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Sandu Publishing Co., Limited
Established in 2001, Sandu Publishing (China) embraces a global vision ever since. Specialized in international design and visual communication, Sandu keeps abreast with the latest design trends and diffuse outstanding and all-round design information. So far Sandu has published Chinese and English books and magazines in more than 70 countries worldwide. Amongst Design 360°, Asian Pacific Design and a series of professional design books are highly appreciated by design institutes and designers. For more info, please go to www.sandupublishing.com and www.design360.cn.
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Promoted Content
October 2011Der urheberrechtliche Schutz digitaler Werke.
Eine vergleichende Untersuchung der Schutz- und Sanktionsmaßnahmen im deutschen, italienischen und englischen Recht.
by Santangelo, Chiara
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November 2024Gegen das Klima der Gewalt
Unser riskanter Einsatz zwischen Polizei und Aktivismus für eine lebenswerte Zukunft
by Hannah Chiara
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Geography & the EnvironmentJune 2025Urban gardening and the struggle for social and spatial justice
by Chiara Certomà, Susan Noori, Martin Sondermann
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Health & Personal DevelopmentNo Saturday without Red Jelly
by Elizaveta Tusheva, Chiara Battisti, Luisa Mohme, Franziska Roth
Wim the Raccoon is a happy guy; he lives in the forest with Hector the Hare, and they have a great time together. But then Wim changes. He becomes sad and gloomy, and Hector doesn’t know what’s wrong with him. The hare goes to look for help and meets Dr Owl, an expert in invisible illnesses. With Dr Owl’s help, Wim the Raccoon starts to enjoy life again. This book explains to children and their parents different mental illnesses, how to recognize them, and how and where to get help. As well as important information, the children’s book also provides practical tasks and exercises. For:• children of primary school age(between 6 and 12) who come intocontact with a mental disorder andtheir parents• relatives and therapists
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The ArtsFebruary 2022"I am Jugoslovenka!"
Feminist performance politics during and after Yugoslav Socialism
by Jasmina Tumbas, Amelia Jones, Marsha Meskimmon
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
