eine unterhaltsame Lektüre für Kinder ab 9 Jahren, die abenteuerliche Gespenster- und Freundschaftsgeschichten lieben.
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Aus dem Japanischen von Sabrina Wägerle
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StoryWorld – Amulet of a Thousand Waters (Vol. 1) A theme park like you've never seen before ... This is where stories come true! • Gripping adventure quests and a tribute to reading and storytelling• Westworld for children: Attractive setting in an amusement park, a new adventurous theme world in each volume• Realistically anchored in children's lives – with a fantastic twist• Opulent b/w illustrationsWhat happens in Volume 1:Apart from their love of books and their pets, arch-enemies Sascha and Chloe have nothing in common - Sascha, the unappreciated loner, and Chloe, idolized by her classmates. Of all people, these two rivals win the main prize at the reading competition: a ticket to the brand-new adventure park StoryWorld.The park is surrounded by all sorts of rumors, and no one really knows what awaits visitors there. Their journey takes Sascha and Chloe by seaplane to a secluded island. At the heart of the park is a huge library, from which the girls can look down on seven fantastic theme worlds. The library is filled with spotless white books, each of which stands for a story to be experienced in the worlds - that's the only way to fill the pages.Sascha and Chloe choose The Realm of Thousand Waters and are to have their own adventure there under the spell of the sea dragon. This park has nothing in common with an ordinary amusement park - in this park, between fantasy and reality, a dark secret is guarded, which is to be explored in the further volumes.
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Portraiture and Social Identity in Eighteenth-Century Rome sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves. Portraiture and social identity in eighteenth-century Rome will become essential reading for anyone with a particular interest in eighteenth-century art and its social use. ;
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