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        July 2023

        Bright Falls 1. Delilah Green Doesn't Care

        by Ashley Herring Blake, Moon Notes, Franca Fritz, Heinrich Koop

        Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Dieser TikTok-Hit erobert sämtliche Herzen im Sturm: Ein New Adult Roman – smart, spicy, queer und einfach unwiderstehlich. Jetzt auch auf Deutsch. Delilah Green hat sich geschworen, nie wieder nach Bright Falls zurückzukehren. Mittlerweile lebt sie in New York, ihre Karriere als Fotografin nimmt langsam Fahrt auf, und ihr Bett ist niemals leer. Als ihre Stiefschwester Astrid sie mit einem dicken Scheck lockt, ihre Hochzeit zu fotografieren, wirft Delilah ihre Vorsätze über Bord und macht sich auf in das verfluchte Städtchen, das sie einst ihr Zuhause nannte. Bei den Hochzeitsvorbereitungen trifft sie auf Claire Sutherland, eine von Astrids hochnäsigen Freundinnen. Dabei stellt Delilah fest, dass doch nicht alles so unattraktiv ist in Bright Falls, wie zunächst gedacht… Das alles ist so herzerwärmend und witzig, dass wir sicher sind: Bright Falls lässt nicht nur Delilah, sondern auch dich nicht mehr los. Bright Falls 1. Delilah Green Doesn't Care: Von zweiten Chancen und diversen Formen der Liebe. Dein Must-Read mit über 5 Millionen Views auf TikTok in den USA. Die LGBTQI+ Rom-Com der amerikanischen Bestsellerautorin Ashley Herring Blake. So cool: Liebesgeschichte zwischen zwei Frauen mit viel Humor und noch mehr Spice. Freu dich auf New York und eine Kleinstadt, alte Freunde und ganz neue Gefühle. Young und New Adult Bücher ab 16 Jahren Welcome to Bright Falls! Der Reihen-Auftakt der queer-romantischen Komödie startete in den USA auf BookTok als absoluter Hit. Kein Wunder, so viel Romance und Diversity zugleich wirst auch du lieben. Band 1: Bright Falls 1. Delilah Green Doesn't Care Band 2: Bright Falls 2. Astrid Parker Doesn't Fail

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        Literature & Literary Studies
        April 2020

        Interweaving myths in Shakespeare and his contemporaries

        by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin

        This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.

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        The Arts
        June 2021

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

      • Trusted Partner
        The Arts
        January 2019

        The new pornographies

        Explicit sex in recent French fiction and film

        by Victoria Best, Martin Crowley

        The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.

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        The Arts
        September 2024

        The renewal of post-war Manchester

        Planning, architecture and the state

        by Richard Brook

        A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.

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        Humanities & Social Sciences
        July 2021

        Post-everything

        An intellectual history of post-concepts

        by Herman Paul, Adriaan van Veldhuizen

        Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.

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        Humanities & Social Sciences
        February 2001

        Women, scholarship and criticism c.1790–1900

        Gender and knowledge

        by Joan Bellamy, Anne Laurence, Gill Perry, Susan Williams

        Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;

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        Literature & Literary Studies
        November 2001

        Les Murray

        by Steven Matthews, John Thieme

        Les Murray is amongst the most gifted poets writing today, his multi-faceted talents have received high praise both in his native Australia and beyond. But he has also proved a controversial figure, whose poetry strays across the boundaries of political and cultural debate. The only full critical study of Murray's work available, Steven Matthews provides a complete picture of his career to date, from its early parables of national emergence to the working man's epic encounter with the major events of the twentieth century, Fredy Neptune. Provides detailed readings of key poems, as well as literary and cultural contexts for the rapid shifts in style and subject matter Murray has made from collection to collection. Gives an overview of Murray's place within Australian literature and national thought. ;

