Your Search Results

      • Trusted Partner
        Literature & Literary Studies
        June 2016

        Open graves, open minds

        by Sam George, Bill Hughes

      • Trusted Partner
        Lifestyle, Sport & Leisure
        June 2024

        Round our way

        Sam Hanna's visual legacy

        by Heather Nicholson

        Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.

      • Trusted Partner
      • Trusted Partner
        Literature & Literary Studies
        July 2023

        In the company of wolves

        Werewolves, wolves and wild children

        by Sam George, Bill Hughes

        In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children ­- often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion.

      • Trusted Partner
      • Trusted Partner
        August 2001

        Sam the Cat

        Storys aus der Welt der Männer

        by Klam, Matthew / Englisch Drechsler, Clara

      • Trusted Partner
      • Trusted Partner
        August 2004

        Sam, die Beatles und ich

        Wie ich das Herz meines Sohnes gewann

        by Smith, Peter / Englisch Goga-Klinkenberg, Susanne

      • Trusted Partner
        Children's & YA
        April 2008

        Hallo Sam, hier bin ich

        by Stannard, Russell

      • Trusted Partner
        January 1997

        Spencer Tracy ist nicht tot

        Erzählungen

        by Shepard, Sam

      • Trusted Partner
        July 2004

        Der große Himmel

        Short Stories

        by Shepard, Sam

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        The Arts
        September 2015

        Film modernism

        by Sam Rohdie

      • Trusted Partner
        Humanities & Social Sciences
        October 2016

        The imperial premiership

        by Sam Goodman

      • Trusted Partner
        The Arts
        September 2015

        Film modernism

        by Sam Rohdie

        This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard's work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students. ;

      • Trusted Partner
        Literature & Literary Studies
        October 2017

        Botany, sexuality and women's writing, 1760–1830

        From modest shoot to forward plant

        by Sam George

        In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science.

      • Trusted Partner
        March 2006

        Die Gerechten

        Thriller

        by Bourne, Sam

      Subscribe to our

      newsletter