Daniel Goleman - Foreign Audio
Please contact anaban@gmail.com for information
View Rights PortalDavid and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
This book examines the television serials created by influential showrunner David Simon. The book argues that Simon's main theme is the state of the contemporary American city and that all of his serials (barring one about the Iraq War) explore different facets of the metropolis. Each series offers distinctly different visions of the American city, but taken together they represent a sustained and intricate exploration of urban problems in modern America. From deindustrialisation in The Wire and residential segregation in Show Me a Hero to post-Katrina New Orleans in Treme and the transformation of the urban core in The Deuce, David Simon's American city traces the urban through-line in Simon's body of work. Based on sustained analysis of these serials and their engagement with contemporary politics and culture, David Simon's American city offers a compelling examination of one of television's most arresting voices.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director's position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities.
Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities. ;
Der Bestsellerautor Daniel Glattauer lässt in seinem neuen Roman Menschen zu Wort kommen, die keine Stimme haben – ein Sittenbild unserer privilegierten Gesellschaft.Die Binders und die Strobl-Marineks gönnen sich einen exklusiven Urlaub in der Toskana. Tochter Sophie Luise, 14, durfte gegen die Langeweile ihre Schulfreundin Aayana mitnehmen, ein Flüchtlingskind aus Somalia. Kaum hat man sich mit Prosecco und Antipasti in Ferienlaune gechillt, kommt es zur Katastrophe.Was ist ein Menschenleben wert? Und jedes gleich viel? Daniel Glattauer packt große Fragen in seinen neuen Roman, den man nicht mehr aus der Hand legen kann und in dem er all sein Können ausspielt: spannende Szenen, starke Dialoge, Sprachwitz. Dabei zeichnet Glattauer ein Sittenbild unserer privilegierten Gesellschaft, entlarvt deren Doppelmoral und leiht jenen seine Stimme, die viel zu selten zu Wort kommen.
Die große Befreiung Es geht spannend weiter! Die Sieben sind gefunden, der Drache wurde gesichtet - das Schwert noch nicht - und das Puzzle in Darios Kopf setzt sich weiter zusammen. Stück für Stück. Die Freunde müssen sich beeilen, denn die Welt ist weiterhin in Gefahr! Doch zunächst muss Rumpel befreit werden - was das mit einen furchterregenden Monster aus den dunklen Tunneln von Kwertz zu tun hat, erfahren die Leser*innen in Band 5 der KoboldKroniken. KoboldKroniken 5. Rumpels Rückkehr: Der fünfte Band der fantastischen Reihe Es wird unheimlich in Kwertz: Ein spannendes Abenteuer im Tagebuchstil mit vielen tollen Comic-Elementen für Kinder ab 9 Jahren. Koboldstarke Leseförderung: Die kurzen Texte von Bestsellerautor Daniel Bleckmann sind ideal für Kinder, die nicht so viel lesen wollen oder können. Genial ausgestattet: Mit coolen Illustrationen von Thomas Hussing („Das kleine böse Buch“), schillernder Folie und hochwertiger Stanzung auf dem Cover. Leicht zu lesen: Das stark illustrierte Comic-Buch spricht die Sehgewohnheiten von Lesemuffeln und leseschwachen Kindern ab 9 Jahren an. Lauter Lieblingsthemen: Mit Themen wie Freundschaft, Schule, Spiele und Fantasiewesen machen die Kobold Kroniken das Lesen zu einem großen Abenteuer. Die KoboldKroniken sind witzige Bücher im Tagebuchstil mit wenig Text und coolen Illustrationen für Kinder ab 9 Jahren. Die Geschichten der Dein SPIEGEL-Bestsellerautoren Daniel Bleckmann und Thomas Hussung verbinden Themen wie Freundschaft, Schule und Monster mit Gaming und Fantasy. Für alle Fans dieser interaktiven Bücher gibt es eine große Koboldwelt mit vielen tollen Produkten wie Erstlesebücher, Beschäftigungsbücher, Escape-Abenteuer, Spiele und Adventskalender.
'A rule of mine is this', said William Goldman in 1983, 'there are always three hot directors and one of them is always David Lean.' One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean's career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker. ;
Lesen lernen mit Rumpel Die Schule ist langweilig? Nicht mit einem Klassenkobold! Die Klasse 1a bereitet sich vor: ein Feueralarm soll geprobt werden. Doch Emilia entdeckt in der Mensa ein kleines fliegendes Wesen. Kommt es etwa aus der Koboldwelt Kwertz? Sofort folgen Emilia und Kobold Rumpel der (verkohlten) Spur in ein brandgefährliches Abenteuer. Das spannende Erstlesebuch für Kinder ab 6 Jahren ist ein fantastischer Einstieg in die Welt des Lesens. Mit einfachen Texten im Tagebuchstil und bunten Bildern eignet es sich perfekt für den Lesestart. KoboldKroniken: Der KlassenKobold 2. Feueralarm!: Band 2 der genialen Reihe für Erstleser*innen Lesespaß mit den Kobold Kroniken: Spannendes Erstlesebuch mit einem koboldstarken Abenteuer für Kinder ab 6 Jahren. Monstermäßig große Lesemotivation: Das interaktive Kinderbuch im Tagebuchstil mit bunten Illustrationen zeigt, wie cool und unterhaltsam Lesen sein kann. Auf Augenhöhe mit der Zielgruppe: Die KoboldKroniken vereinen beliebte Figuren und eine lustige Geschichte mit den Lieblingsthemen Freundschaft, Schule, Monster und Fantasywelten. Perfekt zum Lesestart: Das stark illustrierte Buch entspricht den Sehgewohnheiten von Leseanfänger*innen ab 6 Jahren. Toll aufgemacht: Mit leicht verständlichen Texten im trendigen Tagebuchstil von Daniel Bleckmann und frechen Bildern von Thomas Hussung („Das kleine böse Buch“). Die KoboldKroniken sind witzige Bücher im Tagebuchstil mit wenig Text und coolen Illustrationen für Kinder ab 9 Jahren. Die Geschichten der Dein SPIEGEL-Bestsellerautoren Daniel Bleckmann und Thomas Hussung verbinden Themen wie Freundschaft, Schule und Monster mit Gaming und Fantasy. Für alle Fans dieser interaktiven Bücher gibt es eine große Koboldwelt mit vielen tollen Produkten wie Erstlesebücher, Beschäftigungsbücher, Escape-Abenteuer, Spiele und Adventskalender.