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        June 2008

        Father Browns Geheimnis

        Erzählungen

        by Gilbert Keith Chesterton, Hanswilhelm Haefs

        Gilbert Keith Chesterton wurde am 29. Mai 1874 in London geboren. Er begann eine Ausbildung als Illustrator an der Slade School of Art und besuchte Literaturvorlesungen am Londoner King’s College. Als Kolumnist und Literaturkritiker schrieb er für verschiedene liberale Zeitungen. Von 1900 an erschienen von ihm über hundert Bücher, Gedichte, Kurzgeschichten und Theaterstücke, die durch ihre stilistische Brillanz schnell eine große Bekanntheit erlangten. In besonderem Maße setzte sich Chesterton, der 1922 zum Katholizismus konvertierte, in seinen Büchern und Aufsätzen mit seiner Beziehung zum Christentum auseinander, meistens allerdings – wie in der  bekannten Gestalt des Priester-Detektivs Pater Brown – auf humoristische Weise. Er starb am 14. Juni 1936 in Beaconsfield.

      • Trusted Partner
        June 2008

        Father Browns Skandal

        Erzählungen

        by Gilbert Keith Chesterton, Hanswilhelm Haefs

        Gilbert Keith Chesterton wurde am 29. Mai 1874 in London geboren. Er begann eine Ausbildung als Illustrator an der Slade School of Art und besuchte Literaturvorlesungen am Londoner King’s College. Als Kolumnist und Literaturkritiker schrieb er für verschiedene liberale Zeitungen. Von 1900 an erschienen von ihm über hundert Bücher, Gedichte, Kurzgeschichten und Theaterstücke, die durch ihre stilistische Brillanz schnell eine große Bekanntheit erlangten. In besonderem Maße setzte sich Chesterton, der 1922 zum Katholizismus konvertierte, in seinen Büchern und Aufsätzen mit seiner Beziehung zum Christentum auseinander, meistens allerdings – wie in der  bekannten Gestalt des Priester-Detektivs Pater Brown – auf humoristische Weise. Er starb am 14. Juni 1936 in Beaconsfield.

      • Trusted Partner
        March 2008

        Father Browns Weisheit

        Erzählungen

        by Gilbert Keith Chesterton, Hanswilhelm Haefs

        Man kennt ihn aus vielen Verfilmungen, den kleinen, rundlichen und sanftmütigen Priester: Father Brown. Aber kennen Sie auch die packenden Erzählungen, die den Filmen als Grundlagen dienten? Hier sind sie! Father Brown löst seine Fälle mit Menschenkenntnis und Empathie: Vorurteilslosigkeit, Toleranz, Beobachtungsgabe und Intuition sind seine Hilfsmittel. Der sympathische Ermittler im Dienste des Herrn erobert seine Leserinnen und Leser mit Charme und Witz. Gilbert Keith Chesterton, 1874 geboren, starb 1936. Er war Romancier, Historiker und Essayist und hat ein umfangreiches Werk hinterlassen. Die hinreißenden Father-Brown-Geschichten erscheinen hier in der kongenialen Übersetzung von Hanswilhelm Haefs.

      • Trusted Partner
        March 2008

        Father Browns Ungläubigkeit

        Erzählungen

        by Gilbert Keith Chesterton, Hanswilhelm Haefs

        Man kennt ihn aus vielen Verfilmungen, den kleinen, rundlichen und sanftmütigen Priester: Father Brown. Aber kennen Sie auch die packenden Erzählungen, die den Filmen als Grundlagen dienten? Hier sind sie! Father Brown löst seine Fälle mit Menschenkenntnis und Empathie: Vorurteilslosigkeit, Toleranz, Beobachtungsgabe und Intuition sind seine Hilfsmittel. Der sympathische Ermittler im Dienste des Herrn erobert seine Leserinnen und Leser mit Charme und Witz. Gilbert Keith Chesterton, 1874 geboren, starb 1936. Er war Romancier, Historiker und Essayist und hat ein umfangreiches Werk hinterlassen. Die hinreißenden Father-Brown-Geschichten erscheinen hier in der kongenialen Übersetzung von Hanswilhelm Haefs.

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