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        Literature & Literary Studies
        June 2016

        Open graves, open minds

        by Sam George, Bill Hughes

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        Literature & Literary Studies
        July 2023

        In the company of wolves

        Werewolves, wolves and wild children

        by Sam George, Bill Hughes

        In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children ­- often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.

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        Literature & Literary Studies
        February 2020

        In the company of wolves

        by Sam George, William Hughes

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        October 2018

        Von Männern und ihren Katzen

        Die größten Katzenliebhaber der Geschichte

        by Sam Kalda, Kirsten Riesselmann

        Der beste Freund des Mannes ist der Hund. Von wegen! In seinem stilsicher wie liebevoll illustrierten Buch widmet sich Sam Kalda den großen »Katzenmännern« der Geschichte und beweist, dass den bedeutendsten Denkern, Erfindern, Künstlern und Schriftstellern unserer Zeit keineswegs imposante Vierbeiner beiseite standen, sondern filigrane Katzengeschöpfe. Hemingway, der für seinen Jagdinstinkt – in tierischen wie in libidinösen Gefilden – und seinen exzessiven Alkoholkonsum berüchtigt war, legte eine erstaunliche Zuneigung zu Katzen an den Tag, zärtlich nannte er sie seine »Schnurr-Fabriken«. Nikola Tesla wurde angeblich zum Nachdenken über Elektrizität inspiriert, als er seine Katze Macak streichelte und einen Schlag abbekam. Und als fanatischster Katzenliebhaber wird vermutlich Karl Lagerfeld in die Geschichte eingehen, dessen weißes Siamkätzchen Choupette nicht nur für Chanel modelt, sondern auch einen Twitter-Account, zwei Nannys und eigenes Designergeschirr besitzt. Von Männern und ihren Katzen ist eine längst überfällige und charmante Hommage an die größten Katzenliebhaber aller Zeiten.

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        Lifestyle, Sport & Leisure
        June 2024

        Round our way

        Sam Hanna's visual legacy

        by Heather Nicholson

        Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.

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        Children's & YA
        April 2008

        Hallo Sam, hier bin ich

        by Stannard, Russell

      • Trusted Partner
        The Arts
        October 2017

        4 saints in 3 acts

        A snapshot of the American avant-garde in the 1930s

        by Patricia Allmer, John Sears

        Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.

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        Humanities & Social Sciences
        April 2023

        Who governs Britain?

        Trade unions, the Conservative Party and the failure of the Industrial Relations Act 1971

        by Sam Warner

        Providing fresh insights from the archival record, Who governs Britain? revisits the 1970-74 Conservative government to explain why the Party tried - and failed - to reform the system of industrial relations. Designed to tackle Britain's strike problem and perceived disorder in collective bargaining, the Industrial Relations Act 1971 established a formal legal framework to counteract trade union power. As the state attempted to disengage from and 'depoliticise' collective bargaining practices, trade union leaders and employers were instructed to discipline industry. In just three-and-a-half years, the Act contributed to a crisis of the British state as industrial unrest engulfed industry and risked undermining the rule of law. Warner explores the power dynamics, strategic errors and industrial battles that destroyed this attempt to tame trade unions and ultimately brought down a government, and that shape Conservative attitudes towards trade unions to this day.

